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Seznam 5 najbolj znanih slik umetnika Carl Ebert
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 5 del v našem katalogu avtorja Carl Ebert
Povzetek
Najbolj znano sliko avtorja Carl Ebert je Forest Landscape with Bathing Children (1867), ki se nahaja v kolekciji Bavarske državne slikopisne zbirke, München. Naslednja vstopna polja sta Evening Landscape (1875) in Landscape society in a park. Katalog dokumentira 5 del umetnika Carl Ebert; spodnjih 5 zapisov so najbolj znani, razvrščeni po uvrstitvi z datumom, muzejsko gradivo in opisom.
1821 – 1885, Stuttgart
Največ del: Bavarske državne slikopisne zbirke
Carl Ebert: 10 glavnih slik
Carl Ebert: v muzejih
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Carl Ebert | Slike iz tega seznama |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
Carl Ebert: glavna dela po letih
Datirani zapisi za Carl Ebert segaže 9 let, od 1867 do 1875, kar predstavlja približno eno desetletje, dokumentirano spodaj let za letom.
Delo po letih
Izberite leto, da prikazate njegova glavna dela.
Slike umetnika Carl Ebert: referenčna vprašanja
Katero sliko avtorja Carl Ebert najbolj poznate?Prikaži odgovor
Forest Landscape with Bathing Children (1867), Bavarske državne slikopisne zbirke, München. Naslednja vstopna mesta sta Evening Landscape (1875) in Landscape society in a park.
Koliko je bil Carl Ebert let, ko je naslikal Forest Landscape with Bathing Children?Prikaži odgovor
46 let: Carl Ebert se je rodil/a v 1821, Forest Landscape with Bathing Children pa je datiran/a leta 1867.
Koliko dokumentiranih del je avtorja Carl Ebert?Prikaži odgovor
Katalog vsebuje 5 del avtorja Carl Ebert, datiranih med 1867 in 1875.
V katerih muzejih so shranjena najbolj znana dela umetnika Carl Ebert?Prikaži odgovor
Predvsem v Bavarske državne slikopisne zbirke (München) in Lenbachhaus (München). Zgornja tabela muzejev prikazuje celotno razporeditev.
Kateri dela na tem seznamu sta najstarejša in najmlajša v času nastanka avtorja Carl Ebert?Prikaži odgovor
Najstarejše datirano delo na seznamu je Forest Landscape with Bathing Children (1867); najstarejše je Evening Landscape (1875).
Katera dela umetnika Carl Ebert so v zbirki Bavarske državne slikopisne zbirke?Prikaži odgovor
Forest Landscape with Bathing Children in Evening Landscape so med 2 dela na tej strani v kolekciji muzeja Bavarske državne slikopisne zbirke, München.
Carl Ebert: biografski zapisi
Early Life and Artistic Training
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Travels and Artistic Influences
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.