Vodič za studentske radove
Autorska prava Ovo delo je u javnom vlasništvu. Kenyon Cox je preminuo/la 1919. godine; autorska prava traju 70 godina nakon smrti umetnika, pa su prestala 1989.
U kontekstu
Study for Christ — Kenyon Cox
Originalne dimenzije su 35 × 25 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.
Red iznad: godine. Red ispod: koliko je umetnik imao godina na početku i na kraju svakog perioda — 0 u rođenju, 63 u smrti.
Naslikano kada je umetnik imao 49 godina. Umetnik je doživeo 63. 36 od 66 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.
Osenčeno: životni vek umetnika Kenyon Cox (1856–1919) ▲ ovo delo, 1905 svaka datirana slika, deceniju po deceniju
Prva dela: do 1888 Glavne radne godine: 1888–1910 Kasna dela: od 1910
Ova tri segmenta dele dela koja u ovom katalogu imaju naveden datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika
Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.
Još dela koja se mogu postaviti pored ovog: wikioo.org/sr/art/similar/kenyon-cox-study-for-christ-AS7RMV-en/
Izmereno na osnovu slike
Glavna boja
Espresso #572712
Katalogizovana paleta
Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji
Deset vodećih zemalja
Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.
Zajedno, ova dela privlače 74,6% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 67 dela ovog umetnika, od kojih je 30 pregledano barem jednom. Ova slika zauzima 3 mesto među njima, sa 5,1% te pažnje. Isto važi i za mesec po mesec
Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.
Umetnik i muzej
Born: October 27, 1856, in Warren, Ohio.
Parents: Jacob Dolson Cox and Helen Finney Cox.
Kenyon Cox initially studied at the Art Academy of Cincinnati (formerly the McMicken School of Art). However, he quickly recognized the limited artistic opportunities available in the city.
Following a visit to the Centennial Exposition in Philadelphia, he decided to pursue further education at the Pennsylvania Academy of Fine Arts, hoping it would lead to studies in Europe.
In 1877, Cox moved to Paris, joining a wave of American artists seeking artistic inspiration. He believed Paris was experiencing a “second renaissance” in art.
Influential Teachers: Carolus-Duran, Jean-Léon Gérôme, and Alexandre Cabanel at the École des Beaux-Arts.
He initially studied under Carolus-Duran but became frustrated with what he perceived as a “vulgarity” in Duran’s style.
Travels throughout France and Italy exposed him to the works of Renaissance masters, profoundly shaping his artistic vision.
In 1882, Cox returned to New York City, where he established himself as a painter and illustrator.
Illustration Work: He became well-known for his magazine illustrations, which reached a wider audience than his paintings.
Art Criticism: Cox also wrote unsigned art criticisms for the New York Evening Post, supplementing his income.
His artistic style leaned towards realism, with a focus on landscapes, portraits, and genre studies. He was known for idealized nudes and traditional treatments of classical themes.
Art Students League of New York: Cox became a highly influential instructor at the Art Students League, shaping generations of artists. He designed the League’s logo featuring the motto “Nulla Dies Sine Linea” (No Day Without a Line).
Elected an Associate Academician of the National Academy of Design in 1900 and a full Academician in 1903.
Founding Member: He was one of the founders and secretary of the National Free Arts League.
Leadership Roles: Served as president of the National Society of Mural Painters from 1915 to 1919, and held memberships in various prestigious art organizations.
Cox’s work represented a commitment to classical ideals at a time when modern art movements were emerging. He advocated for careful drawing, modulated color, and the use of allegory and symbolism.
His writings, such as “Two Ways of Painting,” articulated his views on figurative art versus abstract or representational styles.
Legacy: Though not a radical innovator, Kenyon Cox played a crucial role in maintaining traditional artistic standards and educating aspiring artists. His influence extended through his teaching and his contributions to the American art establishment.
Death: March 17, 1919.
wikioo.org/sr/art/download/kenyon-cox-study-for-christ-AS7RMV-en/
Pogledajte pažljivije
Study for Christ — Kenyon Cox
Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.
Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.
Ručno oslikane kopije dela „Study for Christ”, Kenyon Cox mogu se kupiti na stranici ovaj veb-sajt: ručno oslikana uljana reprodukcija na lanenom platnu, uz poručivanje putem ova stranica.
Dostupna je i prezentacija slika: stranica Diaporama za delo „Study for Christ”, Kenyon Cox.
Format dela "Study for Christ" je Portrait. Ovo je korisno prilikom planiranja mesta na kojem će reprodukcija biti postavljena.
Intenzitet boja dela "Study for Christ" je Balanced. Intenzitet opisuje koliko boje deluju snažno.
Nivo kontrasta dela „Study for Christ”, Kenyon Cox je Statement.
Pregled dela „Study for Christ”, Kenyon Cox dostupan je na stranici Pregled za prikaz umetničkog dela.
„Study for Christ“ teži Ochre to Sepia tonu.
Analiza boja dela „Study for Christ”, Kenyon Cox beleži Statement kontrast i Softly Mixed Palette harmoniju.