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  • Najpopularnije slike
kolekcionarski folio

Aleksandr Drevin Najpopularnije slike

Najtraženijih 2 dela umetnika Aleksandr Drevin, rangiranih prema popularnosti i predstavljenih jedno po jedno, sa specifikacijama i cenom svake ručno oslikane reprodukcije.

Izdanje 2026 · 2 umetvinskih dela Svako umetničko delo se slika po porudžbini
Platno od lana · Certifikat autentičnosti · Dostava širom sveta Aleksandr Drevin · 1889 – 1938

Aleksandr Drevin: Woman with Leaflets

1933 · Latvian National Museum of Art, Riga · originalna veličina 7.4 x 9.0cm
Pogledajte najpopularnije delo umetnika Aleksandr Drevin na 1 mestu: Woman with Leaflets
Color Palette
Earthy
Tehnika
Ručno oslikano uljanim bojama na platnu od lana
Izrađeno
Naručite kod obučenog slikara
Popularnost
Br. 1 od 2 dela umetnika Aleksandr Drevin
Dostava
širom sveta, oko 5 nedelja
od$17735 × 28 cm Naručite ovo delo

Suprematism (formerly) Abstraction (1921)

1921 · Yale University Art Gallery, New Haven · originalna veličina 107.2 x 86.8cm
Pogledajte najpopularnije delo umetnika Aleksandr Drevin na 2 mestu: Suprematism (formerly) Abstraction
Color Palette
Earthy
Tehnika
Ručno oslikano uljanim bojama na platnu od lana
Izrađeno
Naručite kod obučenog slikara
Popularnost
Br. 2 od 2 dela umetnika Aleksandr Drevin
Dostava
širom sveta, oko 5 nedelja
od$17728 × 35 cm Naručite ovo delo
Isti veličine kao original$42187 × 107 cm Naručite u originalnoj veličini
Umetnik

Aleksandr Drevin

1889 – 1938

Portret Aleksandr Drevin
Osnovne informacije
  • Born1889, Cēsis, Latvia
  • Works on APS2
  • Top 3 worksWoman with Leaflets, Suprematism (formerly) Abstraction
  • NationalityLatvia
  • Art periodModern
  • Top-ranked workWoman with Leaflets
Biografija

The Quiet Rebellion of a Painter

In the quiet streets of Cēsis, within the Governorate of Livonia, a life began that would eventually trace the turbulent contours of a changing century. Born in 1889, this Latvian painter first sought to capture the world through the soft, light-filled lens of impressionism, honing his craft under the guidance of Vilhelms Purvītis in Riga. By 1914, the pull of Moscow drew him into a new, more intense atmosphere of creative ferment. It was here that his brushwork began to shift, influenced by the teachings of Kuzma Petrov-Vodkin, moving away from the gentle observations of his youth toward something far more structural and profound.

His path was never a straight line, but rather a series of departures and intense engagements with the spirit of his age. He moved through the avant-garde circles of the time, finding a temporary home within the "Green Flower" association alongside fellow artists like Konrāds Ubāns and Valdemārs Tone. Yet, the restless energy of the era often demanded a choice between the traditional and the radical. He found himself at the heart of the Inkhuk group, only to walk away from it alongside figures like Wassily Kandinsky, driven by a desire to reject the mere decoration of easel painting in favor of a more direct, constructivist approach to form.

A Search for the Essential Form

As the years progressed, his work underwent a profound transformation, shedding the layers of illusionism that had once defined his training. He became a professor of painting at Vkhutemas, sharing his evolving vision with a new generation of students. His travels took him across the vast expanse of the Soviet landscape, from the rugged terrain of Kazakhstan and the Ural mountains to the heights of Altai and the landscapes of Armenia. These expeditions were not merely sightseeing trips but were essential to his development as he sought to document the raw reality of the land.

His style during this period was characterized by a certain "brutal primitivism," a term that captures his rejection of the polished and the ornamental. He sought a truth that was stripped of political messaging or decorative intent, focusing instead on the weight and presence of the subject. His evolution can be traced through several distinct phases:

  • The early impressionist studies of his Riga years.
  • A period of constructivist abstraction that challenged the traditional boundaries of the canvas.
  • A return to a progressive realism in the 1920s, where the subject matter became more grounded and tangible.

The Shadow of History

The personal and the political became inextricably linked in the final years of his life. In 1919, he married Nadezhda Udaltsova, a union that would link their lives through the complexities of the Soviet art world. Their son, Andrey Drevin, would eventually find his own way as a sculptor, carrying forward a legacy that had been marked by both intense creativity and profound tragedy. The very landscapes Aleksandr had traveled so far to capture were being reshaped by the heavy hand of history.

The end came abruptly during the Great Purge. In January 1938, as part of the Latvian Operation, he was arrested by the NKVD. He was executed in February of that same year at the Butovo firing range near Moscow. It was only decades later, in 1957, that he was posthumously rehabilitated, finally allowing his name to be viewed through the lens of his art rather than the violence of his death. His work remains a record of a man who sought to strip away the unnecessary, searching for a reality that was both stark and deeply felt.

Pitanja i odgovori

Gde je i kada je rođen/a Aleksandr Drevin?

Aleksandr Drevin je rođen/a u gradu Cēsis godine 1889.

Pod kojim drugim imenima je Aleksandr Drevin poznat/a?

Aleksandr Drevin se pojavljuje i pod drugim imenima: Aleksandr Davidovič Drevin, Aleksandrs Drévins̄, Alexander Davidovich Drewin, Aleksandr Davidovich Drevin, Rudolph Aleksandr Drevinishch.

Gde mogu pronaći statistiku o delima umetnika Aleksandr Drevin?

Stranica Statistika umetnika Aleksandr Drevin prikazuje statistiku izračunatu na osnovu umetničkih dela tog autora koja su navedena na ovaj sajt.

Autor: Uredništvo WikiOO.org Ažurirano dana 15. октобар 2026.
Kviz za kolekcionare
  1. In which city was Aleksandr Drevin born?

  2. Under which artist did Drevin study in Riga?

  3. Which association was Drevin a part of along with Konrāds Ubāns and Valdemārs Tone?

  4. What was Drevin's profession at Vkhutemas?

  5. Who was Aleksandr Drevin's wife?

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Standardni formati ili bilo koja proizvoljna dimenzija, prilagođena proporcijama originala.

dva Naslikamo i šaljemo pregled

Fotografija gotovog platna na odobrenje pre slanja.

tri Isporučeno, sertifikovano

Urolano, na platnu ili u ramu, osigurano, sa sertifikatom autentičnosti.

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