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Henrik Plötz: Katalog 4 najbolj znanih slik
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 4 del v našem katalogu avtorja Henrik Plötz
Povzetek
Charles Bonnet, Swizz Naturalist and Philosopher (1785) velja za najbolj znateno sliko umetnika Henrik Plötz; v muzeju Nationalmuseum v mestu Stockholm se nahaja. Portrait of Prince Willem George Frederik (1795) in Portrait of a woman (1800) sta na drugem in tretjem mestu. Od 4 del umetnika Henrik Plötz, ki so zabeleženi v katalogu, so spodaj navedena 4 najbolj znanih; vsaka vpisnik vsebuje datum, muzej, ki deli delo, in opombo o samem delu.
1747 – 1830, Pinneberg
Največ del: Nationalmuseum
Vrstice od 1 do 10: najbolj znana slika umetnika Henrik Plötz
Henrik Plötz: v muzejih
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Henrik Plötz | Slike iz tega seznama |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 2 | Charles Bonnet, Swizz Naturalist and Philosopher, King Khristian VII of Denmark and Norway |
 Rijksmuseum |
Amsterdam | 2 | Portrait of Prince Willem George Frederik, Portrait of a woman |
Indeks dekad: glavna slika umetnika Henrik Plötz za vsako
Delo po desetletjih
Izberite desetletje, da prikažete njegovo glavno sliko.
Pogosta vprašanja o slikah umetnika Henrik Plötz
Katero je najbolj znano delo umetnika Henrik Plötz?Prikaži odgovor
Charles Bonnet, Swizz Naturalist and Philosopher (1785), Nationalmuseum, Stockholm. Naslednja vstopna mesta sta Portrait of Prince Willem George Frederik (1795) in Portrait of a woman (1800).
Koliko je bil Henrik Plötz star v letu Charles Bonnet, Swizz Naturalist and Philosopher?Prikaži odgovor
38 let: Henrik Plötz se je rodil/a v 1747, Charles Bonnet, Swizz Naturalist and Philosopher pa je datiran/a leta 1785.
Koliko del umetnika Henrik Plötz vseja katalog?Prikaži odgovor
Katalog vsebuje 4 del avtorja Henrik Plötz, datiranih med 1785 in 1800.
Kje so shranjena glavna dela umetnika Henrik Plötz?Prikaži odgovor
Predvsem v Nationalmuseum (Stockholm) in Rijksmuseum (Amsterdam). Zgornja tabela muzejev prikazuje celotno razporeditev.
Kateri so najstarejši in najmlajši najbolj znani pripomočki umetnika Henrik Plötz?Prikaži odgovor
Najstarejše datirano delo na seznamu je Charles Bonnet, Swizz Naturalist and Philosopher (1785); najstarejše je Portrait of a woman (1800).
Katere slike umetnika Henrik Plötz ima v svoji zbirki Nationalmuseum?Prikaži odgovor
Charles Bonnet, Swizz Naturalist and Philosopher in King Khristian VII of Denmark and Norway so med 2 dela na tej strani v kolekciji muzeja Nationalmuseum, Stockholm.
Biografija umetnika Henrik Plötz
The Life and Versatility of Henrik Plötz
Henrik Plötz was a multifaceted German artist and inventor born in Pinneberg. His diverse talents spanned several disciplines, as he was a painter, flautist, and miniaturist. His early life was marked by significant transitions; after losing his parents at a young age, he was raised by the Danish General Caesar Lüttichau, who ensured he received flute lessons in Fredericia. By 1768, he secured a position in the Royal Chapel in Copenhagen. However, his musical career was altered after a journey to Switzerland, where an illness prevented him from playing the flute further.
Following this, Plötz turned his focus toward visual arts and mechanics. He studied under an enamel painter and later with the mechanician P. J. Droz. His intellectual pursuits led him to Genthod, where he worked with the naturalist Charles Bonnet, creating plates of insects and plants and assisting with botanical and mechanical experiments.
Mechanical Innovations and Artistic Legacy
Plötz was a man of profound technical curiosity, known for inventing precision instruments. He developed a physionotrace and a pantograph to create profile portraits with mechanical accuracy. His inventive spirit continued in Naples and later in Berlin, where he shared an atelier with Christian Hornemann. In 1799, he moved to Copenhagen to serve as a court mechanician under Christian Günther von Bernstorff. During his time in Copenhagen, he invented various devices, including a stamping machine designed to produce non-copyable banknotes.
His artistic output was notable for its dedication to the European tradition of miniature painting. His legacy also extended through his family, as his son, Carl Ludwig, followed in his footsteps as a miniature painter.