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Vodič za studentska umetnička dela

Night Session

Ime Razred Datum

Jason Phillips, Night Session (1998), The Carr Center. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Jason Phillips wikioo.org/sr/artists/jason-phillips/
Datumi umetnika
1976 –
Slikano
1998
Održano na
The Carr Center wikioo.org/sr/museums/the-carr-center-detroit/

U kontekstu

Night Session — Jason Phillips

Kada je ovo naslikano?

  1. 1970
  2. 1980
  3. 1990
  4. 2000

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda, pri čemu se rođenje računa kao nula.

Naslikano kada je umetnik imao 22 godina. 0 od ukupno 7 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

▲ ovo delo, 1998 svaka datirana slika, deceniju po deceniju

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: wikioo.org/sr/art/similar/jason-phillips-night-session-DD3G7Y-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Rosy Brown #9e98b1

    Katalogizovana paleta

    • #9E98B1
    • #4E464C
    • #796773
    • #C6D1EF

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Naziv primarne boje
    Rosy Brown
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Bold Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Softly Mixed Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Bright Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Jason Phillips tokom poslednjih dvanaest meseci — ukupno u 1 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 100,0%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    4 najposećenijih dela umetnika Jason Phillips

    1. 1 Jelly Bean, 2006 33,3%
    2. 2 Pink Slip Blues: Municipal, 2006 33,3%
    3. 3 Hair Day, 2006 33,3%
    4. — Night Session, 1998 ova slika 0,0%

    Zajedno, ova dela zauzimaju 99,9% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 7 dela ovog umetnika, od kojih je 3 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Jason Phillips

    Rođen/a u United States of America

    The Dual Vision of Jason Phillips

    In the quiet intersection where the analytical precision of professional athletics meets the expressive depth of fine art, we find the singular world of Jason Phillips. Born on September 27, 1976, in Oklahoma City, Phillips has navigated a life defined by two seemingly disparate disciplines: the high-stakes, strategic arena of Major League Baseball and the contemplative, meticulous realm of visual portraiture. This duality is not merely a biographical curiosity but the very heartbeat of his creative identity. His journey from the diamond to the canvas represents a seamless transition of focus, where the observant eye required of a catcher becomes the discerning hand of a painter.

    Phillips’ early years were shaped by this dual devotion. While honing his prowess on the baseball field—eventually earning a scholarship to Clemson University—he was simultaneously immersed in undergraduate studies in Fine Arts. This formative period allowed him to cultivate an appreciation for composition, light, and the transformative power of visual representation. The discipline required to master the technicalities of baseball provided a unique foundation for his artistic practice, instilling in him a rigorous commitment to detail that would later define his approach to realism.

    From the Diamond to the Canvas

    The trajectory of Phillips’ professional life is marked by significant milestones in American sports history. His ascent through the Minor Leagues led to a debut with the New York Mets in 2001, followed by impactful tenures with the Los Angeles Dodgers and the Toronto Blue Jays. As a catcher and first baseman, Phillips was tasked with an intense level of situational awareness and strategic foresight. Yet, even amidst the roar of the crowd and the physical demands of the Major Leagues, his artistic spirit remained undiminished. He utilized the periods between seasons and the quiet moments of travel to experiment with various mediums, ensuring that his painterly voice continued to evolve alongside his athletic career.

    This period of coexistence allowed for a unique development of style. His work began to reflect a blend of meticulous observation and subtle expressive gestures. The precision learned from analyzing game dynamics found its way into the structural integrity of his portraits, while the emotional weight of the human experience began to permeate his subject matter. His art serves as a bridge between the physical reality of the world and the internal landscapes of emotion and identity.

    A Legacy of Realism and Social Commentary

    Today, Phillips’ body of work stands as a testament to the power of multidisciplinary existence. His paintings often delve into themes of urban hardship, social commentary, and the complexities of the human condition. In works such as "Pink Slip Blues: Municipal," he utilizes a poignant palette of blues and powerful symbolism to explore the struggles of modern life, showcasing a mastery of digital painting that achieves a striking sense of realism. His ability to capture the weight of social reality through a lens of beauty and technical skill distinguishes him within the contemporary art landscape.

    The significance of Phillips' contribution lies in his refusal to choose between his two passions, instead choosing to let them inform one another. His artistic legacy is characterized by:

    Technical Precision: A commitment to realism that mirrors the analytical focus of a professional athlete.

    Emotional Depth: An exploration of identity and the human experience through evocative portraiture.

    Narrative Symbolism: The use of color and composition to convey complex social and personal truths.

    As his career continues to unfold, Jason Phillips remains a compelling figure in contemporary art, reminding us that the boundaries between different modes of excellence are often more fluid than they appear. Through his eyes, we see not just the subject, but the profound connection between the discipline of the hand and the passion of the soul.

    Muzej

    The Carr Center

    Izložbeno mesto Detroit, United States of America

    A Beating Heart in the Urban Landscape

    In the midst of Detroit’s profound metamorphosis from an industrial titan to a city of revitalized energy, The Carr Center emerges not merely as a repository for objects, but as the very pulse of the city's artistic soul. Founded in 1991 under the mantle of The Arts League of Michigan, the institution carries a legacy deeply intertwined with the resilience and creativity of its community. Named in honor of Virgil Carr—a man whose life was dedicated to the transformative power of creative expression—the Center serves as a vital catalyst for social change. It is a place where art is not viewed in isolation but as a tool for fostering genuine cultural understanding and bridging the gaps between history and contemporary reality. For the discerning collector or the curator of culture, the Center represents a profound intersection of heritage and progress, embodying a mission to harness the aesthetic to drive meaningful dialogue within the American landscape.

    Architectural Elegance Meets Ancestral Echoes

    To step into The Carr Center is to enter a masterfully curated dialogue between eras. Housed within the historic Park Shelton building, a beautifully restored Victorian mansion originally designed by architect George F. Park, the museum’s architecture tells a story of reclamation and reverence. The renovation process was a meticulous endeavor, one that sought to marry modern accessibility with deep-seated respect for African and African American artistic traditions. As natural light pours through soaring ceilings and carefully placed apertures, it illuminates an interior that feels both grand and intimate. For the interior designer, the space offers a breathtaking study in how historical grandeur can be reimagined; the ornate detailing of Detroit’s industrial heyday is thoughtfully layered with elements that honor Black aesthetics, creating an atmosphere where the weight of history feels light, airy, and profoundly inviting.

    A Tapestry of Identity and Innovation

    The collection within The Carr Center offers a breathtaking panorama that spans centuries, inviting visitors on a voyage through the complexities of the human experience. It is a curated journey that moves seamlessly from ancient, intricately carved sculptures reflecting spiritual beliefs to groundbreaking contemporary works that confront the pressing social issues of today. This vast spectrum allows for a deep engagement with the African and African American experience, presenting textiles imbued with vibrant narratives alongside pieces that push the boundaries of modern form. Under the visionary leadership of Artistic Director Terri Lyne Carrington, the Center continues to amplify underrepresented voices through provocative exhibitions such as

    “In The Life: Black Queerness looking Back, Moving Forward.”

    This commitment to inclusivity and the exploration of identity ensures that every corner of the museum offers a new perspective, making it an essential destination for those seeking art that is as intellectually stimulating as it is visually arresting.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Night Session

    wikioo.org/sr/art/download/jason-phillips-night-session-DD3G7Y-en/

    Citiranje ovog umetničkog dela

    MLA
    Phillips, Jason. Night Session. 1998, The Carr Center. https://wikioo.org/sr/art/jason-phillips-night-session-DD3G7Y-en/
    APA
    Phillips, Jason (1998). Night Session [Painting]. The Carr Center. https://wikioo.org/sr/art/jason-phillips-night-session-DD3G7Y-en/
    Chicago
    Jason Phillips. Night Session. 1998. The Carr Center. https://wikioo.org/sr/art/jason-phillips-night-session-DD3G7Y-en/
    Harvard
    Phillips, Jason (1998) Night Session. The Carr Center. Available at: https://wikioo.org/sr/art/jason-phillips-night-session-DD3G7Y-en/

    Pogledajte pažljivije

    Night Session — Jason Phillips

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Hair Day (2006), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. Jason Phillips je imao oko 22 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Gde mogu da preuzmem „Night Session”, autor Jason Phillips?

    „Night Session”, autor Jason Phillips možete preuzeti na stranici za Preuzimanje digitalnog prikaza ovog dela, kao preuzimanje digitalne slike visoke rezolucije.

    Ko je kreirao "Night Session" i u kojoj godini?

    Jason Phillips je napravio/la "Night Session" u 1998. godini.

    Da li je „Night Session”, autor Jason Phillips portret, pejzaž ili kvadratna kompozicija?

    „Night Session”, autor Jason Phillips je u Portrait formatu. Format opisuje proporcije kompozicije.