1
Lista 4 najpoznatijih slika umetnika Cornelia Scheffer
Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 4 dela Cornelia Scheffer u našem katalogu
Pregled
Najpoznatije delo umetnika Cornelia Scheffer je Self-portrait (1795), koje se nalazi u kolekciji Dordrechts Museum, Dordht. Sledeći unosi su Woman with Two Children on a Country Road (1811) i The Women of Souli (1833). Katalog dokumentuje 4 dela umetnika Cornelia Scheffer; ispod je navedeno 4 najpoznatijih radova, poređanih po redosledu značaja sa datumom, mestom čuvanja u muzeju i opisom.
1769 – 1839, Dordrecht
Najviše dela: Dordrechts Museum
Cornelia Scheffer: 10 glavnih slika
Cornelia Scheffer: u muzejima
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Cornelia Scheffer | Slike iz ovog spiska |
|---|---|---|---|
 Dordrechts Museum |
Dordht | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Cornelia Scheffer: glavna slika svakog decenije
Radovi po decenijama
Izaberite deceniju da biste prikazali njeno glavne delo.
Slike umetnika Cornelia Scheffer: referentna pitanja
Koja je najpoznatija slika umetnika Cornelia Scheffer?Prikaži odgovor
Self-portrait (1795), Dordrechts Museum, Dordht. Sledeći unosi su Woman with Two Children on a Country Road (1811) i The Women of Souli (1833).
Koliko je godina imao/la Cornelia Scheffer kada je nastalo delo Self-portrait?Prikaži odgovor
26 godina: Cornelia Scheffer je rođen/a 1769, a delo Self-portrait datirano je 1795.
Koliko je dela umetnika Cornelia Scheffer dokumentovano?Prikaži odgovor
Katalog sadrži 4 dela umetnika Cornelia Scheffer, datiranih između 1795 i 1833.
U kojim muzejima se nalaze najpoznatija dela umetnika Cornelia Scheffer?Prikaži odgovor
Prvenstveno u Dordrechts Museum (Dordht). Tabela muzeja iznad prikazuje punu distribuciju.
Koja su najranija i najnovija dela Cornelia Scheffer na ovoj listi?Prikaži odgovor
Najstarije datirano delo na ovoj listi je Self-portrait (1795), a najnovije je The Women of Souli (1833).
Koji se radovi umetnika Cornelia Scheffer nalaze u kolekciji Dordrechts Museum?Prikaži odgovor
Self-portrait, Woman with Two Children on a Country Road i The Women of Souli su među 4 dela na ovoj stranici u kolekciji Dordrechts Museum, Dordht.
Cornelia Scheffer: biografski podaci
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.