Povzetek
Evening velja za najbolj znateno sliko umetnika Robert Burrows; v muzeju Darlington Library v mestu Darlington se nahaja. Bridge, West of Stoke Bridge, Suffolk (1847) in Gainsborough's Lane (1868) sta na drugem in tretjem mestu. Od 21 del umetnika Robert Burrows, ki so zabeleženi v katalogu, so spodaj navedena 18 najbolj znanih; vsaka vpisnik vsebuje datum, muzej, ki deli delo, in opombo o samem delu.
Vrstice od 1 do 10: najbolj znana slika umetnika Robert Burrows
Robert Burrows, dodatni zapisi: od 11 do 18
Glavne teme v delu umetnika Robert Burrows
Četiri teme, ki so najpogosteje zastavljene v tem delu, vsaka z svojim najbolj znanim primerom.
Rural landscape 2 delo
Pastoral scene 2 delo
Robert Burrows: v muzejih
4 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Robert Burrows | Slike iz tega seznama |
|---|---|---|---|
| Darlington | 4 | Evening, Gainsborough's Lane, Cattle on Road | |
| Ipswich | 2 | Gipping near Oil Mills, Suffolk, Landscape in Christchurch Park, Suffolk | |
| Sunderland | 1 | Gainsborough's Lane | |
| Sudbury | 1 | Cattle Watering |
Indeks dekad: glavna slika umetnika Robert Burrows za vsako
Pogosta vprašanja o slikah umetnika Robert Burrows
Katero je najbolj znano delo umetnika Robert Burrows?Prikaži odgovor
Evening, Darlington Library, Darlington. Naslednja vstopna mesta sta Bridge, West of Stoke Bridge, Suffolk (1847) in Gainsborough's Lane (1868).
Katera je deset najbolj znanih del umetnika Robert Burrows?Prikaži odgovor
Evening, Bridge, West of Stoke Bridge, Suffolk, Gainsborough's Lane, Foxhall Road, Ipswich, Cattle Watering, River Scene, River Orwell from Gainsborough Lane, Suffolk, Orwell from Bridleway, Ipswich, Old Gippeswyck Hall, Suffolk in Back of Cauldwell Hall, Suffolk. Zgornji seznam vsebuje datum in muzej, v katerem se nahaja vsako od njih.
Koliko del umetnika Robert Burrows vseja katalog?Prikaži odgovor
Katalog vsebuje 21 del avtorja Robert Burrows, datiranih med 1847 in 1883.
Kje so shranjena glavna dela umetnika Robert Burrows?Prikaži odgovor
Predvsem v Darlington Library (Darlington), Christchurch Mansion (Ipswich) in Sunderland Museum - Winter Gardens (Sunderland). Zgornja tabela muzejev prikazuje celotno razporeditev.
V katerem obdobju je Robert Burrows ustvaril svoja najbolj znana dela?Prikaži odgovor
V obdobju 1880s: 8 od 18 del na tej strani je datiranih v to obdobje, vključno z delom River Scene.
Kateri so najstarejši in najmlajši najbolj znani pripomočki umetnika Robert Burrows?Prikaži odgovor
Najstarejše datirano delo na seznamu je Bridge, West of Stoke Bridge, Suffolk (1847); najstarejše je River Scene (1883).
Katere teme je Robert Burrows najpogosteje obravnaval?Prikaži odgovor
Rural landscape (2) in Pastoral scene (2) od 18 del navedenih na tej strani.
Katere slike umetnika Robert Burrows ima v svoji zbirki Darlington Library?Prikaži odgovor
Evening, Gainsborough's Lane in Cattle on Road so med 4 dela na tej strani v kolekciji muzeja Darlington Library, Darlington.
Biografija umetnika Robert Burrows
Early Life, Family and Artistic Training
Robert Burrows was born in Ipswich, Suffolk, in 1810. He was the eldest son of a silversmith, Robert Burrows, and Elizabeth Cordy. Growing up in a household shaped by the precise work of a silversmith, he eventually moved toward the study of fine art. He traveled to London to receive his training at the Royal Academy, where he learned the formal foundations of his craft.
His connection to the local art community in Ipswich remained strong throughout his life. Shortly after Henry Davy established the Ipswich Society of Professional & Amateur Artists in 1832, Robert Burrows joined the group. He became deeply involved in the organization's inner workings, eventually taking on the role of secretary. This involvement placed him at the center of the local creative circle during a period of significant change in how people captured the world around them.
The Landscapes of Ipswich and Suffolk
Burrows found his subject matter in the quiet corners of the Suffolk countryside. Much of his work focuses on the immediate surroundings of Ipswich, capturing the specific light and textures of the local terrain. He spent much of his time observing the way the landscape settled around the river valleys and the small lanes that connected the rural settlements.
In 1866, he painted Gainsborough’s Lane, a scene that looks closely at a typical Victorian village street. The work focuses on the cottages and the cobblestones under the afternoon light. His interest in the water is evident in his 1883 depictions, such as the Orwell River from Gainsborough Lane, Suffolk, and his views of Old Cauldwell. These paintings look at the Orwell River valley, focusing on the stillness of the water and the way the light sits upon the landscape. He also turned his attention to the architecture of the region, as seen in his 1883 painting of Old Gippeswyck Hall, Suffolk.
- Gainsborough's Lane (1866)
- Old Cauldwell (1883)
- River Orwell from Gainsborough Lane, Suffolk (1883)
- Old Gippeswyck Hall, Suffolk (1883)
Technique and Artistic Style
Burrows worked primarily with oil paints on canvas, applying pigment in thin layers to build a sense of light. His approach relied on meticulous observation and a steady hand. He favored controlled, deliberate brushstrokes that allowed him to capture the specific textures of the natural world. In his depictions of the Suffolk countryside, he focused on the way light interacts with different surfaces, particularly the movement of water and the density of foliage.
There is a quiet precision in how he handled tonal harmony. He did not rely on sudden shifts in color but instead worked through subtle gradations to create depth. This method is evident in his treatment of landscape elements, where he sought to replicate the actual appearance of the terrain through careful layering. His work often centers on the interplay between light and shadow in rural settings, such as the following pieces:
- Gainsborough's Lane (1866)
- Old Cauldwell (1883)
- River Orwell from Gainsborough Lane, Suffolk (1883)
His method required a patient, close-up study of his subjects. By prioritizing the physical reality of textures, he achieved a sense of atmospheric depth without losing the specific details of the landscape. This focus on the tangible qualities of nature—the roughness of a path or the stillness of a river—defines his visual language.
Legacy and Where to See the Works
Burrows represents a specific chapter in the history of Suffolk art and photography. His landscapes offer a way to see how Victorian life was perceived in the rural countryside. By using early photographic techniques, he showed an interest in capturing reality through these new mediums. His work remains a record of the changing landscape and the way light fell across the fields and river valleys of his home.
Several collections hold his paintings. The Darlington Library contains five of his works. In Ipswich, Christchurch Mansion holds two pieces. Other works can be found in the Sudbury Town Hall and the Sunderland Museum - Winter Gardens.








