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Adam Pendleton: Katalog 1 najpoznatijih slika
Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 1 dela Adam Pendleton u našem katalogu
Pregled
History (Lab 1964 Grey) (2005) se smatra najpoznatijim delom umetnika Adam Pendleton; nalazi se u muzeju Carnegie Museum of Art, Pitsburg. Od 1 dela umetnika Adam Pendleton zabeleženih u katalogu, 1 najpoznatijih je navedeno u nastavku, uz datum nastanka, muzej u kojem se čuvaju i napomenu o svakom delu.
rođen 1984, Richmond
Najviše dela: Carnegie Museum of Art
Od 1. do 10. mesta: najpoznatija dela umetnika Adam Pendleton
Adam Pendleton: u muzejima
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Adam Pendleton | Slike iz ovog spiska |
|---|---|---|---|
 Carnegie Museum of Art |
Pitsburg | 1 | History (Lab 1964 Grey) |
Godišnji indeks: glavna dela umetnika Adam Pendleton
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History (Lab 1964 Grey) (2005)
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21 godina: Adam Pendleton je rođen/a 1984, a delo History (Lab 1964 Grey) datirano je 2005.
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Katalog sadrži 1 dela umetnika Adam Pendleton.
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Prvenstveno u Carnegie Museum of Art (Pitsburg). Tabela muzeja iznad prikazuje punu distribuciju.
Biografija umetnika Adam Pendleton
The Multidisciplinary Practice of Adam Pendleton
Adam Pendleton is an American conceptual artist whose diverse practice encompasses painting, silkscreen, collage, video, performance, and word art. Born in Richmond, United States, he began writing poetry at an early age and later transitioned into painting. His academic journey included studying at the Artspace Independent Study Program in Peitrasanta, Italy, before moving to New York in 2002. Currently, he divides his time between New York City and Germantown, New York.
His work often involves the investigation of language and the recontextualization of history through appropriated imagery. Pendleton's artistic output has been featured in various international exhibitions, including shows at the Museum of Modern Art, the Whitney, the New Museum, and La Triennale at the Palais de Tokyo in Paris. In 2024, he was honored with the Rosenthal Family Foundation Award for Painting from the American Academy of Arts and Letters.
Themes and Conceptual Frameworks
A central concept in Pendleton's work is "Black Dada," a term he uses to discuss the present moment by addressing both the future and the past. This concept is exemplified in his Black Dada series of paintings, which feature partial views of Sol LeWitt's cube sculptures alongside letters derived from the phrase "Black Dada." This phrase itself originates from the 1964 poem "Black Dada Nihilismus" by Amiri Baraka.
His various series and installations explore different visual and linguistic systems: