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Pregled
Najpoznatije delo umetnika Иван Крамској je Portret žene, koje se nalazi u kolekciji Tretyakovljeva galerija, Moskva. Sledeći unosi su Hrist u pustinji i Christ in the Wilderness. Katalog dokumentuje 109 dela umetnika Иван Крамској; ispod je navedeno 100 najpoznatijih radova, poređanih po redosledu značaja sa datumom, mestom čuvanja u muzeju i opisom.
autora Ivana Kramskog predstavlja tih, introspektivan susret sa mladom ženom. Ovo delo, datirano oko 1885. godine, hvata jedan jedinstven trenutak nepomičnosti. Subjekat gleda napred sa osećajem unutrašnjeg promišljanja, a njeno prisustvo ispunjava prostor teškom, promišljenom energijom. To je studija karaktera i pogleda, u kojoj se čini da unutrašnji život pojedinca pritiska samu površinu platna.
je remek-delo Ivana Nikolajeviča Kramskog koje prikazuje Isusa Hrista tokom Njegovog četrdesetodnevnog posta u pustinji, prema opisu iz Jevanđelja po Mateju (Matej 4:1-11). Ovo snažno i emotivno delo je završeno 1872. godine, a danas se nalazi u kolekciji Tretyakov galerije u Moskvi.
The heavy silence of the desert hangs over Christ in the Wilderness, a profound religious painting that captures a moment of profound spiritual isolation. Created by the Russian artist Ivan Kramskoi, the work emerges from the year 1872. It presents a scene of deep contemplation, where the weight of the divine meets the stark reality of the physical world. The figure of Christ sits amidst a desolate landscape, caught in…
The gaze of the sitter in Portrait of a Woman meets the viewer with a quiet, unsettling strength. Painted by the Russian artist Ivan Kramskoi, this work captures a moment of profound stillness. Though the title suggests a specific person, she remains a mystery to history. She is widely recognized as an unknown subject, a woman whose identity remains veiled by time and the artist's own silence. This sense of…
The Empress Maria Feodorovna sits in a quiet, commanding stillness, her figure emerging from a dark, indistinct background that pushes her presence into the immediate space of the viewer. She is draped in a gown of luminous whites and creams, the fabric heavy with the weight of silk and the delicate, intricate textures of fine lace. A deep crimson sash cuts across her torso, providing a sharp, singular contrast to…
In the realm of nineteenth-century Russian Realism, few works capture the delicate intersection of innocence and burgeoning intellect as poignantly as Ivan Nikolaevich Kramskoy’s Portrait of a Girl. Painted in 1870, this masterpiece transcends a mere physical likeness, offering instead a window into a soul caught in the quiet transition of childhood. The subject, presented within an elegant oval frame that evokes the intimacy of a cherished heirloom, sits with…
The oil portrait depicts Yevgeny Lamansky, an elderly man seated in a three-quarter length pose. He is positioned slightly off-center within a room defined by a desk and leather-bound books. The subject possesses prominent white mutton-chop whiskers and a smooth silk waistcoat beneath a heavy, dark suit. His hands are positioned near a desk, holding a pen and papers. The lighting originates from the upper left, casting shadows that define…
The painting titled Somnambula was executed by the artist Ivan Nikolaevich Kramskoy. This work is an oil on canvas created in 1871. The object is a painting that measures 135 cm in height and 86 cm in width.
In the quiet, commanding presence of Ivan Nikolaevich Kramskoy’s Portrait of Princess Catherine Alekseevny Vasilchikova, we encounter more than just a likeness; we enter a moment of frozen dignity from the heart of 1867 Russia. The painting serves as a masterful window into the mid-19th century, capturing the essence of a noblewoman whose very posture speaks of an era defined by rigid social hierarchies and refined elegance. As the viewer…
A dignified and somber realist portrait, this work captures a middle-aged man in a moment of quiet introspection. Positioned in a three-quarter length composition, the subject faces the viewer's right, yet his gaze meets the observer with a steady, penetrating clarity. The lighting is low-key, emerging from a shadowy, indistinct background to illuminate the face and a crisp white collar. This chiaroscuro effect creates a profound sense of three-dimensionality, pulling…
Portrait of Count Frederick Maurice van Heiden1881 · Ermitaž
12
Portrait of Nikolai Ivanovich Kramsky1882 · Tretyakovljeva galerija
13
Portrait of Sonya Kramskaya, the Artist`s Daughter1870
14
Portrait of Pavel Tretyakov1876 · Tretyakovljeva galerija
15
Portrait of S.S. Botkin1882 · Tretyakovljeva galerija
16
Portrait of Adjutant-General Count Alexei Bobrinskiy1872 · Ermitaž
17
Portrait of Vera Nikolayevna Tretyakova1879 · Tretyakovljeva galerija
18
Portrait of Sofia Sergeyevna Botkina1879 · Tretyakovljeva galerija
19
Portrait of the Artist Nikolai Dmitrievich Dmitriev-Orenburg1866
20
Portrait of Alexander Dmitrievich Litovchenko1878 · Tretyakovljeva galerija
21
The Girl's Head1878
22
Portrait of Theodora Saltykova, the Painter`s Mother in Law1875
23
In the country. Siverskaya1883 · Kramskoy Museum of Fine Arts
24
Portrait of Roftopulo O.A.1884 · Perm State Arts Gallery
25
Portrait of Adrian Viktorovich Prakhov1879 · Tretyakovljeva galerija
26
The Actor A.P.Lensky as Petruchio in Shakespeare's Comedy "The Taming of the Shrew"1883 · Tretyakovljeva galerija
27
Portrait of the Publisher and Publicist Alexey Suvorin1881 · Државни руски музеј
28
Unknown Woman1883
29
Portrait of V. S. Solovyov1885 · Државни руски музеј
30
Portrait of a Woman1881 · Yekaterinburg Museum of Fine Arts
31
Mina Moiseyev1882 · Државни руски музеј
32
Portrait of I.K. Aivazovsky1881 · Feodosia National Gallery I. K. Aivazovsky
33
Herodias1885 · Tretyakovljeva galerija
34
Sergey Botkin1881 · Tretyakovljeva galerija
35
Arkhip Kuindzhi1872 · Tretyakovljeva galerija
36
Reading. A Portrait of the Artist's Wife1866 · Tretyakovljeva galerija
37
Portrait of Vera Nikolayevna Tretyakova1876 · Tretyakovljeva galerija
38
Portrait of Taras Shevchenko1871 · Tretyakovljeva galerija
39
Portrait of Doctor Karl Rauchfus
40
Portrait of Art Critic Pavel Kovalevsky
41
Sergei kramskoi
42
Portrait of the Artist Ivan ShishkinTretyakovljeva galerija
43
Portrait of Sophia Kramskaya, the Artist's Daughter
44
Portrait of an Old Peasant (study)Umjetnički muzej Estonije
45
Portrait of the Empress Maria Feodorovna
46
Portrait of the Artist Konstantin SavitskyKramskoy Museum of Fine Arts
47
Poet Apollon Maikov Fishing
48
Viewing an Old HouseTretyakovljeva galerija
49
Head of an Old Ukranian Peasant
50
Bouquet of Flowers. Phlox1884 · Tretyakovljeva galerija
51
SelfPortrait 1
52
Mocking ChristДржавни руски музеј
53
Portrait of a Woman (Detail)
54
Portrait of Sophia Kramskaya the Artist-s Daughter
55
Portrait of a Admiral Login Loginovich Heyden
56
Water Nymphs1871 · Tretyakovljeva galerija
57
Portrait of a ManNarodni muzej u Varšavi
58
Portrait of the Singer Elizaveta Lavrovskaya on Stage
59
Forest Path1870 · Tretyakovljeva galerija
60
Suburb of Paris. The Bois de Boulogne1876 · Kramskoy Museum of Fine Arts
61
The Sculptor M. M. Antokolsky1876
62
Russian Girl in a Blue Shawl
63
Portrait S.I. Kramskoy1880
64
Portrait of the artist Paval Shestakova
65
Portrait of Ivan I. ShishkinДржавни руски музеј
66
Peasant Holding a Bridle
67
Portrait of the Artist Ilya Repin
68
Portrait of E. Vasilchikova
69
In the Park
70
Portrait of an Unknown Woman
71
Ivan Kramskoy Working on Portrait of his DaughterTretyakovljeva galerija
72
Portrait of the Agronomist Vyunnikov
73
Portrait of the Artist Feodor Vasilyev
74
Insulted Jewish Boy
75
Portrait of Piotr ValuyevErmitaž
76
books got herKramskoy Museum of Fine Arts
77
Portrait of Sonya Kramskaya, the Artist's Daughter
78
Portrait of the Writer Leo Tolstoy
79
Portrait of Empress Maria Fyodorovna in a Head Dress Decorated with PearlsErmitaž
80
Mina moiseevKiev National Picture Gallery
81
Bois de Boulogne near Paris
82
Village Yard in FranceTretyakovljeva galerija
83
Portrait of Anatoly Kramskoy the Artist-s Son
84
Pond
85
Girl with Washed Linen on the Yoke
86
Kramskoi village elder
87
Portrait of the Artist Grigory Myasoyedov
88
Portrait of the Cellist S.Ya.Morozov
89
The Portrait of a Peasant
90
In the Grove of Medon near Paris
91
Girl with a TressTretyakovljeva galerija
92
sophia kramskaya reading
93
Portrait of a Young Woman Dressed in Black Velvet
94
Portrait of Sophia Kramskaya the Artist-s WifeTretyakovljeva galerija
95
Portrait of the Actor Vasily SamoilovTretyakovljeva galerija
96
Bunch of Flowers. Phloxes
97
Portrait of the Artist Feodor Vasilyev
98
Head of an Old Peasant
99
self portraitTretyakovljeva galerija
100
In the Park. Portrait of the Artist-s Wife and DaughterKramskoy Museum of Fine Arts
Četiri najčešće zastupljena motiva među ovim delima, od kojih svaki ima svoj najpoznatiji primer.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Иван Крамској | Slike iz ovog spiska |
|---|---|---|---|
 Tretyakovljeva galerija |
Moskva | 38 | Portret žene, Hrist u pustinji, Portrait of a Woman |
 Ermitaž |
Sankt Peterburg | 6 | Portrait of Empress Maria Feodorovna, Portrait of the Banker Yevgeny Lamansky, Portrait of Count Frederick Maurice van Heiden |
 Kramskoy Museum of Fine Arts |
Voronezh | 5 | In the country. Siverskaya, Portrait of the Artist Konstantin Savitsky, Suburb of Paris. The Bois de Boulogne |
 Државни руски музеј |
St. Petersburg | 5 | Portrait of the Publisher and Publicist Alexey Suvorin, Portrait of V. S. Solovyov, Mina Moiseyev |
 Perm State Arts Gallery |
Perm | 2 | Portrait of Princess Catherine Alekseevny Vasilchikova, Portrait of Roftopulo O.A. |
 Kiev National Picture Gallery |
Kyiv | 2 | Mina moiseev |
 Yekaterinburg Museum of Fine Arts |
Yekaterinburg | 1 | Portrait of a Woman |
 Feodosia National Gallery I. K. Aivazovsky |
Feodosiia | 1 | Portrait of I.K. Aivazovsky |
Izaberite deceniju da biste prikazali njeno glavne delo.
In the quiet, commanding presence of Ivan Nikolaevich Kramskoy’s Portrait of Princess Catherine Alekseevny Vasilchikova, we encounter more than just a likeness; we enter a moment of frozen dignity from the heart of 1867 Russia. The painting serves as a masterful window into the mid-19th century, capturing the essence of a noblewoman whose very posture speaks of an era defined by rigid social hierarchies and refined elegance. As the viewer…
In the realm of nineteenth-century Russian Realism, few works capture the delicate intersection of innocence and burgeoning intellect as poignantly as Ivan Nikolaevich Kramskoy’s Portrait of a Girl. Painted in 1870, this masterpiece transcends a mere physical likeness, offering instead a window into a soul caught in the quiet transition of childhood. The subject, presented within an elegant oval frame that evokes the intimacy of a cherished heirloom, sits with…
The gaze of the sitter in Portrait of a Woman meets the viewer with a quiet, unsettling strength. Painted by the Russian artist Ivan Kramskoi, this work captures a moment of profound stillness. Though the title suggests a specific person, she remains a mystery to history. She is widely recognized as an unknown subject, a woman whose identity remains veiled by time and the artist's own silence. This sense of…
Portret žene, Tretyakovljeva galerija, Moskva. Sledeći unosi su Hrist u pustinji i Christ in the Wilderness.
Portret žene, Hrist u pustinji, Christ in the Wilderness, Portrait of a Woman, Portrait of Empress Maria Feodorovna, Portrait of a Girl, Portrait of the Banker Yevgeny Lamansky, Somnambula, Portrait of Princess Catherine Alekseevny Vasilchikova i Portrait of the writer Y.F. Samarin. Gornja lista sadrži datum i muzej u kojem se svako od njih nalazi.
Katalog sadrži 109 dela umetnika Иван Крамској, datiranih između 1866 i 1886.
Prvenstveno u Tretyakovljeva galerija (Moskva), Ermitaž (Sankt Peterburg) i Kramskoy Museum of Fine Arts (Voronezh). Tabela muzeja iznad prikazuje punu distribuciju.
U periodi 1870s: 19 od 100 dela navedenih na ovoj stranici datiraju iz tog perioda, uključujući Portrait of a Girl.
Najstarije datirano delo na ovoj listi je Portrait of the Artist Nikolai Dmitrievich Dmitriev-Orenburg (1866), a najnovije je Portrait of the Banker Yevgeny Lamansky (1886).
Portrait (30), Russian art (15) i Man (14) od ukupno 100 dela navedenih na ovoj stranici.
Oil On Canvas, u 42 od 100 dela navedenih na ovoj stranici.
Realism, kao što je dokumentovano delima na ovoj stranici.
Portret žene, Hrist u pustinji i Portrait of a Woman su među 30 dela na ovoj stranici u kolekciji Tretyakovljeva galerija, Moskva.
Da. Svako delo navedeno na ovoj stranici može se naručiti putem njegovog posebnog odeljka kao ručno oslikana uljana reprodukcija ili kao umetnički print, u veličini po vašem izboru.
Ivan Nikolajevič Kramskoj, rođen 27. maja 1837. godine u mirnom gradu Ostrogožsku, predstavlja monumentalnu figuru unutar pejzaža ruske umetničke istorije. Njegov život obeležili su intelektualni žar i nepokolebljiva posvećenost umetničkim principima utemeljenim u socijalnom realizmu, ostavljajući neizbrisiv trag kako na njegove savremenike, tako i na buduće generacije. Odrastajući u Voronežskoj oblasti, Kramskojevo rano detinjstvo oblikovalo je odgoje prožet intelektualnom radoznalošću i dubokim angažovanjem u novonastalim idejama ruske revolucionarne demokratije. Pod uticajem radikalnih mislilaca svog vremena, poput Černovskog i Hercena, on je prihvatio uverenje da umetnost poseduje moralnu obavezu — dužnost da istinito odrazi društvo i zastane za njegovo unapređenje.
Ovo duboko ukorenjeno verovanje u transformativnu moć umetnosti gurnulo ga je ka Sankt Peterburškoj akademiji umetnosti, ali upravo je tamo njegov buntovnički duh istinski oganio. Kramskoj je postao poznat po predvođenju „Pobune četrnaest“, istorskog studentskog ustanka protiv restriktivnih i zastarelih umetničkih standarda akademije. Ovaj čin prkosa doveo je do njegovog izbacivanja, ali umesto da uguši njegov talenat, on je učvrstio njegovu posvećenost nezavisnom izražavanju. Pod vođstvom mentora poput Mihaila Borisoviča Tulinova, koji je prepoznao njegov rastući genije, Kramskoj je počeo da gradi put koji će ga na kraju učiniti jednim od stubova pokreta Peredvizhnika, ili Pokreta lutalica.
Formiranje pokreta Peredvizhniki označilo je odlučujuću prekretnicu u Kramskojevom umetničkom putu. Zajedno sa luminarima poput Ilje Repina, on je nastojao da odbaci zvanično pokroviteljstvo i poučavanje Imperijalne akademije u korist demokratskog i društveno svesnog pristupa slikarstvu. Njegov rad postao je posrednik za društvenu komentarisanje, beležeći psihološku dubinu ruskog naroda i surove realnosti njihovog postojanja. Kramskoj nije bio samo slikar, već i duboki umetnički kritičar i vođa, oblikujući estetski diskurs svog vremena kroz sposobnost da spoji tehničko majstorstvo sa intenzivnim emocionalnim odjekom.
Njegov repertoar karakteriše izuzetna svestranost koja se kreće od duboko introspektivnog do simbolički veličanstvenog:
Kramskojev doprinos umetnosti proteže se daleko izvan platna. Kao organizator i kritičar, on je obezbedio intelektualnu strukturu na kojoj je izgrađen ruski realizam. Verovao je da umetnik mora biti svedok svog vremena, ulogu koju je ispunjavao sa neprevaziđenim integritetom. Njegova sposobnost da navigira kroz složenosti političkih previranja, dok zadržava fokus na ljudskom stanju, omogućila je njegovom radu da prevaziđe trenutnu politiku 19. veka.
Nasleđe Ivana Nikolajeviča Kramskog nalazi se u samoj tkanini ruskog identiteta. Borbom za istinu o zajedničkom iskustvu i izazivanjem elitizma akademskih institucija, pomogao je demokratizaciji umetnosti, pretvarajući je u alat za nacionalnu refleksiju. Danas njegova dela nastavljaju da očaravaju publiku širom sveta, nudeći prozor u period intenzivnog duhovnog i društvenog transformacije. Njegov život ostaje svedočanstvo ideje da umetnost, kada se koristi sa hrabrošću i istinom, može poslužiti kao moćan katalizator promene.
