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Seznam 3 najbolj znanih slik umetnika László Pataky
Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 5 del v našem katalogu avtorja László Pataky
Povzetek
Najbolj znano sliko avtorja László Pataky je Roosters on Horses (1880), ki se nahaja v kolekciji Slovenska narodna galerija, Bratislava. Naslednja vstopna polja sta Cavalry Battle (1890) in Kuruci (1903). Katalog dokumentira 5 del umetnika László Pataky; spodnjih 3 zapisov so najbolj znani, razvrščeni po uvrstitvi z datumom, muzejsko gradivo in opisom.
1857 – 1912, Brad
Največ del: Slovenska narodna galerija
László Pataky: 10 glavnih slik
László Pataky: v muzejih
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga László Pataky | Slike iz tega seznama |
|---|---|---|---|
 Slovenska narodna galerija |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
László Pataky: glavna slika vsakega desetletja
Delo po desetletjih
Izberite desetletje, da prikažete njegovo glavno sliko.
Slike umetnika László Pataky: referenčna vprašanja
Katero sliko avtorja László Pataky najbolj poznate?Prikaži odgovor
Roosters on Horses (1880), Slovenska narodna galerija, Bratislava. Naslednja vstopna mesta sta Cavalry Battle (1890) in Kuruci (1903).
Koliko je bil László Pataky let, ko je naslikal Roosters on Horses?Prikaži odgovor
23 let: László Pataky se je rodil/a v 1857, Roosters on Horses pa je datiran/a leta 1880.
Koliko dokumentiranih del je avtorja László Pataky?Prikaži odgovor
Katalog vsebuje 5 del avtorja László Pataky, datiranih med 1880 in 1903.
V katerih muzejih so shranjena najbolj znana dela umetnika László Pataky?Prikaži odgovor
Predvsem v Slovenska narodna galerija (Bratislava) in Ernest Zmeták Art Gallery (Nové Zámky). Zgornja tabela muzejev prikazuje celotno razporeditev.
Kateri dela na tem seznamu sta najstarejša in najmlajša v času nastanka avtorja László Pataky?Prikaži odgovor
Najstarejše datirano delo na seznamu je Roosters on Horses (1880); najstarejše je Kuruci (1903).
Katera dela umetnika László Pataky so v zbirki Slovenska narodna galerija?Prikaži odgovor
Roosters on Horses in Cavalry Battle so med 2 dela na tej strani v kolekciji muzeja Slovenska narodna galerija, Bratislava.
László Pataky: biografski zapisi
The paths through Munich and Paris
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
Scenes from the rural landscape
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
- Wildpferde in der ungarischen Puszta (1897)
- Hungarian horse-drawn carts at harvest time
- Flock of Sheep Returning Home (1895)
- Potato harvest
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
A lasting presence in the collections
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.