Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 5 del v našem katalogu avtorja Gustaf Söderberg
Povzetek
The Grotto of Posillipo, Naples (1820) velja za najbolj znateno sliko umetnika Gustaf Söderberg; v muzeju Metropolitanski muzej umetnosti v mestu New York se nahaja. View over the Tiber to the Aventine, Rome (1820) in A Temple in Agrigento, Sicily sta na drugem in tretjem mestu. Od 5 del umetnika Gustaf Söderberg, ki so zabeleženi v katalogu, so spodaj navedena 5 najbolj znanih; vsaka vpisnik vsebuje datum, muzej, ki deli delo, in opombo o samem delu.
The Grotto of Posillipo, Naples is an oil study by the Swedish artist Gustaf Söderberg, executed in 1820. This work captures a specific geological and historical site located in southern Italy. The subject is a nearly half-mile-long tunnel carved through the rocky promontory that separates the city of Naples from the town of Posillipo. This passage dates back to the first century.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzeji | Mesto | Sloga Gustaf Söderberg | Slike iz tega seznama |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 4 | View over the Tiber to the Aventine, Rome, A Temple in Agrigento, Sicily, Vesuvius Seen from St January Bridge, Naples |
 Metropolitanski muzej umetnosti |
New York | 1 | The Grotto of Posillipo, Naples |
Vsaka datirana vpis Gustaf Söderberg na tej strani ima datum 1820; dela so razvrščena po uvrstitvi.
Izberite leto, da prikazate njegova glavna dela.
The Grotto of Posillipo, Naples is an oil study by the Swedish artist Gustaf Söderberg, executed in 1820. This work captures a specific geological and historical site located in southern Italy. The subject is a nearly half-mile-long tunnel carved through the rocky promontory that separates the city of Naples from the town of Posillipo. This passage dates back to the first century.
Druga dela iz obdobja 1820
The Grotto of Posillipo, Naples (1820), Metropolitanski muzej umetnosti, New York. Naslednja vstopna mesta sta View over the Tiber to the Aventine, Rome (1820) in A Temple in Agrigento, Sicily.
21 let: Gustaf Söderberg se je rodil/a v 1799, The Grotto of Posillipo, Naples pa je datiran/a leta 1820.
Katalog vsebuje 5 del umetnika Gustaf Söderberg.
Predvsem v Nationalmuseum (Stockholm) in Metropolitanski muzej umetnosti (New York). Zgornja tabela muzejev prikazuje celotno razporeditev.
V obdobju 1820: 2 od 5 del na tej strani je datiranih v to obdobje, vključno z delom The Grotto of Posillipo, Naples.
View over the Tiber to the Aventine, Rome, A Temple in Agrigento, Sicily in Vesuvius Seen from St January Bridge, Naples so med 4 dela na tej strani v kolekciji muzeja Nationalmuseum, Stockholm.
Gustaf Söderberg lived a life defined by the dualities of Swedish military discipline and the quiet observation of the natural world. Born in Norrköping, Östergötland, he was the son of a clothing manufacturer, Johan Söderberg, and Agnes Arosenius. While his career path led him through the ranks of the military, his eyes remained fixed on the landscapes of Europe. He trained as a military draftsman, a skill that provided a precise foundation for his later explorations in light and atmosphere.
His professional trajectory was marked by steady advancement. He served as an Adjutant at the Expeditionary General for the Army in Stockholm and eventually attained the rank of Colonel. In 1827, he held the position of ordination officer to the Crown Prince, and by 1833, he had become Adjutant to the Crown Prince himself. Even amidst these official duties, his artistic inclinations found expression through lithographic work, specifically in creating posters for Swedish and Norwegian military uniforms completed in 1828.
Söderberg holds a specific place in Swedish art history as the first painter from his nation to embrace plein-air painting. This shift toward painting outdoors was not an isolated impulse but a learned technique. He studied under the French landscapist Achille-Etna Michallon, whose influence helped him move beyond the rigid confines of studio work. His travels provided the necessary canvas for this new approach.
In 1819, he traveled to Italy, and by 1820, his sketches began to capture the specific geometries of foreign locales. During a journey through southern Italy and Sicily, he produced studies such as The Grotto of Posillipo, Naples. His time in Rome also yielded works like Houses, Rome, where he utilized an extraordinary disparity of scale to depict architectural fragments against the sky. These early excursions were followed by time spent in Paris in 1821 and a painting tour through Norway in 1824.
The later decades of Söderberg's life saw him moving through the various stages of European travel while maintaining his military obligations. He participated regularly in the Academy of Fine Arts exhibitions from 1822 onwards, bringing his observations to a wider audience. After retiring from military service in 1864, he spent his remaining years traveling across the continent.
He passed away in Stockholm in 1875. His legacy is found not in grand historical narratives, but in the meticulous oil studies on paper that remain in collections such as The Metropolitan Museum of Art. These works preserve a specific moment of transition in Swedish art, capturing the light of Naples and the structures of Rome through the lens of a man who understood both the precision of a soldier and the sensitivity of a draftsman.
