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Snuffbox

Ime Razred Datum

Jean Formey, Snuffbox (1757), Metropolitan Museum of Art. Domen javnog dobra.

Osnovne informacije

Umetnik
Jean Formey wikioo.org/sr/artists/jean-formey/
Podaci o umetniku
1728 – 1797
Slikano
1757
Medijum
Painting
Originalne dimenzije
4 x 8 cm
Pokret
Rococo Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls.
Mesto održavanja
Metropolitan Museum of Art wikioo.org/sr/museums/metropolitan-museum-of-art-new-york_sr/
Artistic style
Rococo
Notable elements or techniques
Gold trim, enamel decoration
Subject or theme
Snuffbox with fruit arrangement

U kontekstu

Snuffbox — Jean Formey

Koliko je veliko?

Originalne dimenzije su 4 × 8 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770
  7. 1780
  8. 1790

Osenčeno: životni vek umetnika Jean Formey (1728–1797) ▲ ovo delo, 1757

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Celadon #b6b3b0

    Katalogizovana paleta

    • #B6B3B0
    • #3C3836
    • #846A46
    • #9E896A
    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv glavne boje
    Celadon
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    O ovom umetničkom delu

    Snuffbox — Jean Formey

    In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.

    Umetnik i muzej

    Umetnik

    Jean Formey

    Rođen/a u Paris, France

    early life and career

    jean formey, a french artist born in paris in 1728, is renowned for his exquisite work as a master goldsmith and enameler. formey's early life is marked by his apprenticeship, which he completed before becoming a compagnon at the gobelins between 1741 and 1754. he officially became a master in paris on july 17, 1754, under the sponsorship of antoine-lazare clérin.

    artistic style and notable works

    formey's work is characterized by its high quality and attention to detail, making him highly sought after by collectors and museums worldwide. his expertise in goldsmithing led to his appointment as prime warden in 1778, a testament to his respected position within the goldsmiths' corporation.

    tabatière d'époque louis xv en or de quatre couleurs: a stunning example of formey's work, this oval-shaped snuff-box features panels of musical trophies on scalework ground, surrounded by laurel leaf borders. (view on AllPaintingsStore: [https://AllPaintingsStore.com/@/jean-formey](https://AllPaintingsStore.com/@/jean-formey))

    boîte à double ouverture en or de louis xv: this double-opening box, also attributed to formey, showcases his mastery of vari-colored gold. (view on AllPaintingsStore: /en/art/show/art-d3aujm-en/

    museums and collections featuring formey's work

    formey's pieces can be found in various museums, including the musée du petit palais (france), which houses an impressive collection of artworks from different periods. (discover more about musée du petit palais on AllPaintingsStore: [https://AllPaintingsStore.com/@@/a@d3aujm](https://AllPaintingsStore.com/@@/a@d3aujm))

    legacy and influence

    jean formey's legacy as a master goldsmith and enameler continues to inspire artists and collectors alike. his work, characterized by its exceptional quality and attention to detail, remains a significant part of france's rich artistic heritage.

    view more of jean formey's artworks on AllPaintingsStore: [https://AllPaintingsStore.com/@/jean-formey](https://AllPaintingsStore.com/@/jean-formey)

    explore the musée du petit palais collection on AllPaintingsStore: [https://AllPaintingsStore.com/@@/a@d3aujm](https://AllPaintingsStore.com/@@/a@d3aujm)

    conclusion

    jean formey's remarkable career as a master goldsmith and enameler has left an indelible mark on the world of art. through his exquisite pieces, he continues to captivate audiences, offering a glimpse into 18th century france's rich artistic landscape.

    Muzej

    Metropolitan Museum of Art

    Izloženo u New York, United States of America

    Lepota Uklesana u Kamen i Svetlost: Istraživanje Muzeja Metropoliten

    Muzej Metropoliten nije samo zbirka prelepih predmeta; on je prostrana priča o ljudskoj kreativnosti, svedoštvo našeg neprestano nastojanja da oblikujemo, tumačimo i izražavamo svet oko nas. Osnovan 1870. godine od strane grupe vizionarskih Novobeograđana koji su verovali da bi umetnost trebalo da bude univerzalno dostupna – pomalo revolucionarna ideja za to vreme – Met danas zauzima mesto jednog od najvećih i najkompletnijih muzeja na svetu. Njegova fasada na Petoj aveniji poziva posetioce u svet koji obuhvata pet milenija i bezbrojne kulture, nudeći neuporedivo putovanje kroz vreme, gde se odjeki drevnih civilizacija prepliću sa hrabrim inovacijama modernih majstora.

    Monumentalna Grandioznost: Arhitektura i Atmosfera

    Da bismo zaista cenili Metropoliten, moramo razumeti njegov fizički prisustvo kao integralni deo njegove identiteta. Sama glavna zgrada – veličanstveno utelovljenje stila Beaux-Arts završena između 1902. i 1914. godine – izlazi u susret sa dozom klasične grandioznosti. Kolosalne kolone okružuju ulaz, pozivajući posetioce u prostrane galerije obasjane prirodnim svetlom; prikladna pozornica za remek-dela koja se nalaze unutra. Ova monumentalna struktura, pažljivo dizajnirana kao oda Homedž evropskim palatama, svedoči o ambicijama i viziji njenih arhitekata, stvarajući prostor koji je istovremeno impozantan i prijatan. Ipak, priča o arhitekturi Meta ne završava se ovde. Kontrast sa Klosterima, izvanrednim svetilištem smeštenim uzvodno u parku Fort Trajon, otkriva osnovnu misiju muzeja: da umetnost prezentuje u kontekstu koji pojačava njeno značenje. Dok Petu aveniju krasi skala i univerzalnost, Klosteri nude intiman mir, prenoseći posetioce u srednjovekovnu Evropu rekonstruisanim kapelama i vrtovima – nameran kontrast koji odražava duboko razumevanje kako okruženje oblikuje percepciju i podstiče dublji angažman sa umetničkim izrazom.

    Odjekovi kroz Vreme: Dragulji Preko Kultura

    Unutar hramskih dvorova Metropolitena, gotovo se oseća težina vekova prošlosti. Drevni odjeki rezonuju moćno; posetioci su očarani impozantnim asirskim reljefima, koji prikazuju scene kraljske moći i božanstvenog rituala – složene priče izrezane u kamenu koje nas prenose u svet careva i bogova. Ovi monumentalni paneli, često ukrašeni živopisnim bojama neverovatno očuvanim tokom milenijuma, pružaju uvid u složena politička i religijska ubeđenja drevnih civilizacija. Podjednako su impresivne grčke skulpture, koje utelovljuju idealizovane oblike i proporcije, nudeći bezvremenske reprezentacije lepote i ljudskog potencijala. Partenonski marmori, na primer, stoje kao trajni simboli klasične umetnosti i demokratskih ideala.

    Ali blaga Meta sežu daleko izvan zapadnog kanona. Istaknute zbirke azijske umetnosti – uključujući izuzetna kineska keramika, čiji je svaki komad svedoštvo vekova zanatskog majstorstva, i složene japanske ekrane, pažljivo oslikane prizorima prirode i mitologije – nalaze se pored značajnih zbirki afričke, okeanijske i američke umetnosti. Razmislite o deliktnim potezima kista vaze iz dinastije Ming, živopisnim bojama Navaho tekstila ili snažnoj simbolici ugrađenoj u drevni egipatski amulet – svaki je pogled u ogromnu bogatstvo ljudske kreativnosti širom kontinenta i vremena.

    Trenuci Umetničke Rezonance: Od Maneta do Rembranta i Dalje

    Tokom svoje istorije, Metropoliten je organizovao revolucionarne izložbe koje su oblikovale naše razumevanje umetničke istorije i kulture. Poseta ne bi bila potpuna bez iskustva sa Čamcem Eduara Maneta, koji hvata razonodu na Seni svojim smirenim impresionističkim stilom – ključno delo u tranziciji od realizma do modernizma. Slikanje, živopisna priča o parižanskom životu, poziva posetioca da razmisli o promenljivom društvenom pejzažu 19. veka kroz njegovu majstorsku upotrebu svetlosti i boje. Ili kontempliranje portreta Rembranta iz 1660. godine, poigranog istraživanja kjaroskura koji otkriva umetnikovu introspekciju tokom izazovnog perioda. Slikina dramatična upotreba svetla i senke stvara osećaj psihološke dubine, pozivajući posetioce da razmisle o složenostima ljudskog iskustva.

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    QR kod koji vodi na stranicu za preuzimanje Snuffbox

    wikioo.org/sr/art/download/jean-formey-snuffbox-D2YQYX-en/

    Citiranje ovog umetničkog dela

    MLA
    Formey, Jean. Snuffbox. 1757, Metropolitan Museum of Art. https://wikioo.org/sr/art/jean-formey-snuffbox-D2YQYX-en/
    APA
    Formey, Jean (1757). Snuffbox [Painting]. Metropolitan Museum of Art. https://wikioo.org/sr/art/jean-formey-snuffbox-D2YQYX-en/
    Chicago
    Jean Formey. Snuffbox. 1757. Metropolitan Museum of Art. https://wikioo.org/sr/art/jean-formey-snuffbox-D2YQYX-en/
    Harvard
    Formey, Jean (1757) Snuffbox. Metropolitan Museum of Art. Available at: https://wikioo.org/sr/art/jean-formey-snuffbox-D2YQYX-en/

    Pogledajte pažljivije

    Snuffbox — Jean Formey

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog klasifikuje ovo delo pod: snuffbox, still life, luxury goods. Da li se slažete? Šta biste dodali ili uklonili?
    4. Rococo: Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls. Gde se to može uočiti u ovom delu?
    5. Jean Formey je imao oko 29 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i vaše odgovore iznad.

    Kviz o umetnosti

    Snuffbox — Jean Formey

    Koliko dobro poznajete ovo umetničko delo?

    Označi jedan tačan odgovor za svako od poniženih 5 pitanja. Svako pitanje ima samo jedan tačan odgovor.

    1. 1. What type of luxury item is the artwork titled 'Snuffbox' depicting?

      • A A sewing kit
      • B A small container for holding snuff
      • C A note-taking souvenir
    2. 2. In what European city was the production of high-quality luxury goods, like those featured here, particularly prominent in the eighteenth century?

      • A London
      • B Paris
      • C Rome
    3. 3. According to the photo description, what materials are artistically arranged inside the snuffbox alongside a cup?

      • A Jewels and enamelwork
      • B Various fruits such as apples, oranges, and bananas
      • C Feathers and exotic woods
    4. 4. Jean Formey was renowned for his expertise in which two artistic fields?

      • A Painting and sculpture
      • B Goldsmithing and enameling
      • C Carving and painting miniatures
    5. 5. What was the social significance of owning a decorated snuffbox during this period?

      • A It was only used by royalty for ceremonial purposes.
      • B It became an important and highly fashionable social prop.
      • C Its value depended solely on the rarity of the wood it was made from.

    Moj rezultat: ____ od ukupno 5

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