Umetnik
Rođen/a u Kvinsi, Sjedinjene Američke Države
Karl Andre: Biografija
Rođen: Kvinsi, Masačusets (1935)
Preminuo: 24. januara 2024, Njujork
Nacionalnost: Amerikanc
Rani život i obrazovanje
Karl Andre je rođen u Kvinsiju, Masačets, 16. septembra 1935. godine. Njegov otac bio je vrhunski projektant sistema za pitku vodu na brodovima.
Obredovao je u javnom školskom sistemu u Kvinsiju, a kasnije je pohađao Phillips akademiju u Andoveru, Masačets (1951–1953).
Tokom boravka na Phillips akademiji, stekao je značajno prijateljstvo sa Holisom Fremptonom, koji je duboko uticao na Andreov umetnički put kroz razgovore o umetnosti i predstavljanje drugim umetnicima.
Andre je služio u američkoj vojsci u Severnoj Karolini od 1955. do 1956. godine.
U Njujork je došao 1956. godine, gde ga je Frempton upoznao sa Konstantinom Brankušijem i Frenkom Stelom, što je dovelo do zajedničkog radnog prostora sa Stelom od 1958. do 1960. godine.
Umetnički razvoj i minimalizam
Rani uticaji: Andreovi rani radovi u drvetu prvobitno su bili inspirisani Brankušijem. Razgovori sa Frenkom Stelom o prostoru i formi promenili su njegov umetnički pravac.
„Isecane“ skulpture: Deleći studio sa Stelom, Andre je razvio seriju drvenih „isečenih“ skulptura, kao što su Radial Arm Saw Cut Sculpture (1959) i Maple Spindle Exercise (1959). Stela je slavno primetio da su i uklonjeni delovi takođe skulptura.
Iskustvo radnika: Od 1960. do 1964. godine, Andre je radio kao konduktor i kočničar tereta za železnicu Pennsylvania Railroad u Nju Džerziju. Ovo iskustvo u manuelnom radu i uređenost železničkog posla značajno su uticali na njegove kasnije skulpture i lični stil (često se oblačio u radnu odeću).
Poezija i pisanje: Period između 1960. i 1965. godine Andre je posvetio prvenstveno pisanju, što je kulminiralo delom 12 Dijalozi (objavljeno 1980), zajedničkom knjigom poezije i eseja sa Holisom Fremptonom.
Pojava minimaliste: Godine 1965. imao je svoju prvu javnu izložbu u galeriji Tibor de Nagy. Andreov rad postao je povezan sa minimalizmom, koji karakterišu naglasak na industrijskim materijalima, geometrijskim oblicima i prostornim odnosima. Njegova kontroverzna skulptura „Poluga“ (Lever) bila je uključena u značajnu izložbu Primary Structures u Jevrejskom muzeju 1966. godine.
Značajna dela i kontroverze
Istaknute skulpture: Andre je priznat po delima kao što su 144 Lead Square (1rotacija 1969), Twenty-Fifth Steel Cardinal (1974), Stone Field Sculpture (1977, Hartford, CT) i Lament for the Children (1976, Long Island City, NY).
„Kontroverza sa ciglama“: Godine 1972, britanska Tate galerija nabavila je Equivalent VIII, aranžman od vatrostalnih cigli. Delo je steklo notoritet 1976. godine kada je upaćeno plavom prehrambenom bojom nakon objavljivanja u Sunday Times-u, što je pokrenulo veliku javnu debatu o savremenoj umetnosti i njenoj dostupnosti.
Zastupanje: Andre su zastupale galerije Paula Cooper (Njujork), Konrad Fischer Galerie (Düsseldorf i Berlin), Sadie Coles HQ (London) i Yvon Lambert Gallery (Pariz).
Privatni život i nasleđe
Veza sa Anom Mendieta: Andre je upoznao umetnicu Anu Mendietu 1979. godine. Venčali su se 1985, ali je njihova veza završila tragično kada je Mendieta preminula nakon pada sa balkona Andreovog apartmana 1985. godine.
Pravosudni postupci: Andre je optužen za ubistvo drugog stepena u vezi sa Mendietinom smrću, ali je oslobođen krivice na suđenju 1988. godine, što je presuda koja je izazvala veliku kontroverzu u svetu umetnosti.
Kritički prijem: Evolucija kritičkog razumevanja rada Karla Andreа dokumentovana je u knjizi About Carl Andre: Critical Texts Since 1ms65, koja objedinjuje eseje i recenzije uticajnih istoričara umetnosti i kritičara kao što su Clement Greenberg, Donald Kuspit, Lucy R. Lippard, Robert C. Morgan, Barbara Rose i Roberta Smith.
Smrt: Karl Andre je preminuo 24. januara 2024. u Njujorku u uzrastu od 88 godina.
Muzej
Izloženo u Milan, Italy
THAT'S CONTEMPORARY: A Milanese Hub for Contemporary Art
Milan, Italy – THAT’S CONTEMPORARY stands as a singular testament to the evolving landscape of Italian art. Founded in 2011, this innovative cultural platform isn’t merely documenting contemporary artistic endeavors; it actively cultivates an independent network connecting artists, galleries, and audiences—a deliberate departure from traditional museum models. Its mission is simple yet profound: to illuminate Milan's dynamic creative spirit and foster a deeper appreciation for modern art forms.
Mapping the Scene:
Launched as a response to the need for centralized artistic mapping, THAT’S CONTEMPORARY swiftly established itself as the go-to resource for discovering exhibitions and emerging talent within Milan.
Bridging Connections:
Unlike conventional institutions focused on preservation, THIS platform prioritizes engagement—facilitating dialogues between artists and collectors alike.
Collection Highlights & Artistic Explorations
While lacking a permanent collection in the traditional sense, THAT’S CONTEMPORARY offers visitors an immersive journey into Milanese contemporary art. The platform champions exhibitions showcasing diverse mediums—photography, sculpture, installation art—often featuring groundbreaking perspectives on societal issues and artistic experimentation. Notably, explorations of architectural spaces like Viafarini contribute to this experience, highlighting innovative approaches to gallery design and fostering stimulating conversations about artistic presentation.
Featured Works:
Among the showcased pieces are captivating artworks such as Gerhard Richter’s ‘Domplatz, Mailand,’ a masterful black & white photograph capturing Milanese grandeur—a testament to realism infused with aged aesthetic qualities.
Fashion Forward Inspiration:
Águeda Isabel Ruiz de la Prada’s ‘Dress with Synthetic-Suede Squares,’ presented during Milan Fashion Week, exemplifies the platform's commitment to showcasing artistic collaborations and pushing creative boundaries.
Notable Artists & Creative Voices
THAT’S CONTEMPORARY spotlights Italian artists who are shaping the future of art. Massimo Kaufmann, renowned for his expansive paintings, embodies the spirit of Milanese artistic tradition while simultaneously embracing innovation. Similarly, elisabetta gut's sculptures and installations delve into themes of confinement and fragility—reflecting a thoughtful engagement with contemporary concerns. Daniele Innamorato’s collaborative work as founder of Kings Collective underscores the platform’s dedication to fostering collective creativity and pushing artistic boundaries.
Viafarini: An Architectural Canvas
The Viafarini gallery complex serves as an integral part of THAT’S CONTEMPORARY's narrative. Designed by architect Marco Zanuso Jr., this building embodies Milanese architectural modernity—a space deliberately conceived to stimulate artistic dialogue and showcase experimental exhibitions. Its expansive layout encourages exploration and contemplation, mirroring the platform’s ethos of fostering engagement with cutting-edge art.
A Unique Perspective on Contemporary Art
THAT'S CONTEMPORARY distinguishes itself from conventional museums by prioritizing active participation and disseminating knowledge beyond physical walls. It operates as a dynamic online resource—a vibrant hub for artistic discovery—solidifying its position as an indispensable guide for anyone wishing to experience Milan’s flourishing contemporary art scene.