Portret Edward Lear

Seznam 100 najbolj znanih slik umetnika Edward Lear

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 419 del v našem katalogu avtorja Edward Lear

Povzetek

Najbolj znana slika avtorja Edward Lear je Cogoleto, Italy. Naslednja vstopna polja sta Crescenza in Blue And Yellow Macaw. Katalog dokumentira 419 del umetnika Edward Lear; spodnjih 100 zapisov so najbolj znani, razvrščeni po uvrstitvi z datumom, muzejsko gradivo in opisom.

1812 – 1888, Highgate Romanticism Največ del: Yale Center for British Art

Edward Lear: 10 glavnih slik

1
Cogoleto, Italy avtorja Edward Lear

Cogoleto, Italy

Watercolor

The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

2
Crescenza avtorja Edward Lear

Crescenza

Watercolor

Edward Lear’s Crescenza presents a hilly terrain defined by rolling elevations and a prominent fortress perched atop one of the heights. This landscape, likely inspired by Lear's travels through Europe or the Middle East, focuses on the relationship between the natural topography and the man-made structure. The castle dominates the background, overlooking the terrain below.

3
Blue And Yellow Macaw avtorja Edward Lear

Blue And Yellow Macaw

Watercolor

The painting Blue And Yellow Macaw brings a vivid presence to the viewer, capturing a moment of stillness in the life of a bird. Created by the artist Edward Lear, this work focuses on the striking features of a Blue-and-yellow Macaw. This particular subject is also recognized by the name Blue-and-gold Macaw. The bird sits poised, its plumage a central focus of the composition.

4
View of Taormina in Sicily with Etna in the distance (1852) avtorja Edward Lear

View of Taormina in Sicily with Etna in the distance

1852 · Oil On Canvas

This 1852 oil on canvas presents a wide-angle view of the Sicilian landscape, looking toward the silhouette of Mount Etna. The composition is organized through a series of receding planes. In the immediate foreground, the terrain is rugged and rocky, rendered in shades of ochre, terracotta, and sienna. Small figures and animals occupy this lower section, providing a sense of scale against the stone. The middle ground contains the remains…

5
The Pyramids of Ghizeh (1873) avtorja Edward Lear

The Pyramids of Ghizeh

1873 · Watercolor

In "The Pyramids of Ghizeh" by Edward Lear, the composition is dominated by the pyramids positioned centrally against a muted sky. These massive, triangular shapes provide a strong visual anchor for the entire scene. Below them, a body of water occupies the foreground, its surface reflecting the soft colors of the landscape. A line of small figures in boats is positioned along the water’s edge, offering a sense of scale…

6
The Temple of Apollo at Bassae (1855) avtorja Edward Lear

The Temple of Apollo at Bassae

1855 · Oil On Canvas · Fitzwilliam College, Cambridge

The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

7
Plains Of Ashdod, Israel avtorja Edward Lear

Plains Of Ashdod, Israel

Watercolor

Plains Of Ashdod, Israel is a landscape painting by Edward Lear. The work depicts the Plains of Ashdod in Israel, focusing on the specific geography of the region. The scene presents a wide, flat expanse of land that characterizes the local terrain. This landscape captures the essential physical features of the area through a series of horizontal planes.

8
View Of Eze, Italy avtorja Edward Lear

View Of Eze, Italy

Watercolor

View Of Eze, Italy is a landscape painting by Edward Lear. The work captures a coastal scene in Italy, focusing on a village perched amidst rugged cliffs. The Mediterranean Sea extends toward the horizon, providing a vast backdrop to the terrestrial features. A distant castle sits atop one of the peaks, adding a sense of history to the topography.

9
Ithaca, Ionian Islands avtorja Edward Lear

Ithaca, Ionian Islands

Watercolor

Ithaca, Ionian Islands is a watercolor sketch by Edward Lear, executed in April 1863. The work captures a landscape scene of Ithaca, one of the Ionian Islands, focusing on the region's topography and vegetation. It was produced during a period when Lear was documenting the natural beauty of the Mediterranean through intimate observations of place.

10
A Great Green Macaw avtorja Edward Lear

A Great Green Macaw

Watercolor

Edward Lear presents A Great Green Macaw with the precision of a trained draughtsman. The subject is rendered with scientific accuracy and meticulous artistic detail, focusing on the specific anatomical features of the bird. Every feather and the texture of the wood are documented with clarity, suggesting the work was intended as an ornithological illustration. The macaw is positioned on a branch, its form defined by fine lines that distinguish…

Edward Lear: vsebine od 11 do 100

11Great Sulphur Cockatoo (Plyctolophus Sulphureus) avtorja Edward LearGreat Sulphur Cockatoo (Plyctolophus Sulphureus) 12Diano, South Of France avtorja Edward LearDiano, South Of France 13Philae, Egypt (1863) avtorja Edward LearPhilae, Egypt1863 · Yale Center for British Art 14The Plains of Lombardy from Monte Generoso (1880) avtorja Edward LearThe Plains of Lombardy from Monte Generoso1880 · Muzej umetnosti in arheologije Ashmolean 15Between Olavano and Civitella (1842) avtorja Edward LearBetween Olavano and Civitella1842 · Yale Center for British Art 16Civita Castellana (1839) avtorja Edward LearCivita Castellana1839 17The Mountains of Thermopylae (1852) avtorja Edward LearThe Mountains of Thermopylae1852 · Bristol Museum - Art Gallery 18A Study of Ferns, Civitella (1842) avtorja Edward LearA Study of Ferns, Civitella1842 · Yale Center for British Art 19Landscape with Goatherd (1842) avtorja Edward LearLandscape with Goatherd1842 · Yale Center for British Art 20Temple of Venus and Roma, Rome (1840) avtorja Edward LearTemple of Venus and Roma, Rome1840 · Yale Center for British Art 21Rome, a View of the Forum from a Terrace (1841) avtorja Edward LearRome, a View of the Forum from a Terrace1841 22Rome, a View of the Forum with the Temple of Venus (1841) avtorja Edward LearRome, a View of the Forum with the Temple of Venus1841 23A View of the Roman Campagna, a Villa and Aqueduct in the Distance (1841) avtorja Edward LearA View of the Roman Campagna, a Villa and Aqueduct in the Distance1841 24A View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance (1841) avtorja Edward LearA View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance1841 25Study of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany (1842) avtorja Edward LearStudy of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany1842 26Corfu from near the Village of Virós (1858) avtorja Edward LearCorfu from near the Village of Virós1858 · Rhode Island School of Design Museum of Art 27Jerusalem from the Mount of Olives (1858) avtorja Edward LearJerusalem from the Mount of Olives1858 · Izraelski muzej 28Corfu from Ascension (1860) avtorja Edward LearCorfu from Ascension1860 · Yale Center for British Art 29Corfu from Ascension (1862) avtorja Edward LearCorfu from Ascension1862 · Yale Center for British Art 30Corfu from Santa Decca (1862) avtorja Edward LearCorfu from Santa Decca1862 · Yale Center for British Art 31Butrinto, Albania (1861) avtorja Edward LearButrinto, Albania1861 · Yale Center for British Art 32Zagori, Greece (1860) avtorja Edward LearZagori, Greece1860 · Yale Center for British Art 33Masada on the Dead Sea (1858) avtorja Edward LearMasada on the Dead Sea1858 · Fine Arts Museums of San Francisco 34View of the Ducal Palace, Massa, Northern Italy (1858) avtorja Edward LearView of the Ducal Palace, Massa, Northern Italy1858 35View in the Campagna, Rome (with a River) (1861) avtorja Edward LearView in the Campagna, Rome (with a River)1861 36View in the Campagna, Rome (with Ruins) (1861) avtorja Edward LearView in the Campagna, Rome (with Ruins)1861 37View of Florence from Villa San Firenze (1862) avtorja Edward LearView of Florence from Villa San Firenze1862 · Government Art Collection 38Corfu (1863) avtorja Edward LearCorfu1863 39The Forest of Valdoniello, Corsica (1869) avtorja Edward LearThe Forest of Valdoniello, Corsica1869 · Yale Center for British Art 40Denderah on the Nile (1867) avtorja Edward LearDenderah on the Nile1867 41Feluccas on the Nile near Abu-Simbel (1867) avtorja Edward LearFeluccas on the Nile near Abu-Simbel1867 42A Distant View of Nice from the Hills (1864) avtorja Edward LearA Distant View of Nice from the Hills1864 43Thermopylae (1872) avtorja Edward LearThermopylae1872 · Muzej umetnosti in arheologije Ashmolean 44Kinchinjunga (1877) avtorja Edward LearKinchinjunga1877 · Yale Center for British Art 45Campagna di Roma (1878) avtorja Edward LearCampagna di Roma1878 46Kangchenjunga from Darjeeling (1879) avtorja Edward LearKangchenjunga from Darjeeling1879 · Yale Center for British Art 47The Marble Rocks - Nerbudda Jubbolpore (1882) avtorja Edward LearThe Marble Rocks - Nerbudda Jubbolpore1882 · Yale Center for British Art 48A View of Adam's Peak, Ceylon (1882) avtorja Edward LearA View of Adam's Peak, Ceylon1882 · Government Art Collection 49Snowy Owl avtorja Edward LearSnowy Owl 50Villa Borghese, Rome avtorja Edward LearVilla Borghese, Rome 51Studies Of Sheep And Herdsmen avtorja Edward LearStudies Of Sheep And Herdsmen 52Views In Rome And Its Environs 2 avtorja Edward LearViews In Rome And Its Environs 2 53Opposite Calvi avtorja Edward LearOpposite Calvi 54Arabs Approaching Mount Sinai avtorja Edward LearArabs Approaching Mount Sinai 55Bocche Di Cattaro, Montenegro avtorja Edward LearBocche Di Cattaro, Montenegro 56Palaiukhora, Crete avtorja Edward LearPalaiukhora, Crete 57Naples, Italy avtorja Edward LearNaples, Italy 58Katholikó Akrotiri, Crete avtorja Edward LearKatholikó Akrotiri, Crete 59Damascus 3 avtorja Edward LearDamascus 3 60View Of Sermoneta, Italy avtorja Edward LearView Of Sermoneta, Italy 61Arkodyllus, Corfu avtorja Edward LearArkodyllus, Corfu 62View Of Jerusalem 1 avtorja Edward LearView Of Jerusalem 1 63The Monastery Of Baarlam, Meteora avtorja Edward LearThe Monastery Of Baarlam, Meteora 64Windermere From Lowwood, Cumbria avtorja Edward LearWindermere From Lowwood, Cumbria 65View Of Philae avtorja Edward LearView Of Philae 66Musta, Malta avtorja Edward LearMusta, Malta 67Modica, Sicily avtorja Edward LearModica, Sicily 68A View Of Sorrento, Italy avtorja Edward LearA View Of Sorrento, Italy 69Parnassus avtorja Edward LearParnassus 70Isola Pescatore, Lake Maggiore, Italy avtorja Edward LearIsola Pescatore, Lake Maggiore, Italy 71A View Of Santa Maura, Levkas, Ionian Islands avtorja Edward LearA View Of Santa Maura, Levkas, Ionian Islands 72Corfu From The Hill Of Gastouri avtorja Edward LearCorfu From The Hill Of Gastouri 73Pompey's Pillar avtorja Edward LearPompey's Pillar 74Figures On The Shore Near Edfu avtorja Edward LearFigures On The Shore Near Edfu 75Joannina, Epirus, Albania avtorja Edward LearJoannina, Epirus, Albania 76Travellers On A Road, Subiaco, Italy avtorja Edward LearTravellers On A Road, Subiaco, Italy 77The Pyramids Road avtorja Edward LearThe Pyramids Road 78View Of Eze, Côte D'azur, France 1 avtorja Edward LearView Of Eze, Côte D'azur, France 1 79An Arab Encampment In Wadi Feiran, Egypt avtorja Edward LearAn Arab Encampment In Wadi Feiran, Egypt 80The Claudian Aqueduct On The Via Appia Near Rome avtorja Edward LearThe Claudian Aqueduct On The Via Appia Near Rome 81A Distant View Of Mdina, Malta avtorja Edward LearA Distant View Of Mdina, Malta 82Galata, Constantinople avtorja Edward LearGalata, Constantinople 83Benares On The Ganges avtorja Edward LearBenares On The Ganges 84Sunrise At Erment, Egypt avtorja Edward LearSunrise At Erment, Egypt 85Porto Maurizio, Italy avtorja Edward LearPorto Maurizio, Italy 86The Nile Above Aswan avtorja Edward LearThe Nile Above Aswan 87A View Of Pauna, In The Ionian Islands avtorja Edward LearA View Of Pauna, In The Ionian Islands 88View Of Ratnapura, Ceylon avtorja Edward LearView Of Ratnapura, Ceylon 89Stairs Leading To S. Pietro In Vincoli avtorja Edward LearStairs Leading To S. Pietro In Vincoli 90Mount Oeta And Thermopylae From Near Lamia avtorja Edward LearMount Oeta And Thermopylae From Near Lamia 91Damascus avtorja Edward LearDamascus 92Arabs At Mount Sinai, Egypt avtorja Edward LearArabs At Mount Sinai, Egypt 93View Of Cythera, Greece avtorja Edward LearView Of Cythera, Greece 94The Upper Nile, Toske, Egypt avtorja Edward LearThe Upper Nile, Toske, Egypt 95Saffron-Coloured Aracari And Golden-Green Aracari avtorja Edward LearSaffron-Coloured Aracari And Golden-Green Aracari 96Prince Of Wales Road, Malta avtorja Edward LearPrince Of Wales Road, Malta 97Piazza Di Spagna, Rome avtorja Edward LearPiazza Di Spagna, Rome 98Kinchinjunga From Darjeeling, Himalayas avtorja Edward LearKinchinjunga From Darjeeling, Himalayas 99Ioannina avtorja Edward LearIoannina 100Arachova, Greece avtorja Edward LearArachova, Greece

Glavne teme v delu umetnika Edward Lear

Četiri teme, ki so najpogosteje zastavljene v tem delu, vsaka z svojim najbolj znanim primerom.

Edward Lear: v muzejih

8 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Edward Lear Slike iz tega seznama
Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
Government Art Collection, LondonGovernment Art Collection London 4 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
Muzej umetnosti in arheologije Ashmolean, OxfordMuzej umetnosti in arheologije Ashmolean Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 The Temple of Apollo at Bassae
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 The Mountains of Thermopylae
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Corfu from near the Village of Virós
Izraelski muzej, JeruzalemIzraelski muzej Jeruzalem 1 Jerusalem from the Mount of Olives
Fine Arts Museums of San Francisco, San FranciscoFine Arts Museums of San Francisco San Francisco 1 Masada on the Dead Sea

Edward Lear: glavna slika vsakega desetletja

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Slike umetnika Edward Lear: referenčna vprašanja

Katero sliko avtorja Edward Lear najbolj poznate?Prikaži odgovor

Cogoleto, Italy. Naslednji zapisi so Crescenza in Blue And Yellow Macaw.

Katera desetina slik avtorja Edward Lear je najbolj znana?Prikaži odgovor

Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy, Ithaca, Ionian Islands in A Great Green Macaw. Zgornji seznam vsebuje datum in muzej, v katerem se nahaja vsako od njih.

Koliko dokumentiranih del je avtorja Edward Lear?Prikaži odgovor

Katalog vsebuje 419 del avtorja Edward Lear, datiranih med 1839 in 1882.

V katerih muzejih so shranjena najbolj znana dela umetnika Edward Lear?Prikaži odgovor

Predvsem v Yale Center for British Art (New Haven), Government Art Collection (London) in Muzej umetnosti in arheologije Ashmolean (Oxford). Zgornja tabela muzejev prikazuje celotno razporeditev.

V katerem obdobju so bila naslikana najbolj znana dela umetnika Edward Lear?Prikaži odgovor

V obdobju 1860s: 14 od 100 del na tej strani je datiranih v to obdobje, vključno z delom Philae, Egypt.

Kateri dela na tem seznamu sta najstarejša in najmlajša v času nastanka avtorja Edward Lear?Prikaži odgovor

Najstarejše datirano delo na seznamu je Civita Castellana (1839); najstarejše je The Marble Rocks - Nerbudda Jubbolpore (1882).

Katere teme se najpogosteje ponavljajo v delu umetnika Edward Lear?Prikaži odgovor

Landscape (14), Scenes (10) in Italy (10) od 100 del navedenih na tej strani.

Katera tehnika prevladuje v delu umetnika Edward Lear?Prikaži odgovor

Watercolor, v 11 od 100 del na tej strani.

S katerim umetnostnim slogom je povezan Edward Lear?Prikaži odgovor

Romanticism, ki jih dokumentirajo dela na tej strani.

Katera dela umetnika Edward Lear so v zbirki Yale Center for British Art?Prikaži odgovor

Philae, Egypt, Between Olavano and Civitella in A Study of Ferns, Civitella so med 14 dela na tej strani v kolekciji muzeja Yale Center for British Art, New Haven.

Edward Lear: biografski zapisi

Edward Lear (1812-1888): The Poet of Nonsense and Painter of Light

Edward Lear, a name synonymous with whimsical verse and delightfully peculiar illustrations, was far more than the purveyor of limericks and fantastical creatures that often define his legacy. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children, Lear’s early life was marked by both financial instability and a burgeoning artistic talent. His father, Jeremiah Lear, faced hardship after the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, however, ignited a lifelong passion that would see him traverse continents and capture the world in vibrant hues and playful lines. The shadow of familial difficulty, coupled with early health challenges – including epilepsy and bouts of melancholia he termed “the Morbids” – instilled within Lear a sense of gentle solitude and an inclination towards imaginative escape, qualities profoundly reflected in his art and writing.

Early Influences: Precision and Observation

Lear’s artistic journey began with meticulous precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a remarkable eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures within his private menagerie at Knowsley Hall. These years spent amongst lions, tigers, and parrots not only refined his draftsmanship but also fostered a deep connection with the natural world – a connection that would permeate his later landscapes. The demand for grand scientific illustrations surged during the Victorian era as Britain embarked on its imperial expansion, fueled by an eagerness to catalog and depict the wonders of distant lands. Lear’s training emphasized careful observation and accurate representation, shaping his artistic approach throughout his career. He meticulously studied animal anatomy, rendering feathers, scales, and musculature with remarkable realism—a skill that would serve him well in his subsequent landscape paintings.

Travel & Landscape Painting: Capturing the Essence of Place

However, failing eyesight and respiratory issues eventually led him away from the exacting demands of ornithological illustration. He turned instead to landscape painting, embarking on extensive travels throughout Europe and beyond. Italy became a particular haven, offering not only respite for his health but also an abundance of inspiring vistas—rolling hills bathed in Tuscan sunlight, dramatic Alpine peaks crowned with snow, and serene Venetian canals reflecting the glow of twilight. These journeys profoundly influenced Lear’s artistic vision, prompting him to experiment with new techniques and explore unconventional perspectives. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective—the subtle blending of hues to convey depth and distance—and delicate brushwork that captured the ephemeral beauty of fleeting moments. Lear’s landscapes are imbued with a sense of melancholy and contemplation, reflecting his own personal experiences as a wanderer—a theme that recurs throughout his oeuvre.

The Poet of Nonsense: A Revolution in Verse

While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear is most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. His limericks often explored themes of loneliness, longing, and the absurdity of existence, cloaked within a veneer of whimsicality—a stylistic choice that mirrored his own introspective tendencies. He challenged poetic conventions, liberating verse from rigid structures and embracing playful experimentation—a bold move for its time.

Legacy & Enduring Charm

Lear’s influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet—whose diverse talents converged to create a unique and enduring legacy. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit. He remains an icon of Victorian eccentricity—a figure whose art continues to inspire wonder and delight generations after his death in 1888.