Portrait of Едвард Лир

List of the 100 Most Famous Paintings by Едвард Лир

Updated октобар 2026 · ranked by our popularity score (searches, visits and orders for each work) · 419 works by Едвард Лир in our catalogue

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The most widely known painting by Едвард Лир is Cogoleto, Italy. The next entries are Crescenza and Blue And Yellow Macaw. The catalogue documents 419 works by Едвард Лир; the 100 entries below are the best known, listed in rank order with date, holding museum and description.

1812 – 1888, London Romanticism Most works: Yale Center for British Art

Едвард Лир: the 10 principal paintings

1
Cogoleto, Italy by Едвард Лир

Cogoleto, Italy

Watercolor

The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

7
The Temple of Apollo at Bassae (1855) by Едвард Лир

The Temple of Apollo at Bassae

1855 · Oil On Canvas · Fitzwilliam College, Cambridge

The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

Едвард Лир: entries 11 to 100

11A Great Green Macaw by Едвард ЛирA Great Green Macaw 12Great Sulphur Cockatoo (Plyctolophus Sulphureus) by Едвард ЛирGreat Sulphur Cockatoo (Plyctolophus Sulphureus) 13Diano, South Of France by Едвард ЛирDiano, South Of France 14Philae, Egypt (1863) by Едвард ЛирPhilae, Egypt1863 · Yale Center for British Art 15The Plains of Lombardy from Monte Generoso (1880) by Едвард ЛирThe Plains of Lombardy from Monte Generoso1880 · Muzej umetnosti i arheologije Ešmolean 16Between Olavano and Civitella (1842) by Едвард ЛирBetween Olavano and Civitella1842 · Yale Center for British Art 17Civita Castellana (1839) by Едвард ЛирCivita Castellana1839 18The Mountains of Thermopylae (1852) by Едвард ЛирThe Mountains of Thermopylae1852 · Bristol Museum - Art Gallery 19A Study of Ferns, Civitella (1842) by Едвард ЛирA Study of Ferns, Civitella1842 · Yale Center for British Art 20Landscape with Goatherd (1842) by Едвард ЛирLandscape with Goatherd1842 · Yale Center for British Art 21Temple of Venus and Roma, Rome (1840) by Едвард ЛирTemple of Venus and Roma, Rome1840 · Yale Center for British Art 22Rome, a View of the Forum from a Terrace (1841) by Едвард ЛирRome, a View of the Forum from a Terrace1841 23Rome, a View of the Forum with the Temple of Venus (1841) by Едвард ЛирRome, a View of the Forum with the Temple of Venus1841 24A View of the Roman Campagna, a Villa and Aqueduct in the Distance (1841) by Едвард ЛирA View of the Roman Campagna, a Villa and Aqueduct in the Distance1841 25A View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance (1841) by Едвард ЛирA View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance1841 26Study of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany (1842) by Едвард ЛирStudy of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany1842 27Venosa (1852) by Едвард ЛирVenosa1852 · Toledo Museum of Art 28Corfu from near the Village of Virós (1858) by Едвард ЛирCorfu from near the Village of Virós1858 · Rhode Island School of Design Museum of Art 29Jerusalem from the Mount of Olives (1858) by Едвард ЛирJerusalem from the Mount of Olives1858 · Izraelski muzej 30Corfu from Ascension (1860) by Едвард ЛирCorfu from Ascension1860 · Yale Center for British Art 31Corfu from Ascension (1862) by Едвард ЛирCorfu from Ascension1862 · Yale Center for British Art 32Corfu from Santa Decca (1862) by Едвард ЛирCorfu from Santa Decca1862 · Yale Center for British Art 33Butrinto, Albania (1861) by Едвард ЛирButrinto, Albania1861 · Yale Center for British Art 34Zagori, Greece (1860) by Едвард ЛирZagori, Greece1860 · Yale Center for British Art 35Masada on the Dead Sea (1858) by Едвард ЛирMasada on the Dead Sea1858 · Fine Arts Museums of San Francisco 36View of the Ducal Palace, Massa, Northern Italy (1858) by Едвард ЛирView of the Ducal Palace, Massa, Northern Italy1858 37View in the Campagna, Rome (with a River) (1861) by Едвард ЛирView in the Campagna, Rome (with a River)1861 38View in the Campagna, Rome (with Ruins) (1861) by Едвард ЛирView in the Campagna, Rome (with Ruins)1861 39View of Florence from Villa San Firenze (1862) by Едвард ЛирView of Florence from Villa San Firenze1862 · Government Art Collection 40Corfu (1863) by Едвард ЛирCorfu1863 41The Forest of Valdoniello, Corsica (1869) by Едвард ЛирThe Forest of Valdoniello, Corsica1869 · Yale Center for British Art 42Denderah on the Nile (1867) by Едвард ЛирDenderah on the Nile1867 43Feluccas on the Nile near Abu-Simbel (1867) by Едвард ЛирFeluccas on the Nile near Abu-Simbel1867 44A Distant View of Nice from the Hills (1864) by Едвард ЛирA Distant View of Nice from the Hills1864 45Thermopylae (1872) by Едвард ЛирThermopylae1872 · Muzej umetnosti i arheologije Ešmolean 46Kinchinjunga (1877) by Едвард ЛирKinchinjunga1877 · Yale Center for British Art 47Campagna di Roma (1878) by Едвард ЛирCampagna di Roma1878 48Buon Ricovero, in the Roman Campagna (1878) by Едвард ЛирBuon Ricovero, in the Roman Campagna1878 49Kangchenjunga from Darjeeling (1879) by Едвард ЛирKangchenjunga from Darjeeling1879 · Yale Center for British Art 50The Marble Rocks - Nerbudda Jubbolpore (1882) by Едвард ЛирThe Marble Rocks - Nerbudda Jubbolpore1882 · Yale Center for British Art 51Argos from Mycene (1884) by Едвард ЛирArgos from Mycene1884 52A View of Adam's Peak, Ceylon (1882) by Едвард ЛирA View of Adam's Peak, Ceylon1882 · Government Art Collection 53Snowy Owl by Едвард ЛирSnowy Owl 54Villa Borghese, Rome by Едвард ЛирVilla Borghese, Rome 55Studies Of Sheep And Herdsmen by Едвард ЛирStudies Of Sheep And Herdsmen 56Views In Rome And Its Environs 2 by Едвард ЛирViews In Rome And Its Environs 2 57Opposite Calvi by Едвард ЛирOpposite Calvi 58Arabs Approaching Mount Sinai by Едвард ЛирArabs Approaching Mount Sinai 59Bocche Di Cattaro, Montenegro by Едвард ЛирBocche Di Cattaro, Montenegro 60Palaiukhora, Crete by Едвард ЛирPalaiukhora, Crete 61Naples, Italy by Едвард ЛирNaples, Italy 62Katholikó Akrotiri, Crete by Едвард ЛирKatholikó Akrotiri, Crete 63Damascus 3 by Едвард ЛирDamascus 3 64View Of Sermoneta, Italy by Едвард ЛирView Of Sermoneta, Italy 65Arkodyllus, Corfu by Едвард ЛирArkodyllus, Corfu 66View Of Jerusalem 1 by Едвард ЛирView Of Jerusalem 1 67The Monastery Of Baarlam, Meteora by Едвард ЛирThe Monastery Of Baarlam, Meteora 68Windermere From Lowwood, Cumbria by Едвард ЛирWindermere From Lowwood, Cumbria 69View Of Philae by Едвард ЛирView Of Philae 70Musta, Malta by Едвард ЛирMusta, Malta 71Modica, Sicily by Едвард ЛирModica, Sicily 72A View Of Sorrento, Italy by Едвард ЛирA View Of Sorrento, Italy 73Parnassus by Едвард ЛирParnassus 74Isola Pescatore, Lake Maggiore, Italy by Едвард ЛирIsola Pescatore, Lake Maggiore, Italy 75A View Of Santa Maura, Levkas, Ionian Islands by Едвард ЛирA View Of Santa Maura, Levkas, Ionian Islands 76Corfu From The Hill Of Gastouri by Едвард ЛирCorfu From The Hill Of Gastouri 77Pompey's Pillar by Едвард ЛирPompey's Pillar 78Figures On The Shore Near Edfu by Едвард ЛирFigures On The Shore Near Edfu 79Joannina, Epirus, Albania by Едвард ЛирJoannina, Epirus, Albania 80Travellers On A Road, Subiaco, Italy by Едвард ЛирTravellers On A Road, Subiaco, Italy 81The Pyramids Road by Едвард ЛирThe Pyramids Road 82View Of Eze, Côte D'azur, France 1 by Едвард ЛирView Of Eze, Côte D'azur, France 1 83An Arab Encampment In Wadi Feiran, Egypt by Едвард ЛирAn Arab Encampment In Wadi Feiran, Egypt 84The Claudian Aqueduct On The Via Appia Near Rome by Едвард ЛирThe Claudian Aqueduct On The Via Appia Near Rome 85A Distant View Of Mdina, Malta by Едвард ЛирA Distant View Of Mdina, Malta 86Galata, Constantinople by Едвард ЛирGalata, Constantinople 87Benares On The Ganges by Едвард ЛирBenares On The Ganges 88Sunrise At Erment, Egypt by Едвард ЛирSunrise At Erment, Egypt 89Porto Maurizio, Italy by Едвард ЛирPorto Maurizio, Italy 90The Nile Above Aswan by Едвард ЛирThe Nile Above Aswan 91A View Of Pauna, In The Ionian Islands by Едвард ЛирA View Of Pauna, In The Ionian Islands 92View Of Ratnapura, Ceylon by Едвард ЛирView Of Ratnapura, Ceylon 93Stairs Leading To S. Pietro In Vincoli by Едвард ЛирStairs Leading To S. Pietro In Vincoli 94Mount Oeta And Thermopylae From Near Lamia by Едвард ЛирMount Oeta And Thermopylae From Near Lamia 95Damascus by Едвард ЛирDamascus 96Arabs At Mount Sinai, Egypt by Едвард ЛирArabs At Mount Sinai, Egypt 97View Of Cythera, Greece by Едвард ЛирView Of Cythera, Greece 98The Upper Nile, Toske, Egypt by Едвард ЛирThe Upper Nile, Toske, Egypt 99Saffron-Coloured Aracari And Golden-Green Aracari by Едвард ЛирSaffron-Coloured Aracari And Golden-Green Aracari 100Prince Of Wales Road, Malta by Едвард ЛирPrince Of Wales Road, Malta

Principal subjects in the work of Едвард Лир

The four subjects most frequently represented among these works, each with its best-known example.

Едвард Лир: holding museums

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Едвард Лир Paintings from this list
Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
Government Art Collection, LondonGovernment Art Collection London 5 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
Muzej umetnosti i arheologije Ešmolean, OxfordMuzej umetnosti i arheologije Ešmolean Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
Izraelski muzej, JerusalemIzraelski muzej Jerusalem 2 View of Bethlehem, Jerusalem from the Mount of Olives
Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 The Temple of Apollo at Bassae
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 The Mountains of Thermopylae
Toledo Museum of Art, ToledoToledo Museum of Art Toledo 1 Venosa
Rhode Island School of Design Museum of Art, ProvidensRhode Island School of Design Museum of Art Providens 1 Corfu from near the Village of Virós

Едвард Лир: principal painting of each decade

Works per decade

Select a decade to display its principal painting.

Едвард Лир's paintings: reference questions

Which painting by Едвард Лир is the most widely known?Display the answer

Cogoleto, Italy. The following entries are Crescenza and Blue And Yellow Macaw.

Which ten paintings by Едвард Лир are the best known?Display the answer

Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy and Ithaca, Ionian Islands. The list above records the date and holding museum of each.

How many works by Едвард Лир are documented?Display the answer

The catalogue records 419 works by Едвард Лир, dated between 1839 and 1884.

Which museums hold the best-known paintings of Едвард Лир?Display the answer

Principally in Yale Center for British Art (New Haven), Government Art Collection (London) and Muzej umetnosti i arheologije Ešmolean (Oxford). The museum table above gives the full distribution.

In which period were Едвард Лир's best-known works painted?Display the answer

In 1860s: 14 of the 100 works listed on this page are dated to that period, including Philae, Egypt.

Which are the earliest and latest dated works by Едвард Лир on this list?Display the answer

The earliest dated work listed here is Civita Castellana (1839); the latest is Argos from Mycene (1884).

Which subjects recur most in the work of Едвард Лир?Display the answer

Landscape (11), Scenes (11) and Italy (11), out of the 100 works listed on this page.

Which medium predominates in the work of Едвард Лир?Display the answer

Watercolor, in 2 of the 100 works listed on this page.

With which art movement is Едвард Лир associated?Display the answer

Romanticism, as documented by the works on this page.

Which works by Едвард Лир are in the collection of the Yale Center for British Art?Display the answer

Philae, Egypt, Between Olavano and Civitella and A Study of Ferns, Civitella are among the 14 works on this page in the collection of the Yale Center for British Art, New Haven.

Are reproductions of paintings by Едвард Лир available?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Едвард Лир: biographical notes

Edward Lear (1812-1888): A Life Painted in Nonsense and Light

Edward Lear, a name synonymous with whimsical verse and delightfully peculiar illustrations, was far more than the purveyor of limericks and fantastical creatures that often define his legacy. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children, Lear’s early life was marked by both financial instability and a burgeoning artistic talent. His father, Jeremiah Lear, faced hardship after the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, however, ignited a lifelong passion that would see him traverse continents and capture the world in vibrant hues and playful lines. The shadow of familial difficulty, coupled with early health challenges – including epilepsy and bouts of melancholia he termed “the Morbids” – instilled within Lear a sense of gentle solitude and an inclination towards imaginative escape, qualities profoundly reflected in his art and writing. Lear's artistic journey began with meticulous precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a remarkable eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures within his private menagerie at Knowsley Hall. These years spent amongst lions, tigers, and parrots not only refined his draftsmanship but also fostered a deep connection with the natural world – a connection that would permeate his later landscapes. He meticulously studied specimens, rendering them with breathtaking realism, capturing every feather and muscle fiber with unwavering dedication. This commitment to scientific accuracy served as an anchor for his artistic explorations, grounding him in observation while simultaneously freeing him from restrictive conventions.

From Ornithological Precision to Landscape’s Embrace

Lear's artistic development took a significant turn when he abandoned the exacting demands of ornithological illustration due to failing eyesight and respiratory issues. Recognizing that his physical limitations would hinder his ability to pursue this path, he redirected his energies towards landscape painting – an endeavor that allowed him to express his inner vision while capitalizing on his newfound appreciation for tranquility and beauty. His travels throughout Europe, particularly Italy, profoundly impacted his artistic sensibilities. Absorbing the luminous light of Tuscan hillsides and the dramatic vistas of the Amalfi Coast, Lear developed a distinctive style characterized by atmospheric perspective and delicate brushwork. He skillfully blended watercolor pigments to create ethereal landscapes that conveyed not merely topographical accuracy but also profound emotional resonance. His canvases shimmered with subtle hues and tonal variations, capturing the fleeting moods of nature—a testament to his mastery of color and texture.

The Poet of Nonsense: A World Unbound

Lear’s literary contributions cemented his place in artistic history as much as his paintings did. He revolutionized children's literature by popularizing the limerick – a form of verse renowned for its rhythmic cadence and playful absurdity. *A Book of Nonsense*, published in 1846 under the pseudonym “Derry down Derry,” introduced readers to a fantastical realm populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully incongruous characters. These verses weren’t merely frivolous; they possessed a subtle melancholy and a subversive delight in defying logic—a characteristic that distinguished Lear's poetic vision from conventional literary norms. He didn’t simply invent nonsensical words; he crafted entire worlds governed by their own internal rules, inviting audiences to suspend disbelief and embrace the joy of imaginative exploration. *The Owl and the Pussy-Cat*, arguably his most celebrated poem, remains a beloved classic, its enduring appeal stemming from its lyrical rhythm and evocative imagery—a symbol of Lear’s artistic genius and unwavering commitment to poetic innovation.

A Legacy of Innovation and Enduring Charm

Lear's influence extends far beyond the confines of children’s literature and poetry. He championed a new aesthetic approach that liberated verse from rigid structures, prioritizing spontaneity and playful experimentation. His landscapes—though often overshadowed by his literary achievements—demonstrate a keen artistic sensibility and a masterful command of watercolor technique. They stand as enduring monuments to his vision—a testament to his ability to transform observation into art and imagination into poetry. Lear’s paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, reflecting the esteem with which his work is regarded by scholars and connoisseurs alike. His life, marked by both personal hardships and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit—a legacy that continues to inspire artists and writers across generations.

All 419 works by Едвард Лир →