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kolekcionarski folio

Bertha E. Perrie Najpopularnije slike

Najtraženijih 2 dela umetnika Bertha E. Perrie, rangiranih prema popularnosti i predstavljenih jedno po jedno, sa specifikacijama i cenom svake ručno oslikane reprodukcije.

Izdanje 2026 · 2 umetvinskih dela Svako umetničko delo se slika po porudžbini
Platno od lana · Certifikat autentičnosti · Dostava širom sveta Bertha E. Perrie · 1868 – 1921

Wharf Scene, Gloucester

1894 · Smithsonian American Art Museum, Vašington, D.C. · originalna veličina 65.41 x 61.28cm
Pogledajte najpopularnije delo umetnika Bertha E. Perrie na 1 mestu: Wharf Scene, Gloucester
Color Palette
Earthy
Tehnika
Ručno oslikano uljanim bojama na platnu od lana
Izrađeno
Naručite kod obučenog slikara
Popularnost
Br. 1 od 2 dela umetnika Bertha E. Perrie
Dostava
širom sveta, oko 5 nedelja
od$17731 × 33 cm Naručite ovo delo
Isti veličine kao original$26661 × 65 cm Naručite u originalnoj veličini

Untitled (Flowers) (1916)

1916 · Smithsonian American Art Museum, Vašington, D.C. · originalna veličina 13.65 x 12.38cm
Pogledajte najpopularnije delo umetnika Bertha E. Perrie na 2 mestu: Untitled (Flowers)
Color Palette
Neutrals
Tehnika
Ručno oslikano uljanim bojama na platnu od lana
Izrađeno
Naručite kod obučenog slikara
Popularnost
Br. 2 od 2 dela umetnika Bertha E. Perrie
Dostava
širom sveta, oko 5 nedelja
od$17730 × 33 cm Naručite ovo delo
Umetnik

Bertha E. Perrie

1868 – 1921

Portret Bertha E. Perrie
Osnovne informacije
  • Top-ranked workWharf Scene, Gloucester
  • Born1868, Washington, D.C., United States
  • Works on APS2
  • Top 3 worksWharf Scene, Gloucester, Untitled (Flowers)
  • NationalityUnited States
  • Lifespan53 years
Biografija

Early Life and Artistic Training

Bertha E. Perrie was born on June 20, 1868, in Washington, D.C., United States. From her earliest years, she felt a deep pull toward the arts. This interest was not a passing phase but a steady presence that shaped her childhood in the capital. Her natural inclination toward drawing and observation eventually led her away from her home to seek formal instruction in the bustling art scene of the Northeast.

Her talent was recognized early on when she won a scholarship to the Art Students League of New York. This opportunity allowed her to study in a professional environment, honing the skills that would define her later years. After completing her time at the League, she returned to Washington, D.C., carrying the technical foundations she had built in New York back to the city where she was born.

Artistic Career and Organizations

After returning to Washington, D.C., Perrie became a central figure in the city's local art scene. Her influence was felt through her leadership and her commitment to teaching. For over 20 years, she shared her knowledge of watercolor at the Corcoran School of Art. She also served on the faculty at the Gunston Hall School and held a position at the Art Students League of Washington, where she had once been a student and later served on the governing board.

Her dedication to the community was reflected in her involvement with several key organizations. She was among the founders of the Arts Club of Washington and held charter membership in both the Society of Washington Artists and the Washington Water Color Club. She remained an active participant in the Washington Water Color Club, appearing in their exhibitions from 1891 until 1921. Her work also reached a wider audience through exhibitions at the National Academy of Design, the Pennsylvania Academy of the Fine Arts, and the New York Watercolor Club.

In 1893, she traveled to Chicago to exhibit her work at the Palace of Fine Arts during the World's Columbian Exposition. Her skill was recognized through various honors, including the first and second Corcoran prizes at the Washington Water Color Club's exhibitions in 1904 and 1900, respectively. She also received a silver medal at the Appalachian Exposition of 1910. Her legacy is preserved in the collections of the Smithsonian American Art Museum and the Arts Club of Washington.

Technique and Artistic Style

Perrie found her greatest expression through the delicate medium of watercolor. This preference for the fluid nature of the paint allowed her to capture the shifting light and atmosphere of the natural world. While watercolor remained her primary language, she was equally comfortable working with the weight of oil paints or the precise, sharp lines of etching. Her versatility allowed her to move between these different textures, adapting her hand to the specific demands of each material.

Her subjects often drew her toward the edges of the land. She had a particular fondness for landscapes and seascapes, finding beauty in the way water met the shore or how light settled over a quiet harbor. In these scenes, her approach sat at a crossroads between realism and impressionism. She possessed the ability to render a scene with a sense of factual accuracy, yet she often leaned into the impressionistic way light and color interact in a single, fleeting moment.

This balance between the observed truth of a place and the feeling of its atmosphere defined her output. Whether she was etching a portrait or painting a harbor scene, her work remained rooted in a careful observation of her surroundings. She looked closely at the world, translating the movement of the sea and the stillness of the land into a visual record of the places she visited.

Pitanja i odgovori

Gde je i kada je rođen/a Bertha E. Perrie?

Bertha E. Perrie je rođen/a u gradu Washington, D.C. godine 1868.

Kako da pronađem dela umetnika Bertha E. Perrie na određenu temu?

Radove umetnika Bertha E. Perrie možete istražiti putem ključnih reči na njegovoj stranici Preko ključnih reči. Svaka ključna reč grupiše srodna dela.

Kako mogu da pronađem dela umetnika Bertha E. Perrie u specifičnoj paleti boja?

Stranica Preko palete boja grupiše dela umetnika Bertha E. Perrie prema njihovim paletama boja.

Autor: Uredništvo WikiOO.org Ažurirano dana 15. октобар 2026.
Kviz za kolekcionare
  1. In which city was Bertha E. Perrie born?

  2. Which art institution did Perrie attend on a scholarship?

  3. Perrie was a charter member of which of the following organizations?

  4. At which event did Perrie exhibit her work in 1893?

  5. Which of these mediums was NOT mentioned as one of Perrie's techniques?

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jedan Vi birate veličinu

Standardni formati ili bilo koja proizvoljna dimenzija, prilagođena proporcijama originala.

dva Naslikamo i šaljemo pregled

Fotografija gotovog platna na odobrenje pre slanja.

tri Isporučeno, sertifikovano

Urolano, na platnu ili u ramu, osigurano, sa sertifikatom autentičnosti.

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