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Reason

Kader Attia (b. 1970, France) lives and works in Berlin. Attia grew up in both Algeria and in the suburbs of Paris. This experience of being part of two cultures is used as a starting point from which to develop a dynamic practice that reflects on the aesthetics and ethics of different cultures. Attia’s work explores the impact of Western cultural and political capitalism on the Middle East and North Africa, and considers how this residual strain of struggle and resistance to colonisation affects Arab youth, particularly those living in the banlieues (suburbs) of France. For his work, Reason’s Oxymoron (2015), an eighteen-channel video installation, Attia created an expansive video library containing interviews with philosophers, ethnologists, historians, psychiatrists, psychoanalysts, musicologists, patients, healers, fetishists, and griots. Each of the volumes is edited under different themes, such as ‘genocide’, ‘totem and fetish’, ‘reason and politics’, or ‘trance’. Taken either individually or as a whole, they offer commentary on psychiatric pathology as perceived in traditional non-Western cultures, on the one hand, and in modern Western societies, on the other. In its mix of rational explanations and irrational representations of what the West calls psychiatry, the work is particularly concerned with the question of the irreparable, inherent in the idea of ‘repair’, and calls into question the ambivalence of the psyche of modern Western societies towards traditional non-Western societies. The work evidences the legacy of modernity as a Western-inflicted – and imported – notion, in which frictions amid traditional and occidental societies occur. Attia questions the slippery border between rationality and irrationality, between science and metaphysics, between belief and mistrust. The conflicting perceptions of (in)sanity highlight the difficulties in healing psychological injuries. There is no definitive solution to soothe the burden of pain, and especially wounds inferred by historical events like colonization.

Pitanja i odgovori

Odakle dolaze posetioci dela „Reason”, Kader Attia?

Postoji Statistika stranica za „Reason“. Ona prikazuje mesečne posete ovom umetničkom delu i drugim delima ovog umetnika, uz detaljnu analizu po državama i jezicima.

Mogu li da vidim rendgenski prikaz dela „Reason”, Kader Attia?

Delo "Reason" može se istraživati sloj po sloj na stranici Rentgenski snimak, koja predstavlja interaktivni pregledač inspirisan konzervatorskim svetlosnim stolom, sa jedanaest optičkih prikaza slike.

Kakva su prava na reprodukciju dela "Reason" u muzeju EVA International?

Status autorskih prava za delo „Reason”, Kader Attia je jasan: rad pripada još uvek je zaštićeno autorskim pravima. Njegovo prisustvo u muzeju EVA International ne menja taj status.

Koliko je godina imao/la Kader Attia u vreme kada je nastalo delo "Reason"?

Kader Attia je imao/la 45 godina kada je kreirao/la "Reason" u 2015. Godina je izračunata na osnovu godine rođenja umetnika, 1970.

Ko je umetnik koji stoji iza dela "Reason"?

Umetnik koji stoji iza dela "Reason" je Kader Attia. Delo je katalogizovano pod imenom umetnika Kader Attia.

U kojoj godini je nastalo delo „Reason”, Kader Attia?

Delo „Reason”, Kader Attia nastalo je 2015.

Koliko su harmonične boje dela „Reason”, Kader Attia?

„Reason”, Kader Attia prikazuje Strong Color Unity kolorističku harmoniju.

Kader Attia (1970 –)

Kader Attia: Algerian-French artist renowned for sculptures & installations exploring postcolonialism, repair, and cultural identity. Winner of the Marcel Duchamp Prize.

EVA International (Limerick City, Republika Irska)

Kao vodeći irski biennale savremene umetnosti, EVA International transformiše Limerick kroz izložbe u istorijskim znamenitostima. Istražite globalnu kreativnost.

O ovom umetničkom delu

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