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Thomas E. Barratt: Katalog 3 najpoznatijih slika
Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 3 dela Thomas E. Barratt u našem katalogu
Pregled
Portrait of a Gentleman (1840) se smatra najpoznatijim delom umetnika Thomas E. Barratt; nalazi se u muzeju Metropoliten музеј у Њујорку, Њујорк. Henry Smith (1854) i Mr. Drury (1850) zauzimaju drugo i treće mesto. Od 3 dela umetnika Thomas E. Barratt zabeleženih u katalogu, 3 najpoznatijih je navedeno u nastavku, uz datum nastanka, muzej u kojem se čuvaju i napomenu o svakom delu.
1814 – 1854
Najviše dela: Smithsonian American Art Museum
Od 1. do 10. mesta: najpoznatija dela umetnika Thomas E. Barratt
Thomas E. Barratt: u muzejima
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Thomas E. Barratt | Slike iz ovog spiska |
|---|---|---|---|
 Smithsonian American Art Museum |
Vašington, D.C. | 2 | Henry Smith, Mr. Drury |
 Metropoliten музеј у Њујорку |
Њујорк | 1 | Portrait of a Gentleman |
Godišnji indeks: glavna dela umetnika Thomas E. Barratt
Datumski zapisi za Thomas E. Barratt protežu se od 1840 do 1854 (15 godine); indeks ispod navodi svaku godinu sa njenim glavnim delima.
Radovi po godinama
Izaberite godinu da biste prikazali njene glavne slike.
Često postavljana pitanja o slikama umetnika Thomas E. Barratt
Koje je najpoznatije delo umetnika Thomas E. Barratt?Prikaži odgovor
Portrait of a Gentleman (1840), Metropoliten музеј у Њујорку, Њујорк. Sledeći unosi su Henry Smith (1854) i Mr. Drury (1850).
Koliko je godina imao/la Thomas E. Barratt godine u godini nastanka dela Portrait of a Gentleman?Prikaži odgovor
26 godina: Thomas E. Barratt je rođen/a 1814, a delo Portrait of a Gentleman datirano je 1840.
Koliko dela umetnika Thomas E. Barratt katalog sadrži?Prikaži odgovor
Katalog sadrži 3 dela umetnika Thomas E. Barratt, datiranih između 1840 i 1854.
Gde se nalaze glavna dela umetnika Thomas E. Barratt?Prikaži odgovor
Prvenstveno u Smithsonian American Art Museum (Vašington, D.C.) i Metropoliten музеј у Њујорку (Њујорк). Tabela muzeja iznad prikazuje punu distribuciju.
Koji su najraniji i najkasniji najpoznatiji radovi umetnika Thomas E. Barratt?Prikaži odgovor
Najstarije datirano delo na ovoj listi je Portrait of a Gentleman (1840), a najnovije je Henry Smith (1854).
Koja dela Thomas E. Barratt se nalaze u kolekciji Smithsonian American Art Museum?Prikaži odgovor
Henry Smith i Mr. Drury su među 2 dela na ovoj stranici u kolekciji Smithsonian American Art Museum, Vašington, D.C..
Biografija umetnika Thomas E. Barratt
A Life in Miniature
The life of Thomas E. Barratt was defined by the precision of the small scale. Born in England around 1814, he moved through a world that demanded intimacy in its portraiture. He was a miniaturist and portrait painter, a profession requiring a steady hand and a keen eye for the subtle nuances of human character. His career, which spanned the years between 1837 and 1854, was a quiet pursuit of likeness, capturing the essence of his subjects on surfaces as delicate as ivory.
His work, such as the watercolor on ivory titled Mr. Drury, reveals a technical mastery of the medium. In such pieces, the artist had to navigate the translucent qualities of the ivory to create depth and life. He focused on the details of dress—the frilled shirt, the patterned cravat, and the high-tied stock—to ground his subjects in their specific era. These were not grand, sweeping canvases, but private treasures meant to be held and studied closely.
The Quiet Precision of the Portraitist
Barratt’s presence in the American art landscape was marked by this dedication to the minute. While many artists sought the scale of the public gallery, he found his purpose in the intimate space of the portrait miniature. His movement through the mid-nineteenth century saw him active in the United States, where he continued his practice until his passing after 1854. His ability to translate a sitter's identity into a small, portable format speaks to a specific kind of technical discipline.
The historical significance of his work lies in its preservation of the individual. Through his use of watercolor, he captured the textures of fabric and the soft contours of the face with a precision that larger oils often struggle to replicate. His legacy is found in the quiet, detailed records of the people he painted, preserved in collections like the Smithsonian American Art Museum.