Portret Robert Atkinson

Robert Atkinson: 5 najpoznatijih slika, dokumentovano

Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 5 dela Robert Atkinson u našem katalogu

Pregled

Prema ovom rangiranju, A Spanish Soldier of the 16th Century (1885) je najpoznatije delo umetnika Robert Atkinson; nalazi se u muzeju Auckland Art Gallery Toi o Tāmaki, Oklend. Nakon toga slede Portrait of Albin Martin (1886) i A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886). Ova lista se zasniva na 5 dela umetnika Robert Atkinson u katalogu i sadrži 5 najpoznatijih, uz datum, muzej u kojem se nalaze i opis za svaki unos.

1863 – 1896, Leeds Najviše dela: Auckland Art Gallery Toi o Tāmaki

Robert Atkinson: prvih 10 unosa na listi

Robert Atkinson: u muzejima

1 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Robert Atkinson Slike iz ovog spiska
Auckland Art Gallery Toi o Tāmaki, OklendAuckland Art Gallery Toi o Tāmaki Oklend 5 A Spanish Soldier of the 16th Century, Portrait of Albin Martin, A Settler’s Kitchen, Opua Whanga, New Zealand 1886

Robert Atkinson po godinama: najpoznatija dela

2 godina, od 1885 do 1886, obuhvataju sva datirana dela umetnika Robert Atkinson na ovoj stranici; prikazana su po godinama.

Radovi po godinama

Izaberite godinu da biste prikazali njene glavne slike.

Robert Atkinson: pitanja i dokumentovana odgovori

Koja slika umetnika Robert Atkinson predvodi listu najpoznatijih dela?Prikaži odgovor

A Spanish Soldier of the 16th Century (1885), Auckland Art Gallery Toi o Tāmaki, Oklend. Sledeći unosi su Portrait of Albin Martin (1886) i A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886).

Koliko je godina imao/la Robert Atkinson kada je naslikano A Spanish Soldier of the 16th Century?Prikaži odgovor

22 godina: Robert Atkinson je rođen/a 1863, a delo A Spanish Soldier of the 16th Century datirano je 1885.

Koliko je dela umetnika Robert Atkinson zabeleženo?Prikaži odgovor

Katalog sadrži 5 dela umetnika Robert Atkinson, datiranih između 1885 i 1886.

U kojim se kolekcijama čuvaju najpoznatija dela umetnika Robert Atkinson?Prikaži odgovor

Prvenstveno u Auckland Art Gallery Toi o Tāmaki (Oklend). Tabela muzeja iznad prikazuje punu distribuciju.

Kada su nastala najpoznatija dela umetnika Robert Atkinson?Prikaži odgovor

U periodi 1886: 2 od 5 dela navedenih na ovoj stranici datiraju iz tog perioda, uključujući Portrait of Albin Martin.

Koji su najraniji i najnoviji datirani radovi umetnika Robert Atkinson ovde?Prikaži odgovor

Najstarije datirano delo na ovoj listi je A Spanish Soldier of the 16th Century (1885), a najnovije je Portrait of Albin Martin (1886).

Koja dela umetnika Robert Atkinson se nalaze u kolekciji Auckland Art Gallery Toi o Tāmaki?Prikaži odgovor

A Spanish Soldier of the 16th Century, Portrait of Albin Martin i A Settler’s Kitchen, Opua Whanga, New Zealand 1886 su među 5 dela na ovoj stranici u kolekciji Auckland Art Gallery Toi o Tāmaki, Oklend.

Robert Atkinson: život i delo

A Life Between Hemispheres

Born in the industrial heart of Leeds, Robert Atkinson sought a different air, eventually finding himself in the studios of Antwerp. It was under the guidance of Verlat that his hand first learned the discipline of form and light. By 1885, driven by a need for better health, he turned his gaze toward the southern reaches of the globe, arriving in New Zealand. He established a studio in the Victoria Arcade in Auckland, a space where the quiet intensity of his studies began to take shape. His presence in the colonies was marked by a steady hand and a desire to capture the essence of his surroundings, from the intimate details of a settler's kitchen in Opua Whanga to the formal dignity of a portrait of Albin Martin.

His time in the colonies was a period of constant movement and connection. He moved between the art circles of Melbourne, Sydney, and Auckland, building friendships with fellow painters like Kate McCosh Clark. These years were defined by a search for subject matter that could bridge the gap between his European training and the raw reality of his new environment. Even when he returned to England in 1889 to work as an illustrator, the pull of the southern lands remained, drawing him back to New Zealand in 1895.

The Quiet Observer

The works he left behind reveal a man deeply interested in the structure of life, whether through the study of the human form or the depiction of social scenes. His paintings often focused on the immediate and the tangible:

His death in Dunedin in 1896 cut short a career that was still finding its footing in the colonial landscape. Though his life was brief, the rarity of his New Zealand genre subjects ensures that his vision remains a distinct part of the historical record. He was a painter of specific moments, capturing the light of a new world through the lens of an old-world education.