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  • Najpopularnije slike
kolekcionarski folio

Ћимаве Najpopularnije slike

The 25 artworks by Ћимаве our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 25 artworks Each artwork painted to order
Platno od lana · Certifikat autentičnosti · Dostava širom sveta Ћимаве · 1240 – 1302

Križ Cimabuea u Santa Croce

View the most popular artwork of Ћимаве ranked #1: Križ Cimabuea u Santa Croce
1287 · Museo dell'Opera di Santa Croce, Firenca · original 448 x 390 cm

Križ Cimabuea u Santa Croce – Ikona italijanske protorenaissance! Ovaj monumentalni žrtvenik iz XII veka predstavlja prekretnicu umetnosti, kombinujući bizantske stilove i inovacije koje su oblikovale buduće majstorove.

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Crucifix

View the most popular artwork of Ћимаве ranked #2: Crucifix
1272

Experience the solemn beauty of Cimabue’s ‘Crucifix,’ a Byzantine masterpiece executed around 1272. Admire its masterful use of gold leaf and black hues, capturing the spiritual essence of Christian iconography.

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Bogorica u veličanstvenosti (detalj)

View the most popular artwork of Ћимаве ranked #3: Bogorica u veličanstvenosti (detalj)
1285 · Галерија Уфици, Firenca · original 48 x 39 cm

Otkrijte Cimabuevo remek-delo 'Bogorica u veličanstvenosti (detalj)' iz 1285. godine! Istražite lepotu i istorijski značaj ovog zadivljujućeg tempera panela iz perioda proto-renesanse.

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The Madonna in Majesty (detail)

View the most popular artwork of Ћимаве ranked #4: The Madonna in Majesty (detail)
1285 · Галерија Уфици, Firenca · original 101 x 118 cm
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Bogorodična veličina (detalj)

View the most popular artwork of Ћимаве ranked #5: Bogorodična veličina (detalj)
1285 · Галерија Уфици, Firenca · original 91 x 75 cm

Otkrijte Cimabuevo remek-delo ‘Bogorodična veličina’ (1285). Zadivljujuće vizantijsko remek-delo sa bogatim zlatom i spokojnim figurama. Istražite ovo kultno italijansko umetničko delo!

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No. 5 of 52 artworks by Ћимаве
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Same size as the original$37475 × 91 cm Commission at original size

The Madonna in Majesty (Maestà)

View the most popular artwork of Ћимаве ranked #6: The Madonna in Majesty (Maestà)
1285 · Галерија Уфици, Firenca · original 385 x 223 cm
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Sveti Franja iz Asizije (detalj)

View the most popular artwork of Ћимаве ranked #7: Sveti Franja iz Asizije (detalj)

Upoznajte Cimabueovo remek-delo Sveti Franja iz Asizije, most između vizantijskog i renesansnog stila. Otkrijte nežnost i bogatstvo detalja.

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Virgin Enthroned with Angels

View the most popular artwork of Ћимаве ranked #8: Virgin Enthroned with Angels
1290 · Louvre, Paris · original 424 x 276 cm
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Bogorodica na tronu sa Hristom, Sveti Franjo, Sveti Dominiko i dva anđela

View the most popular artwork of Ћимаве ranked #9: Bogorodica na tronu sa Hristom, Sveti Franjo, Sveti Dominiko i dva anđela
Галерија Уфици, Firenca · original 133 x 81 cm

Uživajte u remek-delu Cimabuea – „Bogorodica na tronu“ – koje spaja vizantijske uticaje i italijanski realizam. Istražite mirnu lepotu Santa Trinita Maestà iz Firenca i njegov dubok duhovni simbolizam.

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No. 9 of 52 artworks by Ћимаве
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Same size as the original$46481 × 133 cm Commission at original size

Madonna Enthroned with the Child and Two Angels

View the most popular artwork of Ћимаве ranked #10: Madonna Enthroned with the Child and Two Angels
Santa Maria dei Servi, Bolonja · original 218 x 118 cm

Experience Cimabue’s iconic ‘Madonna Enthroned.’ This masterpiece blends Byzantine grandeur with emerging Italian realism, featuring Mary and Child surrounded by angels – a pivotal work of art history.

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Same size as the original$897118 × 218 cm Commission at original size

Madonna Enthroned with the Child, St Francis and Four Angels

View the most popular artwork of Ћимаве ranked #11: Madonna Enthroned with the Child, St Francis and Four Angels
1278 · original 320 x 340 cm

Experience the luminous Byzantine splendor of Cimabue's 1278 masterpiece Madonna Enthroned with the Child, St Francis and Four Angels, a pivotal Florentine fresco that invites you to explore the dawn of the Renaissance.

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Christ Enthroned between the Virgin and St John the Evangelist (detail)

View the most popular artwork of Ћимаве ranked #12: Christ Enthroned between the Virgin and St John the Evangelist (detail)
1301 · Museo dell'Opera del Duomo, Piza · original 385 x 223 cm

Explore the exquisite detail of Cimabue's 'Christ Enthroned between the Virgin and St John the Evangelist,' a monumental mosaic masterpiece from Pisa Cathedral, showcasing Byzantine influences and marking a pivotal moment in Italian art history.

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The Virgin and Child in Majesty surrounded by Six Angels

View the most popular artwork of Ћимаве ranked #13: The Virgin and Child in Majesty surrounded by Six Angels
1270 · original 280 x 427 cm

A stunning 1270 Cimabue masterpiece! 'The Virgin and Child' radiates Byzantine grandeur with six angels, showcasing early Renaissance art’s evolution. Explore this iconic religious painting.

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No. 13 of 52 artworks by Ћимаве
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Crucifix (detail)

View the most popular artwork of Ћимаве ranked #14: Crucifix (detail)
1268 · San Domenico, Arezzo · original 45 x 28 cm
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No. 14 of 52 artworks by Ћимаве
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Same size as the original$18528 × 45 cm Commission at original size

Madonna and Child Enthroned (Maesta)

View the most popular artwork of Ћимаве ranked #15: Madonna and Child Enthroned (Maesta)
1285 · original 223 x 385 cm

Experience Cimabue’s groundbreaking Maesta fresco—a vibrant testament to Byzantine influence blended with nascent Renaissance sensibilities—capturing the serene devotion of Mary and Child amidst angelic figures in Florence, 1285. Explore exquisite reproductions and bring this iconic masterpiece into your home.

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No. 15 of 52 artworks by Ћимаве
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Crucifix (detail)

View the most popular artwork of Ћимаве ranked #16: Crucifix (detail)
1268 · San Domenico, Arezzo · original 64 x 53 cm
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No. 16 of 52 artworks by Ћимаве
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Same size as the original$24853 × 64 cm Commission at original size

Crucifix

View the most popular artwork of Ћимаве ranked #17: Crucifix
1268 · San Domenico, Arezzo · original 336 x 267 cm

Experience the profound emotion of Cimabue's monumental Crucifix, a masterpiece bridging Byzantine tradition and Renaissance realism through its powerful depiction of Christ, inviting you to bring this timeless legacy home.

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No. 17 of 52 artworks by Ћимаве
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Madonna Enthroned with the Child, St Francis and four Angels (detail)

View the most popular artwork of Ћимаве ranked #18: Madonna Enthroned with the Child, St Francis and four Angels (detail)
1278 · original 73 x 60 cm

A stunning detail from Cimabue's 'Madonna Enthroned,' showcasing Mary with the Child, St. Francis, and angels – a pivotal work bridging Byzantine art to the Renaissance. Explore its beauty & historical significance.

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No. 18 of 52 artworks by Ћимаве
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Same size as the original$27760 × 73 cm Commission at original size

Crucifix (detail)

View the most popular artwork of Ћимаве ranked #19: Crucifix (detail)
1268 · San Domenico, Arezzo · original 45 x 28 cm

Explore Cimabue’s ‘Crucifix (detail)’ – a poignant 1268 panel painting showcasing early Renaissance emotion & technique. Discover its layered impasto, halo effect, and profound sorrow.

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No. 19 of 52 artworks by Ћимаве
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Same size as the original$21028 × 45 cm Commission at original size

Virgin and Child

View the most popular artwork of Ћимаве ranked #20: Virgin and Child

Discover the Holy Cathedral of the Dormition of the Virgin in Syros, Greece! Admire a rare 1560s El Greco icon, stunning frescoes & gilded interiors. A must-see landmark for Byzantine art lovers!

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No. 20 of 52 artworks by Ћимаве
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View of the frescoes in the left transept

View the most popular artwork of Ћимаве ranked #21: View of the frescoes in the left transept
1280

Discover Cimabue’s stunning frescoes (1280) in the Basilica of Saint Francis of Assisi! Explore this pivotal work bridging Byzantine & Renaissance art.

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No. 21 of 52 artworks by Ћимаве
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St Matthew (detail)

View the most popular artwork of Ћимаве ranked #22: St Matthew (detail)
1280 · original 450 x 900 cm

Admire Cimabue's masterpiece – St Matthew (detail) – a monumental Byzantine-influenced fresco showcasing divine grace and architectural grandeur within the Santa Trinita Church of Florence.

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No. 22 of 52 artworks by Ћимаве
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The Virgin and Child Enthroned with Two Angels

View the most popular artwork of Ћимаве ranked #23: The Virgin and Child Enthroned with Two Angels
original 25 x 20 cm

A breathtaking Byzantine masterpiece by Cimabue captures divine grace—the Virgin Mary enthroned with Jesus and angels—marking a pivotal transition from religious iconography to Renaissance artistic expression. Explore this iconic artwork and bring its timeless beauty into your home.

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No. 23 of 52 artworks by Ћимаве
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Virgin and Child

View the most popular artwork of Ћимаве ranked #24: Virgin and Child

Experience the serene beauty of Cimabue's 'Virgin and Child,' a stunning Byzantine-style painting featuring gold and red hues depicting the tender moment between Mary and Jesus. A timeless masterpiece perfect for your home.

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No. 24 of 52 artworks by Ћимаве
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Madonna with Child

View the most popular artwork of Ћимаве ranked #25: Madonna with Child
1284

A tender Madonna with Child painting by Cimabue, circa 1284, showcases the artist's innovative style bridging Byzantine and Renaissance traditions. Admire this beautiful devotional artwork and discover a timeless masterpiece to cherish.

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No. 25 of 52 artworks by Ћимаве
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The artist

Ћимаве

1240 – 1302

Portret Ћимаве
Osnovne informacije
  • Copyright statusPublic domain
  • Mediumsakril na platnu
  • Typical colorspreplavljeno drvo
  • Top-ranked workKriž Cimabuea u Santa Croce
  • Died1302
  • Creative periodsearly renaissance
  • Corpus themesbyzantine tradition, religious devotion, early renaissance, transition to naturalism, byzantine influence
  • Born1240, Firenca, Italija
Biography

Cimabue: Grandfather of the Italian Renaissance

Giovanni Cimabue, born Cenni di Pepo around 1240 in Florence, stands as a monumental figure—a bridge between the established artistic traditions of the Byzantine world and the burgeoning innovations that would define the Italian Renaissance. His life, though partially obscured by time and romanticized accounts – most notably those penned by Giorgio Vasari centuries later – marks an undeniable turning point in Western art history. Cimabue wasn’t simply a painter; he was a courageous innovator who dared to subtly challenge artistic conventions, laying the groundwork for the revolutionary changes that would soon sweep across Italy. Even his nickname, believed to mean “bull-headed,” hints at a strong will and perhaps a rebellious spirit—qualities demonstrably present in his willingness to experiment with form and expression. He represents a crucial moment where art began to shift from being solely devotional imagery towards something more humanistic and emotionally resonant.

Early Influences and Artistic Development

Initially immersed in the Italo-Byzantine style prevalent throughout Florence, Cimabue’s early work adhered closely to established aesthetic principles: flattened figures adorned with shimmering gold leaf, symbolic rather than realistic depictions of space, and a profound focus on religious iconography. However, even within these constraints, a nascent desire for naturalism began to emerge. He wasn't content merely replicating existing forms; he sought to imbue his paintings with a greater sense of life and emotional depth. While the precise nature of his early training remains debated, it’s likely he honed his skills within Florentine workshops, absorbing the techniques and influences of the time while simultaneously developing his own unique artistic voice. The Byzantine style, characterized by its formality and spiritual focus, provided him with a solid foundation, but Cimabue began to subtly introduce elements that would foreshadow the coming Renaissance—a greater attention to volume, more expressive facial features, and a nascent understanding of spatial relationships. This wasn’t a sudden break from tradition, but rather a gradual evolution, a delicate balancing act between honoring the past and embracing new possibilities.

The Maestro's Vision: Giotto and Beyond

Despite Cimabue’s untimely demise in 1302—leaving behind scant biographical details—his influence on subsequent generations of artists is undeniable. Most notably, he mentored Giotto di Bondone, arguably the first true Renaissance Master. Vasari recounts a legendary tale – one that captures the spirit of their relationship – wherein Cimabue playfully painted a fly onto Giotto’s face, symbolizing his surpassing brilliance. This anecdote underscores not only Cimabue's generosity as a teacher but also the dynamic tension between mentor and pupil—a rivalry fueled by mutual respect and culminating in Giotto’s triumph over his predecessor. Cimabue’s artistic innovations extended beyond Giotto’s training; he challenged the conventions of his time, demonstrating that art could transcend mere symbolism and express profound human emotion. His willingness to experiment with form, proportion, and color paved the way for the groundbreaking achievements of the Renaissance—establishing him as a pivotal transitional figure in Western art history.

Notable Works: A Legacy of Innovation

Cimabue’s artistic output is characterized by remarkable stylistic diversity, reflecting his evolving understanding of artistic principles throughout his career. The *Maestà*, commissioned for the Church of San Francesco in Pisa around 1280, stands as a testament to Cimabue's mastery of composition and color—a bold departure from the rigid Byzantine aesthetic that dominated earlier medieval painting. Unlike its predecessors, the *Maestà* achieves a palpable sense of depth and volume, conveying an emotional resonance previously absent from devotional art. The figures are rendered with meticulous detail, capturing subtle nuances of expression and embodying a newfound appreciation for human anatomy. This monumental altarpiece signaled Cimabue’s embrace of Renaissance ideals—a shift toward naturalism and psychological realism that would profoundly reshape the artistic landscape of Italy. Similarly impressive is *The Crucifixion*, executed circa 1270 for the Basilica of San Domenico in Arezzo. Cimabue's depiction of Christ on the cross represents a decisive step away from Byzantine conventions—characterized by stylized figures and distant perspectives. The artist skillfully employs shading to imbue the crucified figure with flesh-like plasticity, conveying the agony of suffering with remarkable sensitivity. Furthermore, Cimabue’s masterful use of color enhances the dramatic impact of the scene—creating a visual experience that transcends mere representation and engages the viewer emotionally. Finally, Cimabue's contribution to Florentine art is cemented through his involvement in the decoration of the Baptistery of Florence – specifically the mosaic depicting Saint John the Evangelist completed between 1301 and 1302. This monumental artwork exemplifies Cimabue’s artistic prowess as a mosaicist—demonstrating his ability to integrate intricate geometric patterns with vibrant colors—creating a visually stunning masterpiece that continues to inspire awe and admiration centuries later. Cimabue's legacy endures not merely as an artist but as a catalyst for change—a visionary who ushered in the dawn of the Renaissance, forever altering the course of Western art history.

Pitanja i odgovori

Postoji li hronološki prikaz dela umetnika Ћимаве?

Stranica Hronologija dela umetnika prikazuje dela umetnika Ћимаве poređana hronološki, godinu po godinu.

U kom gradu i državi je rođen/a Ћимаве?

Ћимаве je rođen/a u gradu Firenca, u državi Italija.

Kako mogu da pronađem dela umetnika Ћимаве u specifičnoj paleti boja?

Da biste pronašli dela umetnika Ћимаве u specifičnoj paleti boja, posetite njegovu stranicu Preko palete boja.

Autor: Uredništvo WikiOO.org Ažurirano dana 13. октобар 2026.
Kviz za kolekcionare
  1. U kom gradu je rođen Ћимаве?

  2. Ko je bio Ћимавеов čuveni učenik?

  3. Šta sugeriše nadimak 'tvrdoglav' (bull-headed) povezan sa Ћимавеом?

  4. Koji muzej čuva Ћимавеovo delo 'Maestà'?

  5. U kojoj umetničkoj oblasti je Ћимаве bio majstor pored slikarstva?

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jedan Vi birate veličinu

Standardni formati ili bilo koja proizvoljna dimenzija, prilagođena proporcijama originala.

dva Naslikamo i šaljemo pregled

Fotografija gotovog platna na odobrenje pre slanja.

tri Isporučeno, sertifikovano

Urolano, na platnu ili u ramu, osigurano, sa sertifikatom autentičnosti.

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