Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 11 dela Simone Pignoni u našem katalogu
Pregled
Najpoznatije delo umetnika Simone Pignoni je Saint Cecilia (1636). Sledeći unosi su Saint Margaret (1654) i Virgin and Child (1650). Katalog dokumentuje 11 dela umetnika Simone Pignoni; ispod je navedeno 10 najpoznatijih radova, poređanih po redosledu značaja sa datumom, mestom čuvanja u muzeju i opisom.
Simone Pignoni presents Saint Cecilia in a vertical portrait, focusing on the upper body of the subject. Positioned slightly off-center, the figure is captured in a moment of spiritual ecstasy. Her gaze is directed upward, her face marked by an expression of divine inspiration or longing. This intimate, close-up view places the viewer in immediate proximity to her emotional state.
In Saint Margaret, Simone Pignoni employs a dynamic diagonal arrangement to organize the scene. The figure of the saint moves from the upper left toward the lower right of the frame. She is depicted as a young woman holding a small wooden cross. Positioned at her side is a menacing, open-mouthed beast. This arrangement creates a sense of movement and tension within the composition.
In this 1650 oil painting, we find ourselves drawn into a private, shadowed space where the Virgin Mary leans toward the infant Jesus. The composition is intimate, focusing on the tender connection between mother and child. A deep crimson of the Virgin's garment provides the primary weight to the scene, cutting through a dark, shadowy background that recedes into mystery. The lighting is deliberate, using chiaroscuro to pull the faces…
A vertical portrait of St. Praxedes occupies the center of this oil painting. The subject is a female figure shown from the upper torso upward, positioned slightly off-center. She wears a dark veil that blends into a black and brown background, creating a deep, shadowed space behind her. A strong light source originates from the upper left, casting illumination across her face, neck, and hands. This light creates a chiaroscuro…
In this 1650 oil painting, two figures emerge from a dark, shadowy background. The composition is asymmetrical, focusing on the physical struggle between a male figure and a female figure. A strong, directional light source illuminates the female figure's chest, face, and arm, while the male figure and the surrounding environment remain in deep shadow. The female figure's skin tones appear luminous against the tenebristic tones of black and dark…
A single light source spills from the upper left, carving a woman’s face out of a heavy, ink-black void. She leans toward a young child, her skin glowing like polished ivory against the dark. The air in the room feels thick, weighted by the silence of a private, sacred moment. Her hand reaches out, a gentle touch connecting the human to the divine. Every fold of her cream-colored fabric and…
Simone Pignoni's "Death of St. Petronilla" isn’t merely a painting; it’s an immersion into the shadowed heart of the Florentine Baroque, a visceral exploration of mortality and the unsettling beauty found within decay. Completed around 1623, this altarpiece, now meticulously reproduced by WahooArt.com, transcends its religious subject matter to become a profound meditation on human vulnerability and the inevitability of loss. The scene unfolds with arresting immediacy – a woman,…
Četiri najčešće zastupljena motiva među ovim delima, od kojih svaki ima svoj najpoznatiji primer.
7 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Simone Pignoni | Slike iz ovog spiska |
|---|---|---|---|
 Muzej finih umetnosti u Bostonu |
Boston | 2 | Saint Mary Magdalen Penitent, Head of a Young Woman |
 Bavarske državne slikopisne kolekcije |
Minhen | 1 | Saint Margaret |
 Musée Salies |
Bagnères-de-Bigorre | 1 | Virgin and Child |
 Muzej lepih umetnosti u Nansiju |
Nanci | 1 | The Rape of Proserpine |
 Muzej lepih umetnosti u Lionu |
Lion | 1 | The Mystical Marriage of Saint Catherine |
 Fitzwilliam Museum |
1 | A poet, presented to Jupiter by Hercules, is crowned by Glory, below Venus, Cupid and the poet | |
 Ermitaž |
Sankt Peterburg | 1 | Death of St Petronilla |
Radovi umetnika Simone Pignoni na ovoj stranici datiraju od 1636 do 1654 godine, što obuhvata period od 19 godina, i prikazani su godinu po godinu.
Izaberite godinu da biste prikazali njene glavne slike.
Simone Pignoni presents Saint Cecilia in a vertical portrait, focusing on the upper body of the subject. Positioned slightly off-center, the figure is captured in a moment of spiritual ecstasy. Her gaze is directed upward, her face marked by an expression of divine inspiration or longing. This intimate, close-up view places the viewer in immediate proximity to her emotional state.
In this 1650 oil painting, we find ourselves drawn into a private, shadowed space where the Virgin Mary leans toward the infant Jesus. The composition is intimate, focusing on the tender connection between mother and child. A deep crimson of the Virgin's garment provides the primary weight to the scene, cutting through a dark, shadowy background that recedes into mystery. The lighting is deliberate, using chiaroscuro to pull the faces…
Ostala dela iz 1650
In Saint Margaret, Simone Pignoni employs a dynamic diagonal arrangement to organize the scene. The figure of the saint moves from the upper left toward the lower right of the frame. She is depicted as a young woman holding a small wooden cross. Positioned at her side is a menacing, open-mouthed beast. This arrangement creates a sense of movement and tension within the composition.
Saint Cecilia (1636). Sledeći unosi su Saint Margaret (1654) i Virgin and Child (1650).
25 godina: Simone Pignoni je rođen/a 1611, a delo Saint Cecilia datirano je 1636.
Saint Cecilia, Saint Margaret, Virgin and Child, St. Praxedes, The Rape of Proserpine, The Mystical Marriage of Saint Catherine, A poet, presented to Jupiter by Hercules, is crowned by Glory, below Venus, Cupid and the poet, Saint Mary Magdalen Penitent, Head of a Young Woman i Death of St Petronilla. Gornja lista sadrži datum i muzej u kojem se svako od njih nalazi.
Katalog sadrži 11 dela umetnika Simone Pignoni, datiranih između 1636 i 1654.
Prvenstveno u Muzej finih umetnosti u Bostonu (Boston), Bavarske državne slikopisne kolekcije (Minhen) i Musée Salies (Bagnères-de-Bigorre). Tabela muzeja iznad prikazuje punu distribuciju.
U periodi 1650: 3 od 10 dela navedenih na ovoj stranici datiraju iz tog perioda, uključujući Virgin and Child.
Najstarije datirano delo na ovoj listi je Saint Cecilia (1636), a najnovije je Saint Margaret (1654).
Woman (6), Skin (3) i Child (3) od ukupno 10 dela navedenih na ovoj stranici.
Oil, u 5 od 10 dela navedenih na ovoj stranici.
Saint Mary Magdalen Penitent i Head of a Young Woman su među 2 dela na ovoj stranici u kolekciji Muzej finih umetnosti u Bostonu, Boston.
