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Lista 5 najpoznatijih slika umetnika Carl Ebert
Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 5 dela Carl Ebert u našem katalogu
Pregled
Najpoznatije delo umetnika Carl Ebert je Forest Landscape with Bathing Children (1867), koje se nalazi u kolekciji Bavarske državne slikopisne kolekcije, Minhen. Sledeći unosi su Evening Landscape (1875) i Landscape society in a park. Katalog dokumentuje 5 dela umetnika Carl Ebert; ispod je navedeno 5 najpoznatijih radova, poređanih po redosledu značaja sa datumom, mestom čuvanja u muzeju i opisom.
1821 – 1885, Stuttgart
Najviše dela: Bavarske državne slikopisne kolekcije
Carl Ebert: 10 glavnih slika
Carl Ebert: u muzejima
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Carl Ebert | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
Minhen | 1 | Isar Landscape |
Carl Ebert: glavna dela po godinama
Vremenski okvir za zapise za Carl Ebert obuhvata 9 godina, od 1867 do 1875, što je približno jedna decenija, i dokumentiran je u nastavku godinu po godinu.
Radovi po godinama
Izaberite godinu da biste prikazali njene glavne slike.
Slike umetnika Carl Ebert: referentna pitanja
Koja je najpoznatija slika umetnika Carl Ebert?Prikaži odgovor
Forest Landscape with Bathing Children (1867), Bavarske državne slikopisne kolekcije, Minhen. Sledeći unosi su Evening Landscape (1875) i Landscape society in a park.
Koliko je godina imao/la Carl Ebert kada je nastalo delo Forest Landscape with Bathing Children?Prikaži odgovor
46 godina: Carl Ebert je rođen/a 1821, a delo Forest Landscape with Bathing Children datirano je 1867.
Koliko je dela umetnika Carl Ebert dokumentovano?Prikaži odgovor
Katalog sadrži 5 dela umetnika Carl Ebert, datiranih između 1867 i 1875.
U kojim muzejima se nalaze najpoznatija dela umetnika Carl Ebert?Prikaži odgovor
Prvenstveno u Bavarske državne slikopisne kolekcije (Minhen) i Lenbachhaus (Minhen). Tabela muzeja iznad prikazuje punu distribuciju.
Koja su najranija i najnovija dela Carl Ebert na ovoj listi?Prikaži odgovor
Najstarije datirano delo na ovoj listi je Forest Landscape with Bathing Children (1867), a najnovije je Evening Landscape (1875).
Koji se radovi umetnika Carl Ebert nalaze u kolekciji Bavarske državne slikopisne kolekcije?Prikaži odgovor
Forest Landscape with Bathing Children i Evening Landscape su među 2 dela na ovoj stranici u kolekciji Bavarske državne slikopisne kolekcije, Minhen.
Carl Ebert: biografski podaci
Early Life and Artistic Training
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Travels and Artistic Influences
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.