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Lista 3 najpoznatijih slika umetnika László Pataky
Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 5 dela László Pataky u našem katalogu
Pregled
Najpoznatije delo umetnika László Pataky je Roosters on Horses (1880), koje se nalazi u kolekciji Slovačka nacionalna galerija, Bratislava. Sledeći unosi su Cavalry Battle (1890) i Kuruci (1903). Katalog dokumentuje 5 dela umetnika László Pataky; ispod je navedeno 3 najpoznatijih radova, poređanih po redosledu značaja sa datumom, mestom čuvanja u muzeju i opisom.
1857 – 1912, Brad
Najviše dela: Slovačka nacionalna galerija
László Pataky: 10 glavnih slika
László Pataky: u muzejima
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika László Pataky | Slike iz ovog spiska |
|---|---|---|---|
 Slovačka nacionalna galerija |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
László Pataky: glavna slika svakog decenije
Radovi po decenijama
Izaberite deceniju da biste prikazali njeno glavne delo.
Slike umetnika László Pataky: referentna pitanja
Koja je najpoznatija slika umetnika László Pataky?Prikaži odgovor
Roosters on Horses (1880), Slovačka nacionalna galerija, Bratislava. Sledeći unosi su Cavalry Battle (1890) i Kuruci (1903).
Koliko je godina imao/la László Pataky kada je nastalo delo Roosters on Horses?Prikaži odgovor
23 godina: László Pataky je rođen/a 1857, a delo Roosters on Horses datirano je 1880.
Koliko je dela umetnika László Pataky dokumentovano?Prikaži odgovor
Katalog sadrži 5 dela umetnika László Pataky, datiranih između 1880 i 1903.
U kojim muzejima se nalaze najpoznatija dela umetnika László Pataky?Prikaži odgovor
Prvenstveno u Slovačka nacionalna galerija (Bratislava) i Ernest Zmeták Art Gallery (Nové Zámky). Tabela muzeja iznad prikazuje punu distribuciju.
Koja su najranija i najnovija dela László Pataky na ovoj listi?Prikaži odgovor
Najstarije datirano delo na ovoj listi je Roosters on Horses (1880), a najnovije je Kuruci (1903).
Koji se radovi umetnika László Pataky nalaze u kolekciji Slovačka nacionalna galerija?Prikaži odgovor
Roosters on Horses i Cavalry Battle su među 2 dela na ovoj stranici u kolekciji Slovačka nacionalna galerija, Bratislava.
László Pataky: biografski podaci
The paths through Munich and Paris
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
Scenes from the rural landscape
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
- Wildpferde in der ungarischen Puszta (1897)
- Hungarian horse-drawn carts at harvest time
- Flock of Sheep Returning Home (1895)
- Potato harvest
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
A lasting presence in the collections
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.