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random dot grid pattern v 73-121

Ime Razred Datum

Herman de Vries, random dot grid pattern v 73-121 (1973), THAT'S CONTEMPORARY. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Herman de Vries wikioo.org/sl/artists/herman-de-vries/
Datumi rojstva in smrti umetnika
1931 –
Naslikano
1973
Prvotna velikost
73 x 102 cm
V mestu/lokaciji
THAT'S CONTEMPORARY wikioo.org/sl/museums/that-s-contemporary-milan/

V kontekstu

random dot grid pattern v 73-121 — Herman de Vries

Kakšna je velikost?

Prvotne dimenzije so 73 × 102 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000
  9. 2010

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja, pri čemer se leta od rojstva štejejo od 0 naprej.

Naslikano, ko je bil avtor star 42. 1 od 9 datiranih del tega umetnika v našem katalogu je nastalo prej.

▲ to delo, 1973 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1979 Glavni delovni leti: 1979–2015 Pozna dela: od 2015

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: wikioo.org/sl/art/similar/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Putty #cdd0c9

    Katalogirana paleta

    • #CDD0C9
    • #CBBA9C
    • #B49D80
    • #C65C2D

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Monochrome Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Putty
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Serene V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Herman de Vries v zadnjih dvanajst mesecih — skupaj 1 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 100,0%200 visits

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    1 najbolj gledanih del umetnika Herman de Vries

    1. 1 random dot grid pattern v 73-121, 1973 ta slika 100,0%200 visits

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 9 del te umetnice, pri čemer je bilo 1 vsaj enkrat ogledanih. This painting ranks 1 of them, with 100,0% of that attention (200 visits). Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Herman de Vries

    Rojen v Alkmaar, Netherlands

    Herman de Vries: A Life Dedicated to the Language of Nature

    Born in Alkmaar, Netherlands, in 1931, Herman de Vries’s artistic journey is inextricably linked to a profound reverence for the natural world. From his early beginnings exploring the intricacies of plants and seeds – a fascination that began in 1953 – he embarked on a lifelong pursuit to translate the silent eloquence of nature into meticulously crafted visual narratives. De Vries wasn't merely an artist; he was, as he himself described it, a ‘translator,’ seeking to reveal the hidden order within seemingly chaotic natural forms. His work stands apart not just for its technical precision but for its quiet insistence on recognizing the inherent beauty and intelligence embedded in even the smallest botanical detail.

    De Vries’s early career was marked by experimentation with various media, including drawing and collage, reflecting a broader engagement with artistic movements of his time. The influence of the Zero group – a collective of Dutch artists pushing boundaries in the late 1950s and early 1960s – is evident in his commitment to simplicity and economy of form. This minimalist approach, coupled with a desire to capture the essence of natural phenomena, became a defining characteristic of his later work. He famously adopted a lowercase style for his name on his artwork, a deliberate choice intended to diminish hierarchy and emphasize the equal importance of the artist and the subject matter – a subtle yet powerful statement about his artistic philosophy.

    Moving into the 1970s, De Vries shifted his focus towards directly engaging with natural materials. He began collecting soil samples from around the globe, transforming them into vibrant areas of color that revealed the astonishing diversity hidden beneath our feet. This period marked a significant evolution in his work, moving beyond representation to explore the very materiality of nature itself. His pieces became less about depicting specific plants and more about conveying their fundamental qualities – texture, form, and color – through carefully arranged collections.

    Botanical Precision and Geometric Harmony

    De Vries’s technical skill is undeniable. He possessed an almost obsessive attention to detail, meticulously rendering the textures of seeds, the veins of leaves, and the intricate patterns of dried flowers. His works are characterized by a remarkable level of precision, achieved through painstaking observation and patient execution. However, this technical mastery never overshadows the underlying conceptual framework of his art. It’s not simply about accurate representation; it's about revealing the inherent geometry and order within seemingly random natural arrangements.

    Consider “Prunus Persica,” a captivating study of twelve nuts and seeds rendered in exquisite detail. The arrangement isn’t arbitrary; it follows a precise geometric pattern, mirroring the underlying structure of the botanical specimens themselves. Similarly, "An Afternoon Under a Cherry Tree" showcases dried leaves arranged in meticulously crafted diptychs – a testament to De Vries's ability to transform ephemeral natural elements into enduring works of art. These pieces demonstrate his mastery of composition and his deep understanding of how form and space interact.

    A Life Rooted in Germany

    In 1980, De Vries relocated to Eschenau, near Knetzgau, Germany, where he continues to live and work today. This move marked a deepening connection with the landscape and a continued exploration of his core themes. His studio has become a repository for collected natural materials – soil, seeds, leaves, and fragments of wood – each carefully selected and arranged to evoke a sense of wonder and contemplation.

    His current work often focuses on disrupted relationships between humanity and nature, reflecting a growing concern about environmental issues. He continues to collect and arrange these elements, not as static representations but as dynamic expressions of the interconnectedness of all things. The artist’s choice to live in Germany has undoubtedly influenced his perspective, allowing him to immerse himself in the rich cultural heritage of the region while maintaining a steadfast commitment to his artistic vision.

    Recognition and Legacy

    Herman de Vries's work has garnered significant recognition within the international art community. His pieces are held in prestigious collections including The Museum of Modern Art in New York, the Stedelijk Museum Schiedam in the Netherlands, and the Victoria and Albert Museum in London. In 2015, he was included in the Venice Biennale, a testament to his enduring influence and artistic merit.

    Beyond individual accolades, De Vries’s legacy lies in his profound respect for nature and his ability to translate its complexities into visually arresting works of art. He demonstrated that beauty could be found not only in grand landscapes but also in the smallest details – a single seed, a dried leaf, or a handful of soil. His work serves as a constant reminder of our connection to the natural world and the importance of appreciating its inherent value.

    Muzej

    THAT'S CONTEMPORARY

    Na razstavi v Milan, Italy

    THAT'S CONTEMPORARY: A Milanese Hub for Contemporary Art

    Milan, Italy – THAT’S CONTEMPORARY stands as a singular testament to the evolving landscape of Italian art. Founded in 2011, this innovative cultural platform isn’t merely documenting contemporary artistic endeavors; it actively cultivates an independent network connecting artists, galleries, and audiences—a deliberate departure from traditional museum models. Its mission is simple yet profound: to illuminate Milan's dynamic creative spirit and foster a deeper appreciation for modern art forms.

    Mapping the Scene:

    Launched as a response to the need for centralized artistic mapping, THAT’S CONTEMPORARY swiftly established itself as the go-to resource for discovering exhibitions and emerging talent within Milan.

    Bridging Connections:

    Unlike conventional institutions focused on preservation, THIS platform prioritizes engagement—facilitating dialogues between artists and collectors alike.

    Collection Highlights & Artistic Explorations

    While lacking a permanent collection in the traditional sense, THAT’S CONTEMPORARY offers visitors an immersive journey into Milanese contemporary art. The platform champions exhibitions showcasing diverse mediums—photography, sculpture, installation art—often featuring groundbreaking perspectives on societal issues and artistic experimentation. Notably, explorations of architectural spaces like Viafarini contribute to this experience, highlighting innovative approaches to gallery design and fostering stimulating conversations about artistic presentation.

    Featured Works:

    Among the showcased pieces are captivating artworks such as Gerhard Richter’s ‘Domplatz, Mailand,’ a masterful black & white photograph capturing Milanese grandeur—a testament to realism infused with aged aesthetic qualities.

    Fashion Forward Inspiration:

    Águeda Isabel Ruiz de la Prada’s ‘Dress with Synthetic-Suede Squares,’ presented during Milan Fashion Week, exemplifies the platform's commitment to showcasing artistic collaborations and pushing creative boundaries.

    Notable Artists & Creative Voices

    THAT’S CONTEMPORARY spotlights Italian artists who are shaping the future of art. Massimo Kaufmann, renowned for his expansive paintings, embodies the spirit of Milanese artistic tradition while simultaneously embracing innovation. Similarly, elisabetta gut's sculptures and installations delve into themes of confinement and fragility—reflecting a thoughtful engagement with contemporary concerns. Daniele Innamorato’s collaborative work as founder of Kings Collective underscores the platform’s dedication to fostering collective creativity and pushing artistic boundaries.

    Viafarini: An Architectural Canvas

    The Viafarini gallery complex serves as an integral part of THAT’S CONTEMPORARY's narrative. Designed by architect Marco Zanuso Jr., this building embodies Milanese architectural modernity—a space deliberately conceived to stimulate artistic dialogue and showcase experimental exhibitions. Its expansive layout encourages exploration and contemplation, mirroring the platform’s ethos of fostering engagement with cutting-edge art.

    A Unique Perspective on Contemporary Art

    THAT'S CONTEMPORARY distinguishes itself from conventional museums by prioritizing active participation and disseminating knowledge beyond physical walls. It operates as a dynamic online resource—a vibrant hub for artistic discovery—solidifying its position as an indispensable guide for anyone wishing to experience Milan’s flourishing contemporary art scene.

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    QR koda za dostop do strani za prenos random dot grid pattern v 73-121

    wikioo.org/sl/art/download/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/

    Citiranje umetniškega dela

    MLA
    Vries, Herman de. random dot grid pattern v 73-121. 1973, THAT'S CONTEMPORARY. https://wikioo.org/sl/art/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/
    APA
    Vries, Herman de (1973). random dot grid pattern v 73-121 [Painting]. THAT'S CONTEMPORARY. https://wikioo.org/sl/art/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/
    Chicago
    Herman de Vries. random dot grid pattern v 73-121. 1973. THAT'S CONTEMPORARY. https://wikioo.org/sl/art/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/
    Harvard
    Vries, Herman de (1973) random dot grid pattern v 73-121. THAT'S CONTEMPORARY. Available at: https://wikioo.org/sl/art/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/

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    random dot grid pattern v 73-121 — Herman de Vries

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    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si from the streets of amsterdam (2015), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Herman de Vries je bil star približno 42, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

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    Vprašanja in odgovori

    Kateri je datum nastanka dela "random dot grid pattern v 73-121" avtorja Herman de Vries?

    "random dot grid pattern v 73-121" izvira iz 1973. Ta datum delo situira v okvir Herman de Vriesove kariere in obdobja, v katerem je nastalo.

    Kje lahko najdem umetniška dela, podobna delu "random dot grid pattern v 73-121" avtorja Herman de Vries?

    Stran Podobna dela za delo "random dot grid pattern v 73-121" avtorja Herman de Vries prikazuje sorodna umetniška dela.

    Kakšna barvna paleta je uporabljena v delu "random dot grid pattern v 73-121" avtorja Herman de Vries?

    "random dot grid pattern v 73-121" avtorja Herman de Vries uporablja Monochrome barvno paleto, ki opredeljuje splošni barvni značaj dela.