Portret Kees Jansen

Kees Jansen: Katalog 1 najbolj znanih slik

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 1 del v našem katalogu avtorja Kees Jansen

Povzetek

Untitled (1963) velja za najbolj znateno sliko umetnika Kees Jansen; v muzeju Museum van Bommel van Dam v mestu Venlo se nahaja. Od 1 del umetnika Kees Jansen, ki so zabeleženi v katalogu, so spodaj navedena 1 najbolj znanih; vsaka vpisnik vsebuje datum, muzej, ki deli delo, in opombo o samem delu.

rojen 1946 Največ del: Museum van Bommel van Dam

Vrstice od 1 do 10: najbolj znana slika umetnika Kees Jansen

Kees Jansen: v muzejih

1 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Kees Jansen Slike iz tega seznama
Museum van Bommel van Dam, VenloMuseum van Bommel van Dam Venlo 1 Untitled

Letni indeks: glavna dela umetnika Kees Jansen

Vsaka datirana vpis Kees Jansen na tej strani ima datum 1963; dela so razvrščena po uvrstitvi.

Delo po letih

Izberite leto, da prikazate njegova glavna dela.

Pogosta vprašanja o slikah umetnika Kees Jansen

Katero je najbolj znano delo umetnika Kees Jansen?Prikaži odgovor

Untitled (1963)

Koliko je bil Kees Jansen star v letu Untitled?Prikaži odgovor

17 let: Kees Jansen se je rodil/a v 1946, Untitled pa je datiran/a leta 1963.

Koliko del umetnika Kees Jansen vseja katalog?Prikaži odgovor

Katalog vsebuje 1 del umetnika Kees Jansen.

Kje so shranjena glavna dela umetnika Kees Jansen?Prikaži odgovor

Predvsem v Museum van Bommel van Dam (Venlo). Zgornja tabela muzejev prikazuje celotno razporeditev.

Biografija umetnika Kees Jansen

A Sculptural Presence

Born in 1946, Kees Jansen has spent decades shaping form through the medium of sculpture. His work exists in the physical space between the viewer and the object, demanding a certain awareness of volume and mass. While many artists seek to capture a fleeting moment, Jansen’s practice is rooted in the permanence of the material, a pursuit that has seen his pieces find a place within significant collections.

His presence in the contemporary art landscape is marked by a quiet, steady development. Rather than following the loud trends of a specific movement, his output suggests a focused engagement with the tactile nature of his craft. This dedication to the physical reality of sculpture is reflected in the way his works are preserved and studied by institutions.

Institutional Recognition

The significance of an artist is often measured by the permanence of their work in public and private repositories. For Jansen, this recognition is anchored in the Netherlands, specifically within the curated environments of regional museums. His contributions are held within the following collections:

The inclusion of his work in the Museum van Bommel van Dam highlights a connection to the modern and contemporary art history of the Venlo region. This placement ensures that his sculptural language remains part of a larger, evolving dialogue regarding Dutch modernism.

The Early Form

The trajectory of his career can be traced through specific, early instances of his creative output. In 1963, his work Untitled was already being recognized, appearing in the collection of the Museum van Bommel van Dam. This early entry into the record of significant art collections suggests a long-standing commitment to his chosen discipline. His work remains a part of the ongoing study of form and space within the Dutch sculptural tradition.