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Федерико Бароћи: Katalog 94 najpoznatijih slika

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Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567) se smatra najpoznatijim delom umetnika Федерико Бароћи; nalazi se u muzeju Galleria Nazionale delle Marche, Urbino. River Divinity (Città del Vaticano, Casino of Pius IV) (1563) i Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569) zauzimaju drugo i treće mesto. Od 116 dela umetnika Федерико Бароћи zabeleženih u katalogu, 94 najpoznatijih je navedeno u nastavku, uz datum nastanka, muzej u kojem se čuvaju i napomenu o svakom delu.

1535 – 1612, Урбино Mannerism Najviše dela: Galerija Ufizi
Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567) čiji je Федерико Бароћи1. Virgin and Child with Sts Simon and Jude (Madonna di San Simone) 1567 River Divinity (Città del Vaticano, Casino of Pius IV) (1563) čiji je Федерико Бароћи2. River Divinity (Città del Vaticano, Casino of Pius IV) 1563 Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569) čiji je Федерико Бароћи3. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) 1569

Od 1. do 10. mesta: najpoznatija dela umetnika Федерико Бароћи

1
Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567) čiji je Федерико Бароћи

Virgin and Child with Sts Simon and Jude (Madonna di San Simone)

1567 · Acrylic On Canvas · Galleria Nazionale delle Marche, Urbino

Federico Fiori Barocci’s “Virgin and Child with Sts Simon and Jude,” painted in 1567, stands as a cornerstone of Italian Renaissance art—a pivotal moment marking the transition towards the exuberant dynamism of the Baroque style. Executed for the Santuario Madonna dei Miracoli basilica in Saronno, Lombardy, this altarpiece embodies Barocci’s signature blend of meticulous observation and emotive spirituality, capturing an idealized depiction of motherhood and faith.

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2
River Divinity (Città del Vaticano, Casino of Pius IV) (1563) čiji je Федерико Бароћи

River Divinity (Città del Vaticano, Casino of Pius IV)

1563 · Graphite · Galerija Ufizi, Firenca

To gaze upon Federico Fiori Barocci's "River Divinity" is to step into a moment suspended between classical repose and profound vulnerability. This exquisite drawing, executed with the delicate precision of graphite on paper, immediately draws the viewer into its monochromatic embrace. It is not merely an image; it is a meditation rendered in shades of gray, black, and white—a visual whisper from the heart of the Renaissance spirit, yet imbued…

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3
Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569) čiji je Федерико Бароћи

Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)

1569 · Charcoal · Galerija Ufizi, Firenca

To gaze upon this preparatory drawing by Federico Fiori Barocci is to witness art not as a finished statement, but as pure, unbridled thought taking physical form. This piece, titled "Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)," offers us an intimate glimpse into the mind of a master at work. It is less a depiction to be admired…

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4
Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV) (1563) čiji je Федерико Бароћи

Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV)

1563 · Oil On Canvas · Galerija Ufizi, Firenca

In this 1563 fresco, Federico Barocci arranges the figures of the Holy Family within a pyramidal structure. At the center, the Virgin Mary and the infant Jesus are positioned beneath a concentrated halo of light. To their side, Saint Elizabeth is depicted with an outstretched hand, a gesture directed toward the central group. The young Saint Giovannino, representing John the Baptist, is also present within the scene. Surrounding these primary…

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5
Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) (1579) čiji je Федерико Бароћи

Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)

1579 · Acrylic On Canvas · Galerija Ufizi, Firenca

Federico Barocci’s “Five Studies of Male Figure and two of His Right Hand and Arm,” created in 1579, isn’t merely a preparatory drawing; it’s a profound meditation on the act of creation itself. This intimate charcoal study, measuring just 20 x 32 cm, offers an unparalleled glimpse into the artist's meticulous process – a testament to Barocci’s dedication and his revolutionary approach to capturing human form. Far from a static…

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6
Francesco II della Rovere (1572) čiji je Федерико Бароћи

Francesco II della Rovere

1572 · Acrylic On Canvas · Galerija Ufizi, Firenca

Federico Fiori Barocci’s “Francesco II della Rovere” – A Portrait of Power and Renaissance Grace Federico Fiori Barocci, later known simply as Baroccio, stands as a pivotal figure bridging the Mannerist elegance of the late 16th century with the burgeoning dynamism of the Baroque. His portrait of Francesco Maria II della Rovere, painted in 1572, is not merely a likeness; it’s a carefully constructed tableau of power, lineage, and the…

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7
Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612) čiji je Федерико Бароћи

Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)

1612 · Acrylic On Canvas · Galerija Ufizi, Firenca

Federico Fiori Barocci’s “Young Man’s Head with His Right Hand on His Face” – often referred to as “Assumption of the Virgin, Milano, Collezione Castelbarco Albani” – is not merely a portrait; it's a distilled essence of human vulnerability and a poignant meditation on mortality. Painted in 1612 during a period of profound artistic transition from Mannerism to Baroque, this intimate work offers a glimpse into the soul of its…

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8
Composition Study (for “Circumcision”, Paris, musée du Louvre) (1590) čiji je Федерико Бароћи

Composition Study (for “Circumcision”, Paris, musée du Louvre)

1590 · Acrylic On Canvas · Galerija Ufizi, Firenca

Federico Fiori Barocci's "Composition Study (for ‘Circumcision’, Paris, musée du Louvre)” isn’t merely a preparatory sketch; it’s a profound distillation of the artist’s vision for a monumental work depicting a pivotal scene from biblical history. Completed around 1590, this drawing offers an intimate glimpse into Barocci's meticulous process and reveals a remarkable sensitivity to light, gesture, and the emotional weight of the subject matter – the Circumcision of Isaac. It’s…

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9
Ritratto di monsignor Giuliano della Rovere (1595) čiji je Федерико Бароћи

Ritratto di monsignor Giuliano della Rovere

1595 · Oil On Canvas · Kunsthistorisches Museum, Beč

The portrait presents Monsignore Giuliano della Rovere in a moment of quiet study. Seated at a three-quarter length, the subject faces the viewer with a direct, focused gaze. He is positioned within an austere room characterized by grey walls, which provides a somber backdrop for his dark clerical attire. A diagonal line guides the eye from the upper left across the composition, leading toward a collection of books stacked in…

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10
Painting of the Circumcision (1500) čiji je Федерико Бароћи

Painting of the Circumcision

1500 · Acrylic On Canvas · Nacionalni arheološki muzej u Tarantu, Tarent

Federico Barocci’s “Painting of the Circumcision,” completed in 1590 for the Confraternita del Nome di Gesù in Pesaro, stands as a pivotal work bridging the Renaissance and Baroque eras. More than just a depiction of biblical scripture—the ritual purification of Jesus after birth—it embodies the burgeoning spirit of dramatic emotion and opulent ornamentation that would characterize the Baroque movement.

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Федерико Бароћи, ostali unosi: od 11 do 94

11Portrait of a Man (1579) čiji je Федерико БароћиPortrait of a Man1579 · Ermitaž 12Madonna di san Giovanni (1564) čiji je Федерико БароћиMadonna di san Giovanni1564 · Galleria Nazionale delle Marche 13Il Perdono di Assisi (1580) čiji je Федерико БароћиIl Perdono di Assisi1580 · Galleria Nazionale delle Marche 14Quintilia Fischieri (1600) čiji je Федерико БароћиQuintilia Fischieri1600 · National Gallery of Art 15Immacolata Concezione (1575) čiji je Федерико БароћиImmacolata Concezione1575 · Galleria Nazionale delle Marche 16Head of an Old Bearded Man, 1584-1586 (1586) čiji je Федерико БароћиHead of an Old Bearded Man, 1584-15861586 · Albertina 17Portrait of Ippolito della Rovere (1602) čiji je Федерико БароћиPortrait of Ippolito della Rovere1602 · Italian Embassy 18Head of Saint Mary Magdalene (1550) čiji je Федерико БароћиHead of Saint Mary Magdalene1550 · Musée Bonnat-Helleu 19Burial of Christ (1550) čiji je Федерико БароћиBurial of Christ1550 20Communion of Saint Magdalene (1573) čiji je Федерико БароћиCommunion of Saint Magdalene1573 · Bavarske državne slikopisne kolekcije 21Crocifissione con i dolenti (1566) čiji je Федерико БароћиCrocifissione con i dolenti1566 · Galleria Nazionale delle Marche 22The Virgin and Child in Glory with Saint Anthony Abbot and Saint Lucy (1587) čiji je Федерико БароћиThe Virgin and Child in Glory with Saint Anthony Abbot and Saint Lucy1587 23Cristo e la Maddalena (1590) čiji je Федерико БароћиCristo e la Maddalena1590 · Bavarske državne slikopisne kolekcije 24Assumption (1606) čiji je Федерико БароћиAssumption1606 · Galleria Nazionale delle Marche 25Portrait of men (1602) čiji je Федерико БароћиPortrait of men1602 26Saint Francis (1604) čiji je Федерико БароћиSaint Francis1604 · Metropoliten музеј у Њујорку 27Martyrdom of Saint Catherine of Alexandria (1610) čiji je Федерико БароћиMartyrdom of Saint Catherine of Alexandria1610 28Annunciation (1610) čiji je Федерико БароћиAnnunciation1610 29Portrait of Antonio Galli (1600) čiji je Федерико БароћиPortrait of Antonio Galli1600 · Statens Museum For Kunst 30Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) čiji je Федерико БароћиThree Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galerija Ufizi 31Aeneas' Flight from Troy (detail) (1598) čiji je Федерико БароћиAeneas' Flight from Troy (detail)1598 · Galleria Borghese 32Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612) čiji je Федерико БароћиThree Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)1612 · Galerija Ufizi 33The Nativity (1597) čiji je Федерико БароћиThe Nativity1597 · Музеј Прадо 34Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) čiji je Федерико БароћиThree Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galerija Ufizi 35Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) (1595) čiji je Федерико БароћиThree Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)1595 · Galerija Ufizi 36Head of a Woman, 1568-1569 (1569) čiji je Федерико БароћиHead of a Woman, 1568-15691569 · Albertina 37Annunciation (1582) čiji je Федерико БароћиAnnunciation1582 · Vatikan Pinacoteca 38Donkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani) (1573) čiji je Федерико БароћиDonkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani)1573 · Galerija Ufizi 39Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) (1579) čiji je Федерико БароћиNude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)1579 · Galerija Ufizi 40Presentation of Virgin Mary at the Temple (1600) čiji je Федерико БароћиPresentation of Virgin Mary at the Temple1600 · Santa Maria in Vallicella 41Portrait of a Man (1572) čiji je Федерико БароћиPortrait of a Man1572 42Portrait of a Lady (1595) čiji je Федерико БароћиPortrait of a Lady1595 · Ermitaž 43The Farewell of Christ to His Mother (1612) čiji je Федерико БароћиThe Farewell of Christ to His Mother1612 · Musée Condé 44Reclining Monk with Left Arm Leaning on a Rock (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) (1595) čiji je Федерико БароћиReclining Monk with Left Arm Leaning on a Rock (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)1595 · Galerija Ufizi 45Figure genuflesse e studi di mani (per la čiji je Федерико БароћиFigure genuflesse e studi di mani (per laGalerija Ufizi 46Portrait of a Young Lady (1600) čiji je Федерико БароћиPortrait of a Young Lady1600 · Nacionalna galerija Danske 47Portrait of a Young Woman (1570) čiji je Федерико БароћиPortrait of a Young Woman1570 · Galerija Ufizi 48The Adoration of the Magi (1561) čiji je Федерико БароћиThe Adoration of the Magi1561 · Rijksmuseum 49Christ on the Cross (1604) čiji je Федерико БароћиChrist on the Cross1604 · Музеј Прадо 50Male Figure Stooping to Lift a Cauldron (1590) čiji je Федерико БароћиMale Figure Stooping to Lift a Cauldron1590 · Luvr 51Female Portrait čiji je Федерико БароћиFemale PortraitErmitaž 52St Jerome (1598) čiji je Федерико БароћиSt Jerome1598 · Galleria Borghese 53Eternal Father and Angels čiji je Федерико БароћиEternal Father and AngelsGalleria Nazionale delle Marche 54The Head of a Priest, study for The Circumcision čiji je Федерико БароћиThe Head of a Priest, study for The CircumcisionNationalmuseum 55Head of Christ čiji je Федерико БароћиHead of ChristBonnefanten Museum 56Con una figura che sorregge l čiji je Федерико БароћиCon una figura che sorregge lGalerija Ufizi 57Francesco II della Rovere čiji je Федерико БароћиFrancesco II della Rovere 58Rest on the Flight into Egypt čiji je Федерико БароћиRest on the Flight into EgyptStädel Museum 59Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) čiji je Федерико БароћиCloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galerija Ufizi 60Stone-thrower for the Martyrdom of St Vitalis (1582) čiji je Федерико БароћиStone-thrower for the Martyrdom of St Vitalis1582 · Art Gallery of South Australia 61Head of a Shepherd, study for The Circumcision čiji je Федерико БароћиHead of a Shepherd, study for The CircumcisionNationalmuseum 62Saint Lawrence čiji je Федерико БароћиSaint LawrenceGalleria Nazionale delle Marche 63Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603) čiji je Федерико БароћиHalf-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella)1603 · Galerija Ufizi 64Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies (1579) čiji je Федерико БароћиTwo Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies1579 · Galerija Ufizi 65Man’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) čiji je Федерико БароћиMan’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galerija Ufizi 66Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) čiji je Федерико БароћиPartial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galerija Ufizi 67Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile (1595) čiji je Федерико БароћиThree Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile1595 · Galerija Ufizi 68Self-Portrait (1600) čiji je Федерико БароћиSelf-Portrait1600 · Residenzgalerie 69Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) (1573) čiji je Федерико БароћиStudies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana)1573 · Galerija Ufizi 70Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) čiji je Федерико БароћиKneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galerija Ufizi 71Bending Male Bust; Two Hand Studies (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603) čiji je Федерико БароћиBending Male Bust; Two Hand Studies (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella)1603 · Galerija Ufizi 72Study of a Bent Right Arm (1590) čiji je Федерико БароћиStudy of a Bent Right Arm1590 · Luvr 73Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) čiji je Федерико БароћиThree Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio)Galerija Ufizi 74Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) čiji je Федерико БароћиDrapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche)Galerija Ufizi 75Self portrait čiji je Федерико БароћиSelf portrait 76One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) čiji je Федерико БароћиOne Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galerija Ufizi 77Putto čiji je Федерико БароћиPuttoGalerija Ufizi 78Face of a Woman with Downcast Eyes čiji je Федерико БароћиFace of a Woman with Downcast EyesLuvr 79Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) čiji je Федерико БароћиKneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta)Galerija Ufizi 80Schizzo compositivo (per l čiji je Федерико БароћиSchizzo compositivo (per lGalerija Ufizi 81Angels in Flight and Drapery Studies čiji je Федерико БароћиAngels in Flight and Drapery StudiesGalerija Ufizi 82Tre schizzi di figure čiji je Федерико БароћиTre schizzi di figureGalerija Ufizi 83The Institution of the Eucharist (1608) čiji je Федерико БароћиThe Institution of the Eucharist1608 · Bazilika Santa Maria sopra Minerva 84The nativity čiji je Федерико БароћиThe nativityМузеј Прадо 85Studies for the figure of Christ in the painting Noli me tangere čiji je Федерико БароћиStudies for the figure of Christ in the painting Noli me tangereKupferstichkabinett 86Madonna del Popolo (1575) čiji je Федерико БароћиMadonna del Popolo1575 · Galerija Ufizi 87The Madonna of the Cat (La Madonna del Gatto) čiji je Федерико БароћиThe Madonna of the Cat (La Madonna del Gatto)National Gallery 88Descent from the Cross (1568) čiji je Федерико БароћиDescent from the Cross1568 89Aeneas' Flight from Troy čiji je Федерико БароћиAeneas' Flight from TroyGalleria Borghese 90Rest on the Flight to Egypt čiji je Федерико БароћиRest on the Flight to Egypt 91Portrait of a Young Man (1580) čiji je Федерико БароћиPortrait of a Young Man1580 · Musée des Beaux-Arts de Strasbourg 92Annunciation čiji je Федерико БароћиAnnunciationMuzej lepih umetnosti u Nansiju 93The Circumcision (1590) čiji je Федерико БароћиThe Circumcision1590 · Luvr 94Self-Portrait (1570) čiji je Федерико БароћиSelf-Portrait1570 · Galerija Ufizi

Федерико Бароћи: dela po periodima

Early Period

1550 – 1603 · 3 dela na ovoj listi
Madonna di san Giovanni (1564), Федерико Бароћи #12 Madonna di san Giovanni 1564 · Galleria Nazionale delle Marche Head of Saint Mary Magdalene (1550), Федерико Бароћи #18 Head of Saint Mary Magdalene 1550 · Musée Bonnat-Helleu Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603), Федерико Бароћи #63 Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) 1603 · Galerija Ufizi

Early Renaissance

1569 – 1583 · 3 dela na ovoj listi
Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569), Федерико Бароћи #3 Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) 1569 · Galerija Ufizi Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583), Федерико Бароћи #30 Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) 1583 · Galerija Ufizi Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies (1579), Федерико Бароћи #64 Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies 1579 · Galerija Ufizi

Mature Period

1561 – 1612 · 64 dela na ovoj listi
Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567), Федерико Бароћи #1 Virgin and Child with Sts Simon and Jude (Madonna di San Simone) 1567 · Galleria Nazionale delle Marche Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV) (1563), Федерико Бароћи #4 Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV) 1563 · Galerija Ufizi Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) (1579), Федерико Бароћи #5 Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) 1579 · Galerija Ufizi Francesco II della Rovere (1572), Федерико Бароћи #6 Francesco II della Rovere 1572 · Galerija Ufizi Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612), Федерико Бароћи #7 Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) 1612 · Galerija Ufizi

Late Period

1602 – 1612 · 6 dela na ovoj listi
Assumption (1606), Федерико Бароћи #24 Assumption 1606 · Galleria Nazionale delle Marche Portrait of men (1602), Федерико Бароћи #25 Portrait of men 1602 Martyrdom of Saint Catherine of Alexandria (1610), Федерико Бароћи #27 Martyrdom of Saint Catherine of Alexandria 1610 Annunciation (1610), Федерико Бароћи #28 Annunciation 1610 The Farewell of Christ to His Mother (1612), Федерико Бароћи #43 The Farewell of Christ to His Mother 1612 · Musée Condé

Glavne teme u radovima umetnika Федерико Бароћи

Četiri najčešće zastupljena motiva među ovim delima, od kojih svaki ima svoj najpoznatiji primer.

Renaissance 30 dela

Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV) (1563), Федерико Бароћи #4 Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV) 1563 · Galerija Ufizi Francesco II della Rovere (1572), Федерико Бароћи #6 Francesco II della Rovere 1572 · Galerija Ufizi Quintilia Fischieri (1600), Федерико Бароћи #14 Quintilia Fischieri 1600 · National Gallery of Art Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583), Федерико Бароћи #30 Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) 1583 · Galerija Ufizi

Woman 19 dela

Madonna di san Giovanni (1564), Федерико Бароћи #12 Madonna di san Giovanni 1564 · Galleria Nazionale delle Marche Il Perdono di Assisi (1580), Федерико Бароћи #13 Il Perdono di Assisi 1580 · Galleria Nazionale delle Marche Immacolata Concezione (1575), Федерико Бароћи #15 Immacolata Concezione 1575 · Galleria Nazionale delle Marche Head of Saint Mary Magdalene (1550), Федерико Бароћи #18 Head of Saint Mary Magdalene 1550 · Musée Bonnat-Helleu

Man 18 dela

Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612), Федерико Бароћи #7 Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) 1612 · Galerija Ufizi Ritratto di monsignor Giuliano della Rovere (1595), Федерико Бароћи #9 Ritratto di monsignor Giuliano della Rovere 1595 · Kunsthistorisches Museum Portrait of a Man (1579), Федерико Бароћи #11 Portrait of a Man 1579 · Ermitaž Portrait of Ippolito della Rovere (1602), Федерико Бароћи #17 Portrait of Ippolito della Rovere 1602 · Italian Embassy

Baroque 16 dela

Composition Study (for “Circumcision”, Paris, musée du Louvre) (1590), Федерико Бароћи #8 Composition Study (for “Circumcision”, Paris, musée du Louvre) 1590 · Galerija Ufizi Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612), Федерико Бароћи #32 Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) 1612 · Galerija Ufizi Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) (1595), Федерико Бароћи #35 Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) 1595 · Galerija Ufizi Portrait of a Young Woman (1570), Федерико Бароћи #47 Portrait of a Young Woman 1570 · Galerija Ufizi

Федерико Бароћи: u muzejima

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Федерико Бароћи Slike iz ovog spiska
Galerija Ufizi, FirencaGalerija Ufizi Firenca 36 River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo), Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV)
Galleria Nazionale delle Marche, UrbinoGalleria Nazionale delle Marche Urbino 8 Virgin and Child with Sts Simon and Jude (Madonna di San Simone), Madonna di san Giovanni, Il Perdono di Assisi
Luvr, ParizLuvr Pariz 4 Male Figure Stooping to Lift a Cauldron, Study of a Bent Right Arm, Face of a Woman with Downcast Eyes
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 3 Portrait of a Man, Portrait of a Lady, Female Portrait
Galleria Borghese, RimGalleria Borghese Rim 3 Aeneas' Flight from Troy (detail), St Jerome, Aeneas' Flight from Troy
Музеј Прадо, МадридМузеј Прадо Мадрид 3 The Nativity, Christ on the Cross, The nativity
Albertina, BečAlbertina Beč 2 Head of an Old Bearded Man, 1584-1586, Head of a Woman, 1568-1569
Bavarske državne slikopisne kolekcije, MinhenBavarske državne slikopisne kolekcije Minhen 2 Communion of Saint Magdalene, Cristo e la Maddalena

Indeks decenije: glavna slika umetnika Федерико Бароћи za svaku

Radovi po decenijama

Izaberite deceniju da biste prikazali njeno glavne delo.

Često postavljana pitanja o slikama umetnika Федерико Бароћи

Koje je najpoznatije delo umetnika Федерико Бароћи?Prikaži odgovor

Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567), Galleria Nazionale delle Marche, Urbino. Sledeći unosi su River Divinity (Città del Vaticano, Casino of Pius IV) (1563) i Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569).

Koliko je godina imao/la Федерико Бароћи godine u godini nastanka dela Virgin and Child with Sts Simon and Jude (Madonna di San Simone)?Prikaži odgovor

32 godina: Федерико Бароћи je rođen/a 1535, a delo Virgin and Child with Sts Simon and Jude (Madonna di San Simone) datirano je 1567.

Koji su najpoznatiji radovi umetnika Федерико Бароћи?Prikaži odgovor

Virgin and Child with Sts Simon and Jude (Madonna di San Simone), River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo), Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV), Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi), Francesco II della Rovere, Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani), Composition Study (for “Circumcision”, Paris, musée du Louvre), Ritratto di monsignor Giuliano della Rovere i Painting of the Circumcision. Gornja lista sadrži datum i muzej u kojem se svako od njih nalazi.

Koliko dela umetnika Федерико Бароћи katalog sadrži?Prikaži odgovor

Katalog sadrži 116 dela umetnika Федерико Бароћи, datiranih između 1550 i 1612.

Gde se nalaze glavna dela umetnika Федерико Бароћи?Prikaži odgovor

Prvenstveno u Galerija Ufizi (Firenca), Galleria Nazionale delle Marche (Urbino) i Luvr (Pariz). Tabela muzeja iznad prikazuje punu distribuciju.

U kom periodu je Федерико Бароћи stvorio/la svoja najpoznatija dela?Prikaži odgovor

U periodi 1570s: 13 od 94 dela navedenih na ovoj stranici datiraju iz tog perioda, uključujući Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi).

Koji su najraniji i najkasniji najpoznatiji radovi umetnika Федерико Бароћи?Prikaži odgovor

Najstarije datirano delo na ovoj listi je Head of Saint Mary Magdalene (1550), a najnovije je Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612).

Koje je motive Федерико Бароћи najčešće obrađivao?Prikaži odgovor

Renaissance (30), Woman (19) i Man (18) od ukupno 94 dela navedenih na ovoj stranici.

Koji je tehniku najčešće koristio/la Федерико Бароћи?Prikaži odgovor

Oil On Canvas, u 32 od 94 dela navedenih na ovoj stranici.

Sa kojim umetničkim pravcem se povezuje Федерико Бароћи?Prikaži odgovor

Mannerism, kao što je dokumentovano delima na ovoj stranici.

Koja dela Федерико Бароћи se nalaze u kolekciji Galerija Ufizi?Prikaži odgovor

River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) i Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV) su među 36 dela na ovoj stranici u kolekciji Galerija Ufizi, Firenca.

Biografija umetnika Федерико Бароћи

Rani Život i Obrazovanje Federica Barokija

Federico Fiori, poznatiji kao Federico Barocci (1535-1612), bio je istaknuti italijanski renesansni slikar i grafičar. Rođen u Urbinu, gradu bogate umetničke tradicije, Barocci je od malena pokazivao talent za crtanje i slikanje. Njegovo umetničko putovanje započelo je pod nadzorom oca, Ambrogia Barokija, lokalnog vajara koji ga je upoznao sa osnovama vizuelne umetnosti. Međutim, pravi temelj njegovog obrazovanja postavljen je u radionici Battiste Franca, uglednog slikara u Urbinu. Upravo je kod Franca mladi Federico usvojio prve tehnike i principe slikarstva koji će kasnije definisati njegov jedinstveni stil. Ime “il Baroccio”, što se na severnoitalijanskim dijalektima odnosi na dvotočkašku lajsnu vučenu volovima, postalo je njegovo nadimanje, a vremenom i prepoznatljivo umetničko ime.

Umetnički Razvoj i Inspiracije

Barokijev rad brzo je privukao pažnju i poštovanje u umetničkim krugovima. Njegov stil se isticao mešavinom renesansne elegancije i novih, dramatičnijih elemenata koji su nagoveštavali baroknu estetiku. Nakon Urbina, Barocci je otišao u Rim, gde je radio u radionici Taddea i Federica Zuccarija, dva vodeća slikara tog vremena. Ovo iskustvo bilo je ključno za njegov umetnički razvoj, jer ga je izložilo različitim stilovima i tehnikama, a takođe mu je omogućilo da se upozna sa najnovijim trendovima u umetnosti. Jedan od prvih značajnijih radova bio je “Sveta Margareta”, delo koje je demonstriralo njegovu sposobnost da stvara emotivne i sugestivne kompozicije. Pozvan od pape Pija IV, Barocci se uključio u dekoraciju Vatikanske palate Belvedere, gde je oslikao Bogorodicu sa detetom i nekoliko svetitelja, kao i fresku koja prikazuje Blagovesti.

Značajna Dela i Nasleđe

Barokijev opus obuhvata širok spektar tema, ali su posebno istaknute njegove religiozne kompozicije i portreti. Njegova dela odlikuju se izuzetnom pažnjom prema detaljima, bogatom paletom boja i sposobnošću da prenese duboke emocije. Među najpoznatija dela spadaju “Rođenje Hristovo” (1597), koje se danas nalazi u muzeju Prado u Madridu, “Madonna del Popolo”, čuvana u galeriji Uffizi u Firenci, i “Madonna sa mačkom” (“La Madonna del Gatto”), koja očarava svojom intimnom atmosferom. Pored ovih ikoničnih dela, Barocci je ostavio za sobom niz studija figura, kao što su “Pet Studija Muških Figura i dva desne ruke i ruke”, koje svedoče o njegovoj majstoriji u prikazivanju ljudskog tela. Njegova kompoziciona rešenja, poput one iz skice za “Obrezanje” (Musée du Louvre, Pariz), pokazuju njegovu sposobnost da uspostavi ravnotežu između forme i emocija.

Umetnički Uticaj i Sledbenici

Federico Barocci je imao ogroman uticaj na generacije umetnika koji su došli posle njega. Njegov dramatičan, emotivan stil i inovativna upotreba boja inspirisali su mnoge slikare, uključujući i Petra Paula Rubensa, jednog od najvećih majstora baroka. Barokijev uticaj se može prepoznati u radovima brojnih umetnika koji su težili da postignu sličan nivo ekspresivnosti i realizma. Njegovo nasleđe je danas proslavljeno kroz brojna dela koja se čuvaju u prestižnim muzejima širom sveta, kao što su galerija Uffizi (Firenca) i Musée du Louvre (Pariz). Barocci je zauvek ostao upamćen kao umetnik koji je uspešno spojio renesansnu lepotu sa novim baroknim tendencijama, stvarajući dela koja su obeležila prelomni period u istoriji umetnosti.
Sva 116 dela umetnika Федерико Бароћи →