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Surface 213

Writing, alphabet, glyphs, the teeth of a comb, forks, segmented tears, locks, chains, claws: the graphic figures of Capogrossi’s signic language express themselves on the canvas in ever-changing modulations. The sign is never repeated as an end unto itself, but is developed in a series of variations, which, as Argan noted in 1967, find a literary parallel in Raymond Queneau’s Exercises in Style, published in 1947, in that, using the same words, the French writer stages narrative situations whose content changes each time it is told. Surface 213 and its counterpart Surface 231 (1957, Simeoni Collection, Florence) are an example of this modulation, in that the variable consists in the positive-negative effect of the colour and the partitioning of the canvas like a card index.

Pitanja i odgovori

Koja boja najviše dolazi do izražaja u delu "Surface 213"?

Dominantna boja dela „Surface 213”, autor Giuseppe Capogrossi je Bronze (#ccad2a).

Da li je "Surface 213" u celini svetliji ili tamniji?

Za delo „Surface 213”, autor Giuseppe Capogrossi zabeležena je osvetljenost od bright, uz luminancu od Bright Balance.

Da li "Surface 213" prikazuje snažne kontraste svetla i tame?

Svetlo-tamni kontrast dela "Surface 213" je označen kao Statement. Kontrast opisuje stepen razlike između svetlih i tamnih površina.

Giuseppe Capogrossi (1900 – 1972)

Discover Giuseppe Capogrossi: Italian painter blending Renaissance & modernism. Bold brushstrokes, abstract art, & key figure in Venetian & Roman art scenes.

Galleria Civica di Arte Moderna e Contemporanea Torino (Turin, Italija)

GAM Torino: Otkrijte bogatstvo moderne i savremene umetnosti u srcu Turina. Od futurizma do arte povera, istražite vrhunska dela koja čuvaju istoriju i inovaciju italijanske kulture.

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