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Benjamin Raborg: Katalog 1 najpoznatijih slika
Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 1 dela Benjamin Raborg u našem katalogu
Pregled
Night Scene of Indian Tipi (1895) se smatra najpoznatijim delom umetnika Benjamin Raborg; nalazi se u muzeju Smithsonian American Art Museum, Vašington, D.C.. Od 1 dela umetnika Benjamin Raborg zabeleženih u katalogu, 1 najpoznatijih je navedeno u nastavku, uz datum nastanka, muzej u kojem se čuvaju i napomenu o svakom delu.
1871 – 1918, Sulphur Springs
Najviše dela: Smithsonian American Art Museum
Od 1. do 10. mesta: najpoznatija dela umetnika Benjamin Raborg
Benjamin Raborg: u muzejima
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzeji | Grad | Radovi umetnika Benjamin Raborg | Slike iz ovog spiska |
|---|---|---|---|
 Smithsonian American Art Museum |
Vašington, D.C. | 1 | Night Scene of Indian Tipi |
Godišnji indeks: glavna dela umetnika Benjamin Raborg
Svaki datirani unos za Benjamin Raborg na ovoj stranici nosi datum 1895; dela su poređana prema rangu.
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Night Scene of Indian Tipi (1895)
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24 godina: Benjamin Raborg je rođen/a 1871, a delo Night Scene of Indian Tipi datirano je 1895.
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Prvenstveno u Smithsonian American Art Museum (Vašington, D.C.). Tabela muzeja iznad prikazuje punu distribuciju.
Biografija umetnika Benjamin Raborg
The Quiet Observer of the West
Benjamin O'Fallan Raborg lived a life shaped by the landscapes of the American West. Born in Sulphur Springs, Missouri, he carried the influence of his family into his work, including his uncle, the artist Astley David Middleton Cooper. His brush found its way to the textures of the frontier, focusing on the quiet dignity of landscapes and the presence of portraits. He often turned his attention to American Indians, capturing them within the scenes he composed on canvas.
His work was not about grand gestures, but about the specific details of a place. In pieces like Night Scene of Indian Tipi, there is a focus on how light and shadow settle over a camp. This particular work resides in the Smithsonian American Art Museum, a quiet piece of his legacy that remains after his passing.
A Life in Motion
The path of his life took him from the plains of Missouri to the coast of California. He spent his final years in San Francisco, where his life came to an abrupt end in 1918. A cable car accident took his life, leaving behind a body of work that reflects the era of his existence. He is buried in Oak Hill Memorial Park in San Jose, California.
His paintings remain as physical traces of his time. They are objects that hold the light of a different century, specifically through his use of oil on canvas. His subjects—the landscapes and the people of the West—remain fixed in the way he chose to see them.