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Lista 1 najpoznatijih slika umetnika A. Reddock
Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 1 dela A. Reddock u našem katalogu
Pregled
Najpoznatije delo umetnika A. Reddock je Andrew Meikle (1811), koje se nalazi u kolekciji National Portrait Gallery, London. Katalog dokumentuje 1 dela umetnika A. Reddock; ispod je navedeno 1 najpoznatijih radova, poređanih po redosledu značaja sa datumom, mestom čuvanja u muzeju i opisom.
1774 – 1842
Najviše dela: National Portrait Gallery
A. Reddock: 10 glavnih slika
A. Reddock: u muzejima
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika A. Reddock | Slike iz ovog spiska |
|---|---|---|---|
 National Portrait Gallery |
London | 1 | Andrew Meikle |
A. Reddock: glavna dela po godinama
Sva datirana dela umetnika A. Reddock na ovoj stranici potiču iz 1811; navedena su u nastavku prema redosledu rangiranja.
Radovi po godinama
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Slike umetnika A. Reddock: referentna pitanja
Koja je najpoznatija slika umetnika A. Reddock?Prikaži odgovor
Andrew Meikle (1811)
Koliko je godina imao/la A. Reddock kada je nastalo delo Andrew Meikle?Prikaži odgovor
37 godina: A. Reddock je rođen/a 1774, a delo Andrew Meikle datirano je 1811.
Koliko je dela umetnika A. Reddock dokumentovano?Prikaži odgovor
Katalog sadrži 1 dela umetnika A. Reddock.
U kojim muzejima se nalaze najpoznatija dela umetnika A. Reddock?Prikaži odgovor
Prvenstveno u National Portrait Gallery (London). Tabela muzeja iznad prikazuje punu distribuciju.
A. Reddock: biografski podaci
The Hand of the Scottish Portraitist
In the quiet corners of the Scottish landscape during the late eighteenth and early nineteenth centuries, the brush of A. Reddock moved to capture the likenesses of a changing era. Born in 1774, this painter emerged from a time when the dignity of the individual was increasingly sought through the medium of oil and canvas. Reddock, often associated with the town of Falkirk, dedicated his life to the art of the portrait, seeking to fix the character of his subjects upon the surface of the work.
His life was one of quiet observation. While the world around him underwent the tremors of industrial and social shifts, Reddock focused his gaze upon the faces of those who shaped the era. His work was not merely about the likeness of a person, but about the presence they held in the room. Through his hands, the fleeting essence of a sitter was rendered into something permanent.
A Legacy of Likeness
The records of his skill are found in the portraits he left behind, some of which have been preserved within the halls of Glasgow Life Museums. One such work, a portrait of Andrew Meikle, reveals the artist's ability to document the men of his time. Meikle, an engineer credited with the invention of the threshing machine, was captured by Reddock's hand, linking the artist to the very spirit of Scottish innovation. In such works, we see the intersection of art and history, where the painter records the faces of those who altered the course of industry.
Reddock's technical approach was rooted in the traditions of his station. He worked with a focus on the essential features that defined a person's status and character. His ability to render the likeness of figures like Lady Hannah Anne Gardiner Maxwell suggests a painter who understood the nuances of social standing and the subtle play of light upon a subject's countenance. He remained active in his craft until his passing in 1842, leaving behind a body of work that serves as a window into the Scottish social fabric of the early nineteenth century.