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Windmill

Ime Razred Datum

Joséphine Bowes, Windmill (1874). Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Joséphine Bowes wikioo.org/sl/artists/josephine-bowes/
Datumi rojstva in smrti umetnika
1825 – 1874
Naslikano
1874
Prvotna velikost
88 x 65 cm
Gibanje
Romantic Landscape Painting Art that puts feeling, wildness and the power of nature above calm order and rules.

V kontekstu

Windmill — Joséphine Bowes

Kakšna je velikost?

Prvotne dimenzije so 88 × 65 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 49 ob smrti.

Naslikano, ko je bil avtor star 49. Umetnik je doživel 49 let. 10 od 60 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Joséphine Bowes (1825–1874) ▲ to delo, 1874 vsaka datirana slika, desetletje za desetletjem

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: wikioo.org/sl/art/similar/josephine-bowes-windmill-AQUDY3-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Putty #ded3b6

    Katalogirana paleta

    • #DED3B6
    • #1C1A12
    • #574D33
    • #89A4AB

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Ime glavne barve
    Putty
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Balanced Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Joséphine Bowes v zadnjih dvanajst mesecih — skupaj 3 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 76,9%1.000 obiskov
    2. 2 Rusija 15,4%200 obiskov
    3. 3 Združene države Amerike 7,7%100 obiskov

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    13 najbolj gledanih del umetnika Joséphine Bowes

    1. 1 Street Scene in a French Town, 1874 15,4%200 obiskov
    2. 2 Landscape with Trees, a Mountain in the Distance, 1874 7,7%100 obiskov
    3. 3 Fisherman's Cottage near the Sea, 1874 7,7%100 obiskov
    4. 4 Landscape with Trees and Cattle, 1867 7,7%100 obiskov
    5. 5 Landscape (copy after Jean Honoré Fragonard), 1874 7,7%100 obiskov
    6. 6 A Country Lane, 1874 7,7%100 obiskov
    7. 7 Squally Weather, A Sketch near Boulogne sur Mer, France, 1870 7,7%100 obiskov
    8. 8 The Château du Barry at Louveciennes, France, 1862 7,7%100 obiskov
    9. 9 River Seine near the Bois de Boulogne, France, 1874 7,7%100 obiskov
    10. 10 River View, Misty Weather, 1874 7,7%100 obiskov
    11. 11 Landscape with a Lake and a Ruined Castle, 1874 7,7%100 obiskov
    12. 12 Landscape, Souvenir of Switzerland, 1874 7,7%100 obiskov
    13. — Windmill, 1874 ta slika 0,0%0 obiskov

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 60 del te umetnice, pri čemer je bilo 12 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Joséphine Bowes

    Joséphine Bowes: Patron of Impressionism and Pioneer of a Victorian Museum

    Joséphine Bowes (1825-1874) was more than just an actress and socialite; she was a pivotal figure in 19th-century art, a passionate collector, and the driving force behind the creation of The Bowes Museum. Her life story is one of intellectual curiosity, artistic appreciation, and a profound commitment to championing the burgeoning Impressionist movement – a legacy that continues to resonate today through her remarkable collection and the museum she co-founded.

    Born into a family with significant landed interests in County Durham, England, Joséphine’s early life was shaped by a privileged upbringing. However, it wasn't simply wealth that defined her; she possessed an insatiable thirst for knowledge and a keen eye for beauty. Her marriage to John Bowes, a wealthy coal magnate and art collector, marked the beginning of a shared passion that would profoundly impact both their lives and the cultural landscape of Britain. John’s existing collection provided a foundation, but it was Joséphine who truly nurtured and expanded upon it, transforming it into a world-class assemblage.

    Joséphine's salon in Paris became legendary – a vibrant hub for artists, writers, and intellectuals of the era. She actively sought out and fostered relationships with leading Impressionist painters like Monet, Renoir, Pissarro, and Sisley. Her home was a sanctuary where these groundbreaking artists could exhibit their work, receive critical acclaim, and discuss their revolutionary ideas. Crucially, she didn’t just collect their paintings; she actively promoted them, recognizing the radical shift in artistic style and advocating for its acceptance within the established art world. This patronage played a vital role in bringing Impressionism to a wider audience.

    The Creation of The Bowes Museum

    The culmination of Joséphine’s lifelong passion was undoubtedly the establishment of The Bowes Museum in Barnard Castle, County Durham, in 1892. Alongside her husband, John, she envisioned a space dedicated to showcasing their extraordinary collection and making art accessible to the public. The museum's design, conceived by architects Jules Pellechet and John Edward Watson, was deliberately opulent – a grand statement reflecting the wealth and artistic sensibilities of its founders. It wasn’t merely a repository for artworks; it was intended as an immersive experience, designed to delight and inspire visitors.

    The museum's initial holdings were remarkably diverse, encompassing European paintings by masters like El Greco, Goya, and Canaletto, alongside decorative arts – exquisite porcelain, tapestries, clocks, and costumes. However, the Bowes’ commitment to Impressionism remained central to its identity. The collection quickly became renowned for its representation of this revolutionary movement, attracting visitors from across Europe and beyond. The museum's success was a testament to Joséphine’s foresight and her unwavering belief in the power of art to enrich lives.

    A Landscape Painter’s Vision

    While Joséphine’s salon and patronage are perhaps her most celebrated achievements, her own artistic endeavors deserve recognition. She was a skilled landscape painter herself, producing a series of evocative sketches and paintings that capture the beauty of the Northumbrian countryside – particularly the dramatic landscapes surrounding Barnard Castle. These works reveal a keen eye for detail, an appreciation for light and color, and a sensitivity to the natural world.

    Works like “Sketch, Sunset” and “River View, Misty Weather,” showcased in WahooArt’s collection, exemplify her Impressionistic style. The loose brushwork, vibrant hues, and atmospheric effects demonstrate her ability to capture the fleeting beauty of a moment – a hallmark of the movement she so passionately supported. These paintings are not merely reproductions; they offer a glimpse into Joséphine's artistic vision and her deep connection to the landscapes that inspired her.

    Legacy and Historical Significance

    Joséphine Bowes’ legacy extends far beyond the walls of The Bowes Museum. She was a pioneering figure in the art world, a champion of Impressionism, and a visionary patron who played a crucial role in shaping the cultural landscape of Britain. Her commitment to accessibility ensured that her collection would be enjoyed by generations to come.

    The Bowes Museum itself stands as a testament to her enduring influence – a remarkable Victorian treasure housed within a stunning castle setting. It continues to evolve and adapt, showcasing both its original collections and contemporary art exhibitions. Joséphine Bowes’ story is one of artistic passion, social engagement, and the transformative power of collecting; a legacy that secures her place as a significant figure in 19th-century art history.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Windmill

    wikioo.org/sl/art/download/josephine-bowes-windmill-AQUDY3-en/

    Citiranje umetniškega dela

    MLA
    Bowes, Joséphine. Windmill. 1874, https://wikioo.org/sl/art/josephine-bowes-windmill-AQUDY3-en/
    APA
    Bowes, Joséphine (1874). Windmill [Painting]. https://wikioo.org/sl/art/josephine-bowes-windmill-AQUDY3-en/
    Chicago
    Joséphine Bowes. Windmill. 1874. https://wikioo.org/sl/art/josephine-bowes-windmill-AQUDY3-en/
    Harvard
    Bowes, Joséphine (1874) Windmill. Available at: https://wikioo.org/sl/art/josephine-bowes-windmill-AQUDY3-en/

    Oglejte si bližje

    Windmill — Joséphine Bowes

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Koliko obrazov lahko najdete? ____ (v našem katalogu jih je število 1 — se strinjate?)
    4. Naš katalog to delo uvršča pod: dutch landscape, coastal scene, windmill image. Se strinjate? Bi kaj dodali ali odvzeli?
    5. Oglejte si Landscape with Trees and Cattle (1867), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kje lahko kupim digitalno sliko dela "Windmill" avtorja Joséphine Bowes?

    "Windmill" je na voljo kot prenos digitalne slike visoke ločljivosti, ki ga lahko kupite neposredno na njegovi strani Visokoresolucijska digitalna slika.

    Kaj ima "Windmill" skupnega z ostalo celotno tvorbino umetnika Joséphine Bowes?

    "Windmill" pripada Romantic Landscape Painting obdobju v ustvarjalnosti umetnika Joséphine Bowes, katerega značilne teme vključujejo landscape series focus, patronage driven, refined technique, dutch golden age, romantic landscape, atmospheric detail, rural life values, industry & nature.

    Katera je prevladujoča barvna tonina dela "Windmill" avtorja Joséphine Bowes?

    Green to Violet Spectrum odtenek prežema celotno skladbo "Windmill" avtorja Joséphine Bowes.