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A. Patrick: 2 najbolj znanih slik, dokumentirano
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 2 del v našem katalogu avtorja A. Patrick
Povzetek
Po tej uvrstitvi je Mrs. Benajah Johnson (1830) najbolj znana slika umetnika A. Patrick; v muzeju Smithsonian American Art Museum v mestu Washington, D.C. se nahaja. Ta seznam temelji na 2 delih umetnika A. Patrick v katalogu in prikazuje 2 najbolj znanih del, za vsako od them pa navaja datum, muzej, ki deli delo, in opis.
Največ del: Smithsonian American Art Museum
A. Patrick: prvih 10 vnosov na seznamu
A. Patrick: v muzejih
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga A. Patrick | Slike iz tega seznama |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Mrs. Benajah Johnson, Benajah Johnson |
A. Patrick po letih: najbolj znana slika
Vsi datiranii dela umetnika A. Patrick, zabeležena na tej strani, datirajo iz leta 1830.
Delo po letih
Izberite leto, da prikazate njegova glavna dela.
A. Patrick: vprašanja in dokumentirana odgovori
Katero sliko avtorja A. Patrick predvaja seznam najbolj znanih del?Prikaži odgovor
Mrs. Benajah Johnson (1830)
Koliko del avtorja A. Patrick je zabeleženih?Prikaži odgovor
Katalog vsebuje 2 del umetnika A. Patrick.
V katerih zbirkah so shranjena najbolj znana dela umetnika A. Patrick?Prikaži odgovor
Predvsem v Smithsonian American Art Museum (Washington, D.C.). Zgornja tabela muzejev prikazuje celotno razporeditev.
Kdaj so bila naslikana najbolj znana dela umetnika A. Patrick?Prikaži odgovor
V obdobju 1830: 2 od 2 del na tej strani je datiranih v to obdobje, vključno z delom Mrs. Benajah Johnson.
Katera dela umetnika A. Patrick se nahajajo v muzeju Smithsonian American Art Museum?Prikaži odgovor
Mrs. Benajah Johnson in Benajah Johnson so med 2 dela na tej strani v kolekciji muzeja Smithsonian American Art Museum, Washington, D.C..
A. Patrick: življenje in delo
The Portraitist of 1830
The brush meets the canvas in a quiet studio, capturing the likeness of the Benajah Johnson family. In 1830, A. Patrick works with oil on canvas, a medium that demands patience and a steady hand. The light settles on the subjects, freezing a specific moment of nineteenth-century life within the frame. These are not mere sketches; they are deliberate records of identity, preserved through the careful application of pigment.
The work exists now within the halls of the Smithsonian American Art Museum in Washington, D.C. Here, the portraits of Benajah Johnson and Mrs. Benajah Johnson remain as physical remnants of a bygone era. The textures of the oil paint hold the weight of their history, surviving long after the sitters themselves have passed into memory.
A Record of Presence
The artist's output is defined by these specific, documented encounters with his subjects. His technique focuses on the formal requirements of portraiture during this period, ensuring the likenesses remain accurate for posterity. The collection of his work highlights a specific focus on the individuals of the time:
- Benajah Johnson: A portrait rendered in 1830, executed in oil on canvas.
- Mrs. Benajah Johnson: A companion piece from 1830, also rendered in oil on canvas.
Historical Footprints
A. Patrick remains a figure defined by these specific contributions to the American portraiture tradition. While the broader details of his personal life remain obscured by time, his technical presence is confirmed by the preservation of his work in major institutions. The gift of Mrs. Frank Cummings Cook in 1966 ensured that these specific oils would continue to exist, allowing the faces of 1830 to remain visible to the modern eye.