Portret Луи Токе

Lista 41 najpoznatijih slika umetnika Луи Токе

Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 41 dela Луи Токе u našem katalogu

Pregled

Najpoznatije delo umetnika Луи Токе je Portrait of Arnoldus van Rijneveld (1738), koje se nalazi u kolekciji Rijksmuseum, Amsterdam. Sledeći unosi su Portrait of Frederik Christian Krag (1726-1763) (1761) i Portrait of Actor as Apollo (1755). Katalog dokumentuje 41 dela umetnika Луи Токе; ispod je navedeno 41 najpoznatijih radova, poređanih po redosledu značaja sa datumom, mestom čuvanja u muzeju i opisom.

1696 – 1772, Париз Rococo Najviše dela: Ermitaž

Луи Токе: 10 glavnih slika

1
Portrait of Arnoldus van Rijneveld (1738) čiji je Луи Токе

Portrait of Arnoldus van Rijneveld

1738 · Oil On Canvas · Rijksmuseum, Amsterdam

Louis Tocqué executed the Portrait of Arnoldus van Rijneveld about 1738. The sitter is the son of Jan van Rijneveld, a prominent Amsterdam jeweler. This portrait captures a member of a family deeply connected to the trade of precious metals and gemstones.

2
Portrait of Frederik Christian Krag (1726-1763) (1761) čiji je Луи Токе

Portrait of Frederik Christian Krag (1726-1763)

1761 · Oil On Canvas · Statens Museum For Kunst, Kopenhagen

A young nobleman sits in a three-quarter pose, his body angled with a quiet, practiced poise. He wears a coat of cerulean blue velvet, a color so deep it seems to hold the weight of the fabric itself. Beneath this, a waistcoat of gold and multicolored brocade catches the light, its metallic threads catching the eye against the dark, atmospheric background. The lace at his neck and cuffs is a…

3
Portrait of Actor as Apollo (1755) čiji je Луи Токе

Portrait of Actor as Apollo

1755 · Oil · Ermitaž, Sankt Peterburg

A three-quarter length portrait from 1755 captures a figure transformed by the guise of the deity Apollo. Positioned slightly off-center, the subject gazes upward and to the left, a posture suggesting divine inspiration or celestial contemplation. The composition relies on a dramatic, directional light source from the upper left, casting sharp highlights across the forehead, cheek, and hands while leaving the background in a muted, atmospheric shadow of browns and…

4
Portrait of Alexis Piron (?) (1737) čiji je Луи Токе

Portrait of Alexis Piron (?)

1737 · Oil On Canvas · Norton Simon Museum, Pasadena

The Portrait of Alexis Piron (?) emerges from the shadows of the eighteenth century, a work that invites us to look closely at the man captured within the frame. This oil on canvas, titled Portrait of a Man (Possibly Alexis Piron), presents a face that seems to hold a lifetime of wit and sharp observation. The subject is widely believed to be Alexis Piron, a French poet and humorist who…

5
Portrait of Isaac van Rijneveld (1738) čiji je Луи Токе

Portrait of Isaac van Rijneveld

1738 · Oil On Canvas · Rijksmuseum, Amsterdam

The Portrait of Isaac van Rijneveld is an oil on canvas work by Jean Louis Tocqué, executed about 1738. The sitter, Isaac van Rijneveld (1706–92), was a Dutch subject and the brother of Arnoldus van Rijneveld. The two brothers were part of a family of prominent Amsterdam jewelers, the sons of Jan van Rijneveld.

6
Marie Leczinska, Queen of France (1740) čiji je Луи Токе

Marie Leczinska, Queen of France

1740 · Oil On Canvas · Luvr, Pariz

In the grand tapestry of 18th-century French portraiture, few works capture the intersection of personal grace and political power as profoundly as Jean Louis Tocqué’s Marie Leczinska, Queen of France. Completed in 1740, this monumental oil on canvas serves as a breathtaking window into the opulent world of the Bourbon court. The portrait does not merely present a likeness; it orchestrates an encounter with royalty. As the viewer gazes upon…

7
Portrait of a Man (1747) čiji je Луи Токе

Portrait of a Man

1747 · Oil On Canvas · National Gallery, London

Portrait of a Man is an oil on canvas work by the French painter Jean Louis Tocqué. Created in 1747, the piece captures a moment of stillness through the artist's practiced hand. Tocqué, born in Paris, France, in 1696, brought the refined sensibilities of the Parisian Salon to this specific depiction. He remained in Paris until his death in 1772.

Луи Токе: unosi od 11 do 41

11Portrait of a Man 'en robe de chambre' (1740) čiji je Луи ТокеPortrait of a Man 'en robe de chambre'1740 · Bowes Museum 12Jean-Louis Lemoyne (1734) čiji je Луи ТокеJean-Louis Lemoyne1734 13Portrait of Louis Galloche (1670-1761), painter (1734) čiji je Луи ТокеPortrait of Louis Galloche (1670-1761), painter1734 14Count Carl Gustaf Tessin (1741) čiji je Луи ТокеCount Carl Gustaf Tessin1741 · Nationalmuseum 15Louis-Antoine Crozat, baron de Thiers (1740) čiji je Луи ТокеLouis-Antoine Crozat, baron de Thiers1740 · National Museum of Art, Architecture and Design 16Portrait of Marquis de Lucker (1743) čiji je Луи ТокеPortrait of Marquis de Lucker1743 17Madame Dangé Making Knots (1753) čiji je Луи ТокеMadame Dangé Making Knots1753 18Portrait of a Woman (1750) čiji je Луи ТокеPortrait of a Woman1750 19Portrait of a Young Lady with a Muffs (1749) čiji je Луи ТокеPortrait of a Young Lady with a Muffs1749 · Museum Mayer van den Bergh 20Portrait of Abel Poisson, marquis de Marigny (1727-1781), superintendent of the King's buildings (1755) čiji je Луи ТокеPortrait of Abel Poisson, marquis de Marigny (1727-1781), superintendent of the King's buildings1755 · Muzej Carnavalet 21Portrait of Mme Doyen, née de la Planche, sister-in-law of the painter Doyen (1750) čiji je Луи ТокеPortrait of Mme Doyen, née de la Planche, sister-in-law of the painter Doyen1750 · Muzej Carnavalet 22Marie-Thérèse-Raphaëlle, Infanta of Spain, Dauphine of France (1748) čiji je Луи ТокеMarie-Thérèse-Raphaëlle, Infanta of Spain, Dauphine of France1748 · Opera House 23Frederick Michael of Palatinate-Zweibrücken (1724-1767) (1745) čiji je Луи ТокеFrederick Michael of Palatinate-Zweibrücken (1724-1767)1745 · Bavarske državne slikopisne kolekcije 24Portrait of an Abbé (1745) čiji je Луи ТокеPortrait of an Abbé1745 · Birmingham Museum of Art 25Madame de Livry (1745) čiji je Луи ТокеMadame de Livry1745 · Birmingham Museum of Art 26Portrait of Jean-Nicolas Mégret de Sérilly (1702-1752) (1748) čiji je Луи ТокеPortrait of Jean-Nicolas Mégret de Sérilly (1702-1752)1748 27Portrait of Jan Willem van Hoogstraten (1722-1770) (1757) čiji je Луи ТокеPortrait of Jan Willem van Hoogstraten (1722-1770)1757 28Portrait of Ivan Shuvalov (1754) čiji je Луи ТокеPortrait of Ivan Shuvalov1754 · Ermitaž 29Allegorical Portrait of Urania čiji je Луи ТокеAllegorical Portrait of Urania 30Portrait of Louis, Grand Dauphin of France (1739) čiji je Луи ТокеPortrait of Louis, Grand Dauphin of France1739 · Ermitaž 31Jean Marc Nattier (1685–1766) (1740) čiji je Луи ТокеJean Marc Nattier (1685–1766)1740 · Metropoliten музеј у Њујорку 32Portrait of a Lady and Her Daughter (1747) čiji je Луи ТокеPortrait of a Lady and Her Daughter1747 33Portrait of Frederik Berregaard čiji je Луи ТокеPortrait of Frederik BerregaardStatens Museum For Kunst 34Portrait of Countess Ekaterina Golovkina čiji je Луи ТокеPortrait of Countess Ekaterina GolovkinaErmitaž 35Portrait of Louis Philippe Joseph d'Orleans čiji je Луи ТокеPortrait of Louis Philippe Joseph d'Orleans 36Portrait of Anna Stroganova čiji je Луи ТокеPortrait of Anna Stroganova 37Portrait of Elizabeth of Russia čiji je Луи ТокеPortrait of Elizabeth of RussiaErmitaž 38Portrait de Louis de France čiji je Луи ТокеPortrait de Louis de FranceOpera House 39Portrait of Frederik de Løvenørn čiji je Луи ТокеPortrait of Frederik de Løvenørn 40Michel de Grilleau čiji je Луи ТокеMichel de Grilleau 41Portrait of Mademoiselle de Coislin čiji je Луи ТокеPortrait of Mademoiselle de CoislinNational Gallery

Glavne teme u radovima umetnika Луи Токе

Četiri najčešće zastupljena motiva među ovim delima, od kojih svaki ima svoj najpoznatiji primer.

Луи Токе: u muzejima

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Луи Токе Slike iz ovog spiska
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 5 Portrait of Actor as Apollo, Portrait of Ivan Shuvalov, Portrait of Louis, Grand Dauphin of France
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Portrait of Arnoldus van Rijneveld, Portrait of Isaac van Rijneveld
Statens Museum For Kunst, KopenhagenStatens Museum For Kunst Kopenhagen 2 Portrait of Frederik Christian Krag (1726-1763), Portrait of Frederik Berregaard
National Gallery, LondonNational Gallery London 2 Portrait of a Man, Portrait of Mademoiselle de Coislin
Museum Mayer van den Bergh, AntwerpMuseum Mayer van den Bergh Antwerp 2 Portrait of a Young Officer, Portrait of a Young Lady with a Muffs
Muzej Carnavalet, ParizMuzej Carnavalet Pariz 2 Portrait of Abel Poisson, marquis de Marigny (1727-1781), superintendent of the King's buildings, Portrait of Mme Doyen, née de la Planche, sister-in-law of the painter Doyen
Opera House, VersaillesOpera House Versailles 2 Marie-Thérèse-Raphaëlle, Infanta of Spain, Dauphine of France, Portrait de Louis de France
Birmingham Museum of Art, BirminghamBirmingham Museum of Art Birmingham 2 Portrait of an Abbé, Madame de Livry

Луи Токе: glavna slika svakog decenije

Radovi po decenijama

Izaberite deceniju da biste prikazali njeno glavne delo.

Slike umetnika Луи Токе: referentna pitanja

Koja je najpoznatija slika umetnika Луи Токе?Prikaži odgovor

Portrait of Arnoldus van Rijneveld (1738), Rijksmuseum, Amsterdam. Sledeći unosi su Portrait of Frederik Christian Krag (1726-1763) (1761) i Portrait of Actor as Apollo (1755).

Koliko je godina imao/la Луи Токе kada je nastalo delo Portrait of Arnoldus van Rijneveld?Prikaži odgovor

42 godina: Луи Токе je rođen/a 1696, a delo Portrait of Arnoldus van Rijneveld datirano je 1738.

Koja su deset najpoznatijih dela umetnika Луи Токе?Prikaži odgovor

Portrait of Arnoldus van Rijneveld, Portrait of Frederik Christian Krag (1726-1763), Portrait of Actor as Apollo, Portrait of Alexis Piron (?), Portrait of Isaac van Rijneveld, Marie Leczinska, Queen of France, Portrait of a Man, Presumed Portrait of Madame de Graffigny (1695-1758), Writer, Portrait of a Young Officer i Portrait of Countess Loménie de Brienne. Gornja lista sadrži datum i muzej u kojem se svako od njih nalazi.

Koliko je dela umetnika Луи Токе dokumentovano?Prikaži odgovor

Katalog sadrži 41 dela umetnika Луи Токе, datiranih između 1734 i 1761.

U kojim muzejima se nalaze najpoznatija dela umetnika Луи Токе?Prikaži odgovor

Prvenstveno u Ermitaž (Sankt Peterburg), Rijksmuseum (Amsterdam) i Statens Museum For Kunst (Kopenhagen). Tabela muzeja iznad prikazuje punu distribuciju.

U kom periodu su nastala najpoznatija dela umetnika Луи Токе?Prikaži odgovor

U periodi 1740s: 15 od 41 dela navedenih na ovoj stranici datiraju iz tog perioda, uključujući Marie Leczinska, Queen of France.

Koja su najranija i najnovija dela Луи Токе na ovoj listi?Prikaži odgovor

Najstarije datirano delo na ovoj listi je Jean-Louis Lemoyne (1734), a najnovije je Portrait of Frederik Christian Krag (1726-1763) (1761).

Koji se motivi najčešće ponavljaju u delima umetnika Луи Токе?Prikaži odgovor

Man (7), Portraits (7) i Lace (6) od ukupno 41 dela navedenih na ovoj stranici.

Koja tehnika dominira u radovima umetnika Луи Токе?Prikaži odgovor

Oil On Canvas, u 9 od 41 dela navedenih na ovoj stranici.

Sa kojim umetničkim pravcem je Луи Токе povezan/a?Prikaži odgovor

Rococo, kao što je dokumentovano delima na ovoj stranici.

Koji se radovi umetnika Луи Токе nalaze u kolekciji Ermitaž?Prikaži odgovor

Portrait of Actor as Apollo, Portrait of Ivan Shuvalov i Portrait of Louis, Grand Dauphin of France su među 5 dela na ovoj stranici u kolekciji Ermitaž, Sankt Peterburg.

Луи Токе: biografski podaci

Jean Louis Tocqué: A Portraitist of the French Court

Jean Louis Tocqué, a name perhaps less familiar than some of his contemporaries, stands as a significant figure in 18th-century French portraiture. Born in Paris in 1696 and tragically passing away in 1772, Tocqué’s life was marked by both artistic apprenticeship and the privilege of capturing the likenesses of royalty and nobility. His career unfolded within the vibrant, yet often turbulent, world of the Parisian Salon, a crucial platform for artists to showcase their work and gain recognition. Tocqué's legacy rests primarily on his exquisite portraits, characterized by a refined elegance and an ability to imbue his subjects with a sense of both dignity and charm – qualities that resonated deeply within the court circles he served.

Early Life and Artistic Training

Jean Louis Tocqué’s artistic journey began in the shadow of his father, also a painter, whose untimely death in 1710 at the age of fourteen profoundly shaped young Louis's trajectory. This early loss propelled him into the care of Jean-Marc Nattier, a renowned portraitist already established within the French court. Nattier’s atelier became Tocqué’s formative environment, where he honed his skills under the tutelage of masters like Hyacinthe Rigaud and Nicolas Bertin. These influential figures instilled in him not only technical proficiency but also an appreciation for classical ideals and a meticulous approach to rendering form and detail. Tocqué's initial training was deeply rooted in Nattier’s style – a blend of realism, elegance, and a subtle theatricality—but he quickly developed his own distinctive voice, influenced by the more dynamic compositions of Hyacinthe Rigaud and the refined sensibilities of Nicolas de Largillière.

Royal Commissions and Salon Recognition

Tocqué’s rise to prominence was inextricably linked to his ability to secure commissions from the French court. His most celebrated work, the portrait of Louis XV (circa 1740), commissioned by his great-grandfather, King Louis XIV, stands as a testament to his skill and the esteem in which he was held. This monumental painting, now housed in the Louvre, exemplifies Tocqué’s mastery of light, color, and composition—a harmonious blend of regal authority and youthful charm. Beyond this grand commission, Tocqué consistently produced portraits of significant figures, including Marie Leszczyńska, Queen of France (1740), and infanta Maria Teresa Rafaela of Spain (1745). His work regularly appeared in the prestigious Salon exhibitions from 1737 to 1759, solidifying his reputation as one of the most sought-after portraitists of his time. These appearances weren’t merely displays; they were crucial for establishing connections and securing further patronage.

A Journey East: The Portrait of Empress Elizabeth Petrovna

In 1757, Tocqué embarked on a remarkable journey to the Russian Empire at the invitation of Empress Elizabeth Petrovna. This unprecedented opportunity allowed him to create a ceremonial portrait of the empress, an undertaking that cemented his international standing and resulted in a masterpiece now residing in the Hermitage Museum in Saint Petersburg. The portrait is notable for its intricate detail and the subtle portrayal of the empress’s power and grace—a testament to Tocqué's ability to capture not just physical likeness but also personality and status. This commission demonstrated Tocqué’s willingness to travel and adapt his style to suit different cultural contexts, showcasing a remarkable versatility as an artist.

Influence and Legacy

Tocqué’s influence extends beyond the portraits he created; he played a role in shaping the artistic landscape of Denmark during the 1760s. Invited to Copenhagen, he accepted a position at the Royal Danish Academy of Fine Arts, where he not only taught but also produced stunning portraits of the Danish royal family. His work in Denmark further broadened his stylistic range and demonstrated his ability to adapt to new environments while maintaining his signature elegance. While Tocqué’s output was relatively modest compared to some of his contemporaries, his portraits—particularly those commissioned by royalty—remain valuable examples of 18th-century French art. They offer a glimpse into the lives and personalities of influential figures, showcasing Tocqué's technical skill, artistic sensitivity, and ability to capture the essence of his subjects. His work continues to be studied and admired for its refined beauty and historical significance.