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Golf Course Scene

Ime Razred Datum

Reginald Marsh, Golf Course Scene (1922). Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Reginald Marsh wikioo.org/sl/artists/reginald-marsh/
Datumi rojstva in smrti umetnika
1898 – 1954
Naslikano
1922
Prvotna velikost
183 x 191 cm

V kontekstu

Golf Course Scene — Reginald Marsh

Kakšna je velikost?

Prvotne dimenzije so 183 × 191 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine. Preveliko je za prikaz v ustreznem razmerju na tej strani.

Kdaj je bilo to naslikano?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 56 ob smrti.

Naslikano, ko je bil avtor star 24. Umetnik je doživel 56 let. 1 od 18 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Reginald Marsh (1898–1954) ▲ to delo, 1922 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1932 Glavni delovni leti: 1932–1948 Pozna dela: od 1948

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: wikioo.org/sl/art/similar/reginald-marsh-golf-course-scene-AS7UN7-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Bronze #b36b2f

    Katalogirana paleta

    • #B36B2F
    • #BF8C54
    • #CFAB7F
    • #915029

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Dark Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Bronze
    Intenzivnost
    Vivid Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Serene V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Bright Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Clear Color Presence Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Reginald Marsh v zadnjih dvanajst mesecih — skupaj 3 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 73,1%
    2. 2 Srbija 19,2%
    3. 3 Združene države Amerike 7,7%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    18 najbolj gledanih del umetnika Reginald Marsh

    1. 1 The Bowery, 1930 32,6%
    2. 2 Coney Island Beach, 1953 9,3%
    3. 3 Golf Course Scene, 1922 ta slika 7,0%
    4. 4 Milo the Mule Face Boy 7,0%
    5. 5 George Tilyou's Steeplechase, 1932 4,7%
    6. 6 Predsednik Raymond S. Haupert, Moravijska Univerza, 1954 4,7%
    7. 7 George C. Tilyou's Steeplechase Park, 1936 4,7%
    8. 8 Merry Go Round 4,7%
    9. 9 In Fourteenth Street, 1934 4,7%
    10. 10 Atlantic Liner in Harbor with Tugs (mural study, U.S. Customs House, New York, New York), 1937 2,3%
    11. 11 Hudson Burlesk Chorus Verso Study for Hudson Burlesk Chorus, 1948 2,3%
    12. 12 Atlantic Liner in Harbor with Tug (mural study, U.S. Customs House, New York, New York), 1937 2,3%
    13. 13 Hudson Theatre Verso Unfinished Study for Hudson Theatre, 1951 2,3%
    14. 14 The Steeplechase, 1932 2,3%
    15. 15 H. Dummeyer Bar Grill 2,3%
    16. 16 The Irving Place Burlesque 1930, 1913 2,3%
    17. 17 Bowery Quartet, 1948 2,3%
    18. 18 Astoria, Long Island, 1927 2,3%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 24 del te umetnice, pri čemer je bilo 18 vsaj enkrat ogledanih. Ta slika zaseda 3 mesto med njimi, s 7,0% takšne pozornosti. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Reginald Marsh

    Rojen v Paris, France

    The Urban Chronicler: The Life and Legacy of Reginald Marsh

    Reginald Marsh stands as a pivotal figure in American Social Realism, renowned for his strikingly detailed depictions of New York City during the 1920s and 1930s. More than just documenting scenes of Coney Island beaches or burlesque performances—though these undeniably populate his oeuvre—Marsh’s art embodies a profound engagement with the textures and rhythms of urban life, underpinned by an unwavering commitment to artistic exploration. His legacy resides not only in his iconic images but also in his pioneering techniques and enduring influence on subsequent generations of artists.

    Born in Paris in 1898 above the Café du Dome, Marsh's formative years were steeped in a rich artistic heritage. The son of Frederick Dana Marsh—a muralist who championed American Impressionism—and Alice Randall—a miniaturist painter—Marsh’s family fostered an environment where creativity flourished from his earliest days. Moving to Nutley, New Jersey, at the age of two, he benefited from proximity to Frank Fowler's Artist Colony, a haven for American painters seeking inspiration and camaraderie, which further cemented his connection to the artistic tradition. This early exposure to both the delicate precision of miniature painting and the grand scale of muralism would later inform his ability to capture both the intimate human moment and the sweeping energy of the metropolis.

    A Journey from Law to the Canvas

    Marsh’s path to becoming a master of urban realism was far from linear. He pursued formal education with great diligence, earning a Bachelor’s degree in Law from Yale University in 1920 before subsequently delving into art studies at the Yale Art School. During this period, he honed his skills as an illustrator for the Yale Record, immersing himself in the vibrant spirit of collegiate life and developing an early mastery of visual storytelling. This formative period solidified his artistic sensibilities and prepared him for a career dedicated to capturing the essence of human experience through compelling imagery.

    As his professional journey began in New York City, Marsh tirelessly sought to document the pulse of the streets. His work often utilized diverse media to achieve specific atmospheric effects, ranging from the gritty energy of conte crayon and gouache to the thick, dynamic impasto of oil paintings. Whether he was portraying the hedonistic atmosphere of Jimmy Kelly's burlesque nightclub or the maritime commerce found in his mural studies like Atlantic Liner in Harbor, Marsh possessed a unique ability to translate the chaos of the city into structured, rhythmic compositions.

    The Essence of Social Realism and Urban Grit

    The significance of Reginald Marsh lies in his role as a visual historian of a vanished era. His work serves as a window into the Social Realist movement, focusing on the lives of the working class and the raw, unvarnished reality of New York's most famous districts, such as the Bowery and Coney Island. His paintings are characterized by:

    Dynamic Movement: A mastery of capturing the frantic, overlapping motion of crowds in subway stations, beaches, and dance halls.

    Textural Depth: The use of varied techniques to replicate the grime, light, and physical weight of an industrializing city.

    Human Connection: An ability to find poignant, individual emotions within massive, anonymous urban gatherings.

    Beyond his crowded street scenes, Marsh also demonstrated a remarkable capacity for portraiture, blending realism with subtle emotion as seen in his black and white oil works. Through his dedication to the "urban grit," Reginald Marsh did more than paint New York; he immortalized its soul, ensuring that the energy of the early twentieth century would continue to resonate through the decades.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Golf Course Scene

    wikioo.org/sl/art/download/reginald-marsh-golf-course-scene-AS7UN7-en/

    Citiranje umetniškega dela

    MLA
    Marsh, Reginald. Golf Course Scene. 1922, https://wikioo.org/sl/art/reginald-marsh-golf-course-scene-AS7UN7-en/
    APA
    Marsh, Reginald (1922). Golf Course Scene [Painting]. https://wikioo.org/sl/art/reginald-marsh-golf-course-scene-AS7UN7-en/
    Chicago
    Reginald Marsh. Golf Course Scene. 1922. https://wikioo.org/sl/art/reginald-marsh-golf-course-scene-AS7UN7-en/
    Harvard
    Marsh, Reginald (1922) Golf Course Scene. Available at: https://wikioo.org/sl/art/reginald-marsh-golf-course-scene-AS7UN7-en/

    Oglejte si bližje

    Golf Course Scene — Reginald Marsh

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    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Poglejte nazaj na Down at Jimmy Kelly, ki ste ga prej videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    4. Reginald Marsh je bil star približno 24, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    V letu katerega je bilo ustvarjeno delo "Golf Course Scene" avtorja Reginald Marsh?

    Ustvaritev dela "Golf Course Scene" avtorja Reginald Marsh datiramo v 1922.

    Kaj pojasnjuje status avtorskih pravic za "Golf Course Scene" avtorja Reginald Marsh?

    Status avtorske pravice za "Golf Course Scene" – v javni domeni – avtorska pravica je zastarela – izhaja iz smrti umetnika v letu 1954.

    Ali so barve dela "Golf Course Scene" živahne ali utemeljene?

    "Golf Course Scene" avtorja Reginald Marsh odlikuje Clear Color Presence saturacija in Vivid intenzivnost barv.