Povzetek
Najbolj znana slika avtorja Mingering Mike je GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972). Naslednja vstopna polja sta THE FREEDOM STOMPERS (1969) in 3 FOOTSTEPS away from the altar, mingering mike the big D (1969). Katalog dokumentira 151 del umetnika Mingering Mike; spodnjih 100 zapisov so najbolj znani, razvrščeni po uvrstitvi z datumom, muzejsko gradivo in opisom.
Mingering Mike: 10 glavnih slik
Mingering Mike: vsebine od 11 do 100
Mingering Mike: dela po obdobjih
Late Period
1969 – 1972 · 5 del v tem seznamuContemporary
1968 – 1972 · 5 del v tem seznamuGlavne teme v delu umetnika Mingering Mike
Četiri teme, ki so najpogosteje zastavljene v tem delu, vsaka z svojim najbolj znanim primerom.
Social commentary 8 delo
Music memorabilia 4 delo
Vintage vinyl 4 delo
Mingering Mike: glavna dela po letih
Datirani zapisi za Mingering Mike segaže 8 let, od 1968 do 1975, kar predstavlja približno eno desetletje, dokumentirano spodaj let za letom.
Delo po letih
Izberite leto, da prikazate njegova glavna dela.
MOTHER GOOSE IT'S A BOYS LIFE (MINGERING MIKE) TWO WAY TRAFFIC
Druga dela iz obdobja 1968
A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS
Druga dela iz obdobja 1970
MING · WAR ARRANGES AND DIRECT ARRANGES AND DIRECTS
Druga dela iz obdobja 1971
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON
Druga dela iz obdobja 1972
Slike umetnika Mingering Mike: referenčna vprašanja
Katero sliko avtorja Mingering Mike najbolj poznate?Prikaži odgovor
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972). Naslednji zapisi so THE FREEDOM STOMPERS (1969) in 3 FOOTSTEPS away from the altar, mingering mike the big D (1969).
Koliko je bil Mingering Mike let, ko je naslikal GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON?Prikaži odgovor
22 let: Mingering Mike se je rodil/a v 1950, GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON pa je datiran/a leta 1972.
Katera desetina slik avtorja Mingering Mike je najbolj znana?Prikaži odgovor
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON, THE FREEDOM STOMPERS, 3 FOOTSTEPS away from the altar, mingering mike the big D, THE MINGERING MIKE SHOW LIVE FROM THE HOWARD THEATER, 3 FOOT STEPS DUET CLOSE, EAT MYSELF SILLY (M. MIKE), Gold Pot Records LIVE, FROM PARIS, MINGERING MIKE REVUE (C), PIANOMAN, MINGERING MIKE, MING · WAR ARRANGES AND DIRECT ARRANGES AND DIRECTS, A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS in DON'T TRY AND TAKE IT ALL IN (MINGERING MIKE) MIKE THE MONITORS LOVE COMES AND GOES (JUST LIKE A RAINBOW) M. MIKE Y, RIGHT OF WAY MINGERING MIKE. Zgornji seznam vsebuje datum in muzej, v katerem se nahaja vsako od njih.
Koliko dokumentiranih del je avtorja Mingering Mike?Prikaži odgovor
Katalog vsebuje 151 del avtorja Mingering Mike, datiranih med 1968 in 1975.
V katerem obdobju so bila naslikana najbolj znana dela umetnika Mingering Mike?Prikaži odgovor
V obdobju 1972: 45 od 100 del na tej strani je datiranih v to obdobje, vključno z delom GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON.
Kateri dela na tem seznamu sta najstarejša in najmlajša v času nastanka avtorja Mingering Mike?Prikaži odgovor
Najstarejše datirano delo na seznamu je MOTHER GOOSE IT'S A BOYS LIFE (MINGERING MIKE) TWO WAY TRAFFIC (1968); najstarejše je MERCY LET THE MUSIC TAKE YOUR MIND (1975).
Katere teme se najpogosteje ponavljajo v delu umetnika Mingering Mike?Prikaži odgovor
Social commentary (8), Music memorabilia (4) in Vintage vinyl (4) od 100 del navedenih na tej strani.
S katerim umetnostnim slogom je povezan Mingering Mike?Prikaži odgovor
Pop art in Contemporary realism, ki jih dokumentirajo dela na tej strani.
Mingering Mike: biografski zapisi
The Genesis of a Dream: Mingering Mike’s Constructed Reality
Mingering Mike, born in Washington, D.C., in 1950, wasn't simply an artist; he was the architect of his own elaborate and entirely self-contained universe. From roughly 1968 to 1977, this young man meticulously crafted a career as a soul singer and songwriter, producing over fifty “albums” – each a painstakingly assembled cardboard record complete with intricate gatefolds, handwritten liner notes, and simulated vinyl grooves. This wasn’t mere performance art; it was the embodiment of a teenage fantasy, a deeply personal project born from the vibrant, often turbulent, landscape of his youth.
The genesis of this singular endeavor lies in a potent blend of influences – the burgeoning soul music scene of the era, fueled by artists like Aretha Franklin and Otis Redding; the social unrest simmering within American cities during the Civil Rights Movement; and perhaps most crucially, the imaginative world of a young man seeking an outlet for his emotions and aspirations. Mingering Mike’s work wasn't about replicating reality; it was about constructing an idealized version of it, one where he held the microphone, commanded sold-out stadiums, and expressed profound truths through carefully crafted lyrics and soulful melodies.
The Art of the Constructed Album
What distinguishes Mingering Mike’s work is not just its scale – over fifty albums! – but the sheer dedication to detail in each piece. He didn't simply draw album covers; he built entire worlds within them, meticulously crafting cardboard records that resembled authentic vinyl releases. The liner notes were handwritten, often filled with biographical details about his “band,” tour dates, and personal reflections on the songs. This level of commitment transformed a simple artistic project into a fully realized, immersive experience.
The albums themselves are remarkable feats of miniature engineering. They’re layered constructions, incorporating elements like simulated album jackets, meticulously drawn grooves on the “vinyl,” and even tiny photographs depicting concert scenes. The process involved an obsessive attention to detail, reflecting a deep understanding of the music industry and a desire to replicate it with painstaking accuracy. This wasn't about creating art; it was about recreating a career – a career entirely within his own imagination.
Rediscovery and Recognition
For decades, Mingering Mike’s work remained largely unknown outside a small circle of collectors. It wasn’t until 2003 that the world began to take notice when record collectors Dori Hadar and Frank Beylotte stumbled upon his collection at a flea market in Washington, D.C. This serendipitous discovery sparked an intense interest in Mingering Mike's unique project, leading to exhibitions, publications, and widespread recognition within the art world.
The Smithsonian American Art Museum acquired his entire collection in 2015, solidifying his place as a significant figure in contemporary art. The museum’s exhibition, “Mingering Mike’s Supersonic Greatest Hits,” offered visitors a rare glimpse into this extraordinary artist's constructed reality – a testament to the power of imagination and the enduring appeal of a dream realized.
Themes and Legacy
While seemingly fantastical, Mingering Mike’s work resonates with profound themes. It explores ideas of identity, ambition, performance, and the construction of self. His albums often touch upon social issues – civil rights, political upheaval, and personal struggles – reflecting the realities of his youth while simultaneously offering a utopian vision of success and fulfillment.
Mingering Mike’s legacy lies not just in his unique artistic practice but also in challenging our understanding of art itself. He demonstrated that an artwork doesn't need to be “real” to be meaningful, and that the act of creation can be as important as the final product. His work continues to fascinate and inspire artists and collectors alike, reminding us of the boundless possibilities of the human imagination.





