Portret Robert Smithson

Robert Smithson: Katalog 4 najbolj znanih slik

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 6 del v našem katalogu avtorja Robert Smithson

Povzetek

Non Site - Site Uncertain velja za najbolj znateno sliko umetnika Robert Smithson; v muzeju Detroit Institute of Arts v mestu Detroit se nahaja. Three-Sided Vortex (1966) in Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) sta na drugem in tretjem mestu. Od 6 del umetnika Robert Smithson, ki so zabeleženi v katalogu, so spodaj navedena 4 najbolj znanih; vsaka vpisnik vsebuje datum, muzej, ki deli delo, in opombo o samem delu.

1938 – 1973, Passaic Največ del: Detroit Institute of Arts

Vrstice od 1 do 10: najbolj znana slika umetnika Robert Smithson

Robert Smithson: v muzejih

2 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Robert Smithson Slike iz tega seznama
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Non Site - Site Uncertain
Chrysler Museum of Art, NorfolkChrysler Museum of Art Norfolk 1 Three-Sided Vortex

Letni indeks: glavna dela umetnika Robert Smithson

Robert Smithson: na tej strani je dokumentiranih 5 let del, od 1966 do 1970, razvrščenih po letih.

Delo po letih

Izberite leto, da prikazate njegova glavna dela.

Pogosta vprašanja o slikah umetnika Robert Smithson

Katero je najbolj znano delo umetnika Robert Smithson?Prikaži odgovor

Non Site - Site Uncertain, Detroit Institute of Arts, Detroit. Naslednja vstopna mesta sta Three-Sided Vortex (1966) in Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967).

Koliko del umetnika Robert Smithson vseja katalog?Prikaži odgovor

Katalog vsebuje 6 del avtorja Robert Smithson, datiranih med 1966 in 1970.

Kje so shranjena glavna dela umetnika Robert Smithson?Prikaži odgovor

Predvsem v Detroit Institute of Arts (Detroit) in Chrysler Museum of Art (Norfolk). Zgornja tabela muzejev prikazuje celotno razporeditev.

Kateri so najstarejši in najmlajši najbolj znani pripomočki umetnika Robert Smithson?Prikaži odgovor

Najstarejše datirano delo na seznamu je Three-Sided Vortex (1966); najstarejše je Torn Photograph from the 2nd Stop (Rubble) (2nd Mountain of Six Stops on a Section) from Artists Photographs (1970).

Biografija umetnika Robert Smithson

Early Life and Artistic Beginnings

  • Born: January 2, 1938, in Passaic, New Jersey
  • Early years spent in Rutherford and Clifton, New Jersey
  • Studied painting and drawing at the Art Students League of New York (1955-1956)
  • Early artwork explored collage influenced by homoerotic themes, science fiction, and pop art. Primarily identified as a painter during this period.
  • Influenced by William Carlos Williams, who was his pediatrician.

The Shift to Minimalism and Conceptual Art

  • After a three-year break from the art world, emerged in 1964 as a proponent of the minimalist movement.
  • Abandoned figurative work, focusing on glass sheet and neon lighting tubes exploring visual refraction and mirroring.
  • Developed interest in entropy (the second law of thermodynamics) – decay, renewal, chaos, order, non-sites, and earthworks. Saw entropy not as a disadvantage but as a form of transformation.
  • Associated with minimalist artists like Nancy Holt (his wife), Robert Morris, and Sol LeWitt.
  • Became a critic for *Arts Magazine* and *Artforum*, gaining recognition as a writer before his art.

Land Art and Earthworks: Spiral Jetty and Beyond

  • Fascination with industrial areas in New Jersey led to the development of "Non-Sites" – sculptures incorporating earth and rocks from specific locations, often combined with mirrors or glass.
  • Spiral Jetty (1970): His most famous work, a massive coil of basalt rock extending into the Great Salt Lake in Utah. A key example of land art, exploring themes of entropy, time, and geological processes.
  • Explored temporary sculptures using mirrors in the Yucatan Peninsula, documented in "Incidents of Mirror-Travel in the Yucatan."
  • Recovered 18th- and 19th-century conceptions of landscape architecture, influencing his later earthwork explorations.

Theoretical Writings and Landscape Perspectives

  • Wrote extensively on art theory, including "A Heap of Language," exploring how writing could become an artwork.
  • Examined Frederick Law Olmsted's design for Central Park in New York City, recovering issues of site specificity, human intervention, and the picturesque landscape.
  • His writings demonstrate a deep engagement with history, philosophy, geology, and cultural theory.

Legacy and Historical Significance

  • Died: July 20, 1973, in Tucson, Arizona (due to a heart attack while hiking).
  • Considered a pivotal figure in Land Art and Earthworks movements.
  • His work expanded the definition of art, blurring boundaries between sculpture, landscape, and natural processes.
  • Influenced generations of artists with his conceptual approach, exploration of entropy, and engagement with geological time scales.
  • The Holt/Smithson Foundation continues to preserve and promote his legacy.