Povzetek
The Bolshevik (1918) velja za najbolj znateno sliko umetnika David Jagger; v muzeju Canadian War Museum v mestu Ottawa se nahaja. Thomas Newbould (1845–1933) (1921) in Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936) sta na drugem in tretjem mestu. Od 23 del umetnika David Jagger, ki so zabeleženi v katalogu, so spodaj navedena 23 najbolj znanih; vsaka vpisnik vsebuje datum, muzej, ki deli delo, in opombo o samem delu.
Vrstice od 1 do 10: najbolj znana slika umetnika David Jagger
David Jagger, dodatni zapisi: od 11 do 23
Glavne teme v delu umetnika David Jagger
Četiri teme, ki so najpogosteje zastavljene v tem delu, vsaka z svojim najbolj znanim primerom.
Portraits 2 delo
Men 2 delo
David Jagger: v muzejih
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga David Jagger | Slike iz tega seznama |
|---|---|---|---|
| Eastbourne | 2 | Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945), Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) | |
| Ottawa | 1 | The Bolshevik | |
| Liverpool | 1 | Sewing | |
| Sheffield | 1 | Henry Hall Bedford, JP, Chairman of the Board (1913–1924) | |
| London | 1 | Lord Baden Powell (1857–1941), as World Chief Scout | |
| Nottingham | 1 | Jewish Refugee, Vienna | |
| Egham | 1 | Miss Janet Ruth Bacon | |
| Birmingham | 1 | Sir Horace Clarke |
Indeks dekad: glavna slika umetnika David Jagger za vsako
Delo po desetletjih
Izberite desetletje, da prikažete njegovo glavno sliko.
Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935)
Pogosta vprašanja o slikah umetnika David Jagger
Katero je najbolj znano delo umetnika David Jagger?Prikaži odgovor
The Bolshevik (1918), Canadian War Museum, Ottawa. Naslednja vstopna mesta sta Thomas Newbould (1845–1933) (1921) in Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936).
Koliko je bil David Jagger star v letu The Bolshevik?Prikaži odgovor
27 let: David Jagger se je rodil/a v 1891, The Bolshevik pa je datiran/a leta 1918.
Katera je deset najbolj znanih del umetnika David Jagger?Prikaži odgovor
The Bolshevik, Thomas Newbould (1845–1933), Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935), Dr John George Graves (1866–1945), Portrait of a Man, The Late Cyrus Jones, Kathleen, Portrait of a Lady, Charles Jagger (1885–1934) in Charles Sargeant Jagger. Zgornji seznam vsebuje datum in muzej, v katerem se nahaja vsako od njih.
Koliko del umetnika David Jagger vseja katalog?Prikaži odgovor
Katalog vsebuje 23 del avtorja David Jagger, datiranih med 1917 in 1950.
Kje so shranjena glavna dela umetnika David Jagger?Prikaži odgovor
Predvsem v Towner (Eastbourne), Canadian War Museum (Ottawa) in Walker Art Gallery (Liverpool). Zgornja tabela muzejev prikazuje celotno razporeditev.
V katerem obdobju je David Jagger ustvaril svoja najbolj znana dela?Prikaži odgovor
V obdobju 1920s: 6 od 23 del na tej strani je datiranih v to obdobje, vključno z delom Thomas Newbould (1845–1933).
Kateri so najstarejši in najmlajši najbolj znani pripomočki umetnika David Jagger?Prikaži odgovor
Najstarejše datirano delo na seznamu je Charles Jagger (1885–1934) (1917); najstarejše je Michael Theodore Waterhouse (1888–1968), CBE, PRIBA (1950).
Katere teme je David Jagger najpogosteje obravnaval?Prikaži odgovor
Portraits (2) in Men (2) od 23 del navedenih na tej strani.
Katere slike umetnika David Jagger ima v svoji zbirki Towner?Prikaži odgovor
Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945) in Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) so med 2 dela na tej strani v kolekciji muzeja Towner, Eastbourne.
Biografija umetnika David Jagger
A Legacy of Elegance: The Life of David Jagger
Born in Kilnhurst, near Rotherham, David Jagger emerged as one of the most accomplished English portrait painters of his era. His journey into the world of fine art was deeply rooted in a family of immense creative talent; he was the son of colliery manager Enoch Jagger and Mary Sargeant, and grew up alongside siblings who would also leave their mark on the British art scene. His sister, Edith, became a noted landscape artist and textile designer, while his brother, Charles Sargeant Jagger, rose to prominence as a celebrated sculptor. This environment of artistic rigor shaped David’s early development, leading him to the Sheffield School of Art, where he honed the technical precision that would later define his professional career.
As an accomplished draughtsman and skilled illustrator, Jagger’s talent was recognized early through accolades in mural design and painting. Following his formal education, he moved to London, a transition that marked the beginning of his ascent within the prestigious circles of British society. Initially balancing commercial art studio work with evening portrait commissions, he eventually established his own professional portrait studio in Chelsea, south of London. This period of his life was not only marked by professional growth but also by profound personal inspiration; his marriage to Catherine Gardiner brought a muse into his life whose features would grace many of his most accomplished works, often appearing under a pseudonym.
Mastery of the Portrait
Jagger’s work is characterized by a remarkable realism that, while highly detailed, maintained a soft, painterly quality that avoided the harshness of hard-edge styles. He possessed a rare ability to capture the essence of his subjects, whether they were members of the British aristocracy or figures of significant historical importance. His technical mastery allowed him to navigate the delicate balance between formal, official-looking commissions and more intimate, thoughtfully posed compositions. This skill earned him a place among the leading exhibitors of his time, with regular appearances at the Royal Academy, the Royal Society of British Artists, and the Royal Institute of Oil Painters.
The breadth of his subject matter reflects the high society and civic authority of early 20th-century Britain. His portfolio includes a breathtaking array of notable figures, such as:
- Robert Baden-Powell, whose 1929 portrait remains one of Jagger's most enduring legacies, with numerous copies displayed in Scouting premises worldwide.
- Queen Mary, captured in significant works during 1930 and 1932.
- Winston Churchill, a monumental subject for any portraitist of the era.
- King George VI, documented in 1937.
- Vivien Leigh, representing the glamour of the cinematic age in 1941.
- Prince Philip, Duke of Edinburgh, one of his final notable subjects.
Historical Significance and Artistic Standing
Beyond the individual brilliance of his brushwork, David Jagger holds a significant place in the history of British portraiture due to his role in documenting the faces of an era. His ability to secure commissions from the highest echelons of power—ranging from royalty to political leaders—cemented his reputation as a premier chronicler of his time. His work serves as a visual record of the dignity, tradition, and shifting social landscape of mid-century England.
His contribution to the art community was further solidified through his active membership in prestigious societies like the Royal Society of Portrait Painters. Through these institutions, Jagger helped maintain the high standards of oil painting and portraiture during a period of significant artistic transition. Today, his portraits remain cherished not only for their technical excellence but as windows into the character and prestige of the individuals who shaped the twentieth century.






