Portret Edward Lear

Seznam 100 najbolj znanih slik umetnika Edward Lear

Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 419 del v našem katalogu avtorja Edward Lear

Povzetek

Najbolj znana slika avtorja Edward Lear je Cogoleto, Italy. Naslednja vstopna polja sta Crescenza in Blue And Yellow Macaw. Katalog dokumentira 419 del umetnika Edward Lear; spodnjih 100 zapisov so najbolj znani, razvrščeni po uvrstitvi z datumom, muzejsko gradivo in opisom.

1812 – 1888, Highgate Romanticism Največ del: Yale Center for British Art

Edward Lear: 10 glavnih slik

1
Cogoleto, Italy avtorja Edward Lear

Cogoleto, Italy

Watercolor

The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

2
Crescenza avtorja Edward Lear

Crescenza

Watercolor

Edward Lear’s Crescenza presents a hilly terrain defined by rolling elevations and a prominent fortress perched atop one of the heights. This landscape, likely inspired by Lear's travels through Europe or the Middle East, focuses on the relationship between the natural topography and the man-made structure. The castle dominates the background, overlooking the terrain below.

7
The Temple of Apollo at Bassae (1855) avtorja Edward Lear

The Temple of Apollo at Bassae

1855 · Oil On Canvas · Fitzwilliam College, Cambridge

The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

Edward Lear: vsebine od 11 do 100

11A Great Green Macaw avtorja Edward LearA Great Green Macaw 12Great Sulphur Cockatoo (Plyctolophus Sulphureus) avtorja Edward LearGreat Sulphur Cockatoo (Plyctolophus Sulphureus) 13Diano, South Of France avtorja Edward LearDiano, South Of France 14Philae, Egypt (1863) avtorja Edward LearPhilae, Egypt1863 · Yale Center for British Art 15The Plains of Lombardy from Monte Generoso (1880) avtorja Edward LearThe Plains of Lombardy from Monte Generoso1880 · Muzej umetnosti in arheologije Ashmolean 16Between Olavano and Civitella (1842) avtorja Edward LearBetween Olavano and Civitella1842 · Yale Center for British Art 17Civita Castellana (1839) avtorja Edward LearCivita Castellana1839 18The Mountains of Thermopylae (1852) avtorja Edward LearThe Mountains of Thermopylae1852 · Bristol Museum - Art Gallery 19A Study of Ferns, Civitella (1842) avtorja Edward LearA Study of Ferns, Civitella1842 · Yale Center for British Art 20Landscape with Goatherd (1842) avtorja Edward LearLandscape with Goatherd1842 · Yale Center for British Art 21Temple of Venus and Roma, Rome (1840) avtorja Edward LearTemple of Venus and Roma, Rome1840 · Yale Center for British Art 22Rome, a View of the Forum from a Terrace (1841) avtorja Edward LearRome, a View of the Forum from a Terrace1841 23Rome, a View of the Forum with the Temple of Venus (1841) avtorja Edward LearRome, a View of the Forum with the Temple of Venus1841 24A View of the Roman Campagna, a Villa and Aqueduct in the Distance (1841) avtorja Edward LearA View of the Roman Campagna, a Villa and Aqueduct in the Distance1841 25A View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance (1841) avtorja Edward LearA View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance1841 26Study of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany (1842) avtorja Edward LearStudy of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany1842 27Venosa (1852) avtorja Edward LearVenosa1852 · Toledo Museum of Art 28Corfu from near the Village of Virós (1858) avtorja Edward LearCorfu from near the Village of Virós1858 · Rhode Island School of Design Museum of Art 29Jerusalem from the Mount of Olives (1858) avtorja Edward LearJerusalem from the Mount of Olives1858 · Izraelski muzej 30Corfu from Ascension (1860) avtorja Edward LearCorfu from Ascension1860 · Yale Center for British Art 31Corfu from Ascension (1862) avtorja Edward LearCorfu from Ascension1862 · Yale Center for British Art 32Corfu from Santa Decca (1862) avtorja Edward LearCorfu from Santa Decca1862 · Yale Center for British Art 33Butrinto, Albania (1861) avtorja Edward LearButrinto, Albania1861 · Yale Center for British Art 34Zagori, Greece (1860) avtorja Edward LearZagori, Greece1860 · Yale Center for British Art 35Masada on the Dead Sea (1858) avtorja Edward LearMasada on the Dead Sea1858 · Fine Arts Museums of San Francisco 36View of the Ducal Palace, Massa, Northern Italy (1858) avtorja Edward LearView of the Ducal Palace, Massa, Northern Italy1858 37View in the Campagna, Rome (with a River) (1861) avtorja Edward LearView in the Campagna, Rome (with a River)1861 38View in the Campagna, Rome (with Ruins) (1861) avtorja Edward LearView in the Campagna, Rome (with Ruins)1861 39View of Florence from Villa San Firenze (1862) avtorja Edward LearView of Florence from Villa San Firenze1862 · Government Art Collection 40Corfu (1863) avtorja Edward LearCorfu1863 41The Forest of Valdoniello, Corsica (1869) avtorja Edward LearThe Forest of Valdoniello, Corsica1869 · Yale Center for British Art 42Denderah on the Nile (1867) avtorja Edward LearDenderah on the Nile1867 43Feluccas on the Nile near Abu-Simbel (1867) avtorja Edward LearFeluccas on the Nile near Abu-Simbel1867 44A Distant View of Nice from the Hills (1864) avtorja Edward LearA Distant View of Nice from the Hills1864 45Thermopylae (1872) avtorja Edward LearThermopylae1872 · Muzej umetnosti in arheologije Ashmolean 46Kinchinjunga (1877) avtorja Edward LearKinchinjunga1877 · Yale Center for British Art 47Campagna di Roma (1878) avtorja Edward LearCampagna di Roma1878 48Kangchenjunga from Darjeeling (1879) avtorja Edward LearKangchenjunga from Darjeeling1879 · Yale Center for British Art 49The Marble Rocks - Nerbudda Jubbolpore (1882) avtorja Edward LearThe Marble Rocks - Nerbudda Jubbolpore1882 · Yale Center for British Art 50A View of Adam's Peak, Ceylon (1882) avtorja Edward LearA View of Adam's Peak, Ceylon1882 · Government Art Collection 51Snowy Owl avtorja Edward LearSnowy Owl 52Villa Borghese, Rome avtorja Edward LearVilla Borghese, Rome 53Studies Of Sheep And Herdsmen avtorja Edward LearStudies Of Sheep And Herdsmen 54Views In Rome And Its Environs 2 avtorja Edward LearViews In Rome And Its Environs 2 55Opposite Calvi avtorja Edward LearOpposite Calvi 56Arabs Approaching Mount Sinai avtorja Edward LearArabs Approaching Mount Sinai 57Bocche Di Cattaro, Montenegro avtorja Edward LearBocche Di Cattaro, Montenegro 58Palaiukhora, Crete avtorja Edward LearPalaiukhora, Crete 59Naples, Italy avtorja Edward LearNaples, Italy 60Katholikó Akrotiri, Crete avtorja Edward LearKatholikó Akrotiri, Crete 61Damascus 3 avtorja Edward LearDamascus 3 62View Of Sermoneta, Italy avtorja Edward LearView Of Sermoneta, Italy 63Arkodyllus, Corfu avtorja Edward LearArkodyllus, Corfu 64View Of Jerusalem 1 avtorja Edward LearView Of Jerusalem 1 65The Monastery Of Baarlam, Meteora avtorja Edward LearThe Monastery Of Baarlam, Meteora 66Windermere From Lowwood, Cumbria avtorja Edward LearWindermere From Lowwood, Cumbria 67View Of Philae avtorja Edward LearView Of Philae 68Musta, Malta avtorja Edward LearMusta, Malta 69Modica, Sicily avtorja Edward LearModica, Sicily 70A View Of Sorrento, Italy avtorja Edward LearA View Of Sorrento, Italy 71Parnassus avtorja Edward LearParnassus 72Isola Pescatore, Lake Maggiore, Italy avtorja Edward LearIsola Pescatore, Lake Maggiore, Italy 73A View Of Santa Maura, Levkas, Ionian Islands avtorja Edward LearA View Of Santa Maura, Levkas, Ionian Islands 74Corfu From The Hill Of Gastouri avtorja Edward LearCorfu From The Hill Of Gastouri 75Pompey's Pillar avtorja Edward LearPompey's Pillar 76Figures On The Shore Near Edfu avtorja Edward LearFigures On The Shore Near Edfu 77Joannina, Epirus, Albania avtorja Edward LearJoannina, Epirus, Albania 78Travellers On A Road, Subiaco, Italy avtorja Edward LearTravellers On A Road, Subiaco, Italy 79The Pyramids Road avtorja Edward LearThe Pyramids Road 80View Of Eze, Côte D'azur, France 1 avtorja Edward LearView Of Eze, Côte D'azur, France 1 81An Arab Encampment In Wadi Feiran, Egypt avtorja Edward LearAn Arab Encampment In Wadi Feiran, Egypt 82The Claudian Aqueduct On The Via Appia Near Rome avtorja Edward LearThe Claudian Aqueduct On The Via Appia Near Rome 83A Distant View Of Mdina, Malta avtorja Edward LearA Distant View Of Mdina, Malta 84Galata, Constantinople avtorja Edward LearGalata, Constantinople 85Benares On The Ganges avtorja Edward LearBenares On The Ganges 86Sunrise At Erment, Egypt avtorja Edward LearSunrise At Erment, Egypt 87Porto Maurizio, Italy avtorja Edward LearPorto Maurizio, Italy 88The Nile Above Aswan avtorja Edward LearThe Nile Above Aswan 89A View Of Pauna, In The Ionian Islands avtorja Edward LearA View Of Pauna, In The Ionian Islands 90View Of Ratnapura, Ceylon avtorja Edward LearView Of Ratnapura, Ceylon 91Stairs Leading To S. Pietro In Vincoli avtorja Edward LearStairs Leading To S. Pietro In Vincoli 92Mount Oeta And Thermopylae From Near Lamia avtorja Edward LearMount Oeta And Thermopylae From Near Lamia 93Damascus avtorja Edward LearDamascus 94Arabs At Mount Sinai, Egypt avtorja Edward LearArabs At Mount Sinai, Egypt 95View Of Cythera, Greece avtorja Edward LearView Of Cythera, Greece 96The Upper Nile, Toske, Egypt avtorja Edward LearThe Upper Nile, Toske, Egypt 97Saffron-Coloured Aracari And Golden-Green Aracari avtorja Edward LearSaffron-Coloured Aracari And Golden-Green Aracari 98Prince Of Wales Road, Malta avtorja Edward LearPrince Of Wales Road, Malta 99Piazza Di Spagna, Rome avtorja Edward LearPiazza Di Spagna, Rome 100Kinchinjunga From Darjeeling, Himalayas avtorja Edward LearKinchinjunga From Darjeeling, Himalayas

Glavne teme v delu umetnika Edward Lear

Četiri teme, ki so najpogosteje zastavljene v tem delu, vsaka z svojim najbolj znanim primerom.

Edward Lear: v muzejih

8 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Edward Lear Slike iz tega seznama
Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
Government Art Collection, LondonGovernment Art Collection London 4 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
Muzej umetnosti in arheologije Ashmolean, OxfordMuzej umetnosti in arheologije Ashmolean Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
Izraelski muzej, JeruzalemIzraelski muzej Jeruzalem 2 View of Bethlehem, Jerusalem from the Mount of Olives
Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 The Temple of Apollo at Bassae
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 The Mountains of Thermopylae
Toledo Museum of Art, ToledoToledo Museum of Art Toledo 1 Venosa
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Corfu from near the Village of Virós

Edward Lear: glavna slika vsakega desetletja

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Slike umetnika Edward Lear: referenčna vprašanja

Katero sliko avtorja Edward Lear najbolj poznate?Prikaži odgovor

Cogoleto, Italy. Naslednji zapisi so Crescenza in Blue And Yellow Macaw.

Katera desetina slik avtorja Edward Lear je najbolj znana?Prikaži odgovor

Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy in Ithaca, Ionian Islands. Zgornji seznam vsebuje datum in muzej, v katerem se nahaja vsako od njih.

Koliko dokumentiranih del je avtorja Edward Lear?Prikaži odgovor

Katalog vsebuje 419 del avtorja Edward Lear, datiranih med 1839 in 1882.

V katerih muzejih so shranjena najbolj znana dela umetnika Edward Lear?Prikaži odgovor

Predvsem v Yale Center for British Art (New Haven), Government Art Collection (London) in Muzej umetnosti in arheologije Ashmolean (Oxford). Zgornja tabela muzejev prikazuje celotno razporeditev.

V katerem obdobju so bila naslikana najbolj znana dela umetnika Edward Lear?Prikaži odgovor

V obdobju 1860s: 14 od 100 del na tej strani je datiranih v to obdobje, vključno z delom Philae, Egypt.

Kateri dela na tem seznamu sta najstarejša in najmlajša v času nastanka avtorja Edward Lear?Prikaži odgovor

Najstarejše datirano delo na seznamu je Civita Castellana (1839); najstarejše je The Marble Rocks - Nerbudda Jubbolpore (1882).

Katere teme se najpogosteje ponavljajo v delu umetnika Edward Lear?Prikaži odgovor

Landscape (12), Scenes (11) in Italy (11) od 100 del navedenih na tej strani.

Katera tehnika prevladuje v delu umetnika Edward Lear?Prikaži odgovor

Watercolor, v 3 od 100 del na tej strani.

S katerim umetnostnim slogom je povezan Edward Lear?Prikaži odgovor

Romanticism, ki jih dokumentirajo dela na tej strani.

Katera dela umetnika Edward Lear so v zbirki Yale Center for British Art?Prikaži odgovor

Philae, Egypt, Between Olavano and Civitella in A Study of Ferns, Civitella so med 14 dela na tej strani v kolekciji muzeja Yale Center for British Art, New Haven.

Edward Lear: biografski zapisi

Edward Lear (1812-1888): The Poet of Nonsense and Painter of Light

Edward Lear, a name synonymous with whimsical verse and delightfully peculiar illustrations, was far more than the purveyor of limericks and fantastical creatures that often define his legacy. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children, Lear’s early life was marked by both financial instability and a burgeoning artistic talent. His father, Jeremiah Lear, faced hardship after the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, however, ignited a lifelong passion that would see him traverse continents and capture the world in vibrant hues and playful lines. The shadow of familial difficulty, coupled with early health challenges – including epilepsy and bouts of melancholia he termed “the Morbids” – instilled within Lear a sense of gentle solitude and an inclination towards imaginative escape, qualities profoundly reflected in his art and writing.

Early Influences: Precision and Observation

Lear’s artistic journey began with meticulous precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a remarkable eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures within his private menagerie at Knowsley Hall. These years spent amongst lions, tigers, and parrots not only refined his draftsmanship but also fostered a deep connection with the natural world – a connection that would permeate his later landscapes. The demand for grand scientific illustrations surged during the Victorian era as Britain embarked on its imperial expansion, fueled by an eagerness to catalog and depict the wonders of distant lands. Lear’s training emphasized careful observation and accurate representation, shaping his artistic approach throughout his career. He meticulously studied animal anatomy, rendering feathers, scales, and musculature with remarkable realism—a skill that would serve him well in his subsequent landscape paintings.

Travel & Landscape Painting: Capturing the Essence of Place

However, failing eyesight and respiratory issues eventually led him away from the exacting demands of ornithological illustration. He turned instead to landscape painting, embarking on extensive travels throughout Europe and beyond. Italy became a particular haven, offering not only respite for his health but also an abundance of inspiring vistas—rolling hills bathed in Tuscan sunlight, dramatic Alpine peaks crowned with snow, and serene Venetian canals reflecting the glow of twilight. These journeys profoundly influenced Lear’s artistic vision, prompting him to experiment with new techniques and explore unconventional perspectives. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective—the subtle blending of hues to convey depth and distance—and delicate brushwork that captured the ephemeral beauty of fleeting moments. Lear’s landscapes are imbued with a sense of melancholy and contemplation, reflecting his own personal experiences as a wanderer—a theme that recurs throughout his oeuvre.

The Poet of Nonsense: A Revolution in Verse

While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear is most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. His limericks often explored themes of loneliness, longing, and the absurdity of existence, cloaked within a veneer of whimsicality—a stylistic choice that mirrored his own introspective tendencies. He challenged poetic conventions, liberating verse from rigid structures and embracing playful experimentation—a bold move for its time.

Legacy & Enduring Charm

Lear’s influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet—whose diverse talents converged to create a unique and enduring legacy. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit. He remains an icon of Victorian eccentricity—a figure whose art continues to inspire wonder and delight generations after his death in 1888.