Portrait of Maksim Slevogt

Maksim Slevogt: Catalogue of the 100 Most Famous Paintings

Updated октобар 2026 · ranked by our popularity score (searches, visits and orders for each work) · 102 works by Maksim Slevogt in our catalogue

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The Quarry at Albersweiler (1912) is recorded as the most famous painting of Maksim Slevogt. The Singer Francisco d'Andrade as Don Giovanni in Mozart's Opera (1912) and Frau Voll mit Tochter (1895) occupy the second and third entries. Of the 102 works by Maksim Slevogt recorded in the catalogue, the 100 best known are listed below, each entry with its date, the holding museum and a note on the work.

1868 – 1932, Ландсхут Impressionism Most works: Bavarske državne slikopisne kolekcije

Entries 1 to 10: the most famous Maksim Slevogt paintings

1
The Quarry at Albersweiler (1912) by Maksim Slevogt

The Quarry at Albersweiler

1912

A Glimpse into Industrial Transformation: Max Slevogt’s *The Quarry at Albersweiler* (1912) Max Slevogt's *The Quarry at Albersweiler*, painted in 1912, is more than just a landscape; it’s a compelling visual document of a changing world. Measuring 72 x 101 cm and executed with oil on canvas, the painting captures a pivotal moment where human industry begins to dramatically reshape the natural environment. While seemingly serene at first glance, a…

2
The Singer Francisco d'Andrade as Don Giovanni in Mozart's Opera (1912) by Maksim Slevogt

The Singer Francisco d'Andrade as Don Giovanni in Mozart's Opera

1912 · Oil On Canvas · Alte Nationalgalerie, Berlin

The canvas captures a moment of profound tension from Mozart's opera, specifically the graveyard scene where Don Giovanni invites the statue of the Commendatore to supper. Francisco d'Andrade, marking his thirtieth year on stage, is rendered with a sense of disembodied, floating quality. He is draped in a voluminous white cloak that flows toward the right, creating a stark contrast against a dark, moody background of muted blues and blacks.…

3
Frau Voll mit Tochter (1895) by Maksim Slevogt

Frau Voll mit Tochter

1895 · Oil · Alte Nationalgalerie, Berlin

Two figures emerge from a heavy, indistinct darkness. On the left, a woman gazes outward with a weary, solemn expression, her face etched with subtle shadows and fine lines. Her hair is pulled back tightly, a stark contrast to the soft, pale skin of her features. Beside her, a younger girl leans her head toward the older woman, her expression pensive and tired. A single patch of bright blue fabric…

4
Prince Regent Luitpold in the Ermine Cloak (1908) by Maksim Slevogt

Prince Regent Luitpold in the Ermine Cloak

1908 · Oil On Canvas · Bavarske državne slikopisne kolekcije, Minhen

In this 1908 oil on canvas, an elderly man, identified as Prince Regent Luitpold, is positioned against a dark, undifferentiated background. The subject is rendered in a vertical composition, standing slightly off-center. He wears a heavy blue mantle, which is lined with white ermine fur. The lighting originates from the upper left, casting illumination across the subject's face, the white fabric of his shirt, and the folds of the blue…

5
Requiem for the St. Georgsknights (1908) by Maksim Slevogt

Requiem for the St. Georgsknights

1908 · Oil · Alte Nationalgalerie, Berlin

Requiem for the St. Georgsknights is an oil painting by the German artist Max Slevogt. Executed in 1908, the work measures 58 x 46 cm. It belongs to the period of Slevogt's stylistic evolution, moving away from his earlier academic tonal studies toward a more spontaneous engagement with light and color.

6
Theater Curtain (1931) by Maksim Slevogt

Theater Curtain

1931 · Painting · Bavarske državne slikopisne kolekcije, Minhen

The composition presents a formal, pyramidal arrangement of a multi-generational family, captured in a moment of staged stillness. Subjects are organized into two distinct rows: a seated group in the foreground and a standing assembly in the background. The scene is rendered in monochromatic sepia and warm reddish-brown tones, suggesting the chemical aging of a vintage photographic process. Soft, directional lighting defines the contours of facial features and the heavy…

7
Lady Adventure (1894) by Maksim Slevogt

Lady Adventure

1894 · Oil On Canvas · Städel Museum, Frankfurt

The oil on canvas presents a close-up view of two figures locked in a physical encounter. A figure clad in silver-toned metallic armor is intertwined with a nude female form. The composition follows a diagonal axis, creating a sense of movement through the interlocking limbs. Dark, moody tones of deep black and murky green dominate the background, which remains largely obscured by shadow. High-contrast lighting, or chiaroscuro, catches the edges…

9
Sailboats on the Alster River in the Evening (1905) by Maksim Slevogt

Sailboats on the Alster River in the Evening

1905 · Oil On Canvas

In the gentle transition from day to dusk, Max Slevogt’s Sailboats on the Alster River in the Evening captures a moment of profound serenity and communal joy. This 1905 masterpiece serves as a window into a bygone era of leisure, where the rhythmic movement of sailboats across the water mirrors the quiet pulse of life along the riverbanks. As the evening light begins to soften, Slevogt masterfully orchestrates a scene…

Maksim Slevogt, further entries: 11 to 100

11Danae (1895) by Maksim SlevogtDanae1895 · Lenbachhaus 12Luise Papenhagen (1897) by Maksim SlevogtLuise Papenhagen1897 · Lenbachhaus 13Portrait of the Art historian Karl Voll (1898) by Maksim SlevogtPortrait of the Art historian Karl Voll1898 · Bavarske državne slikopisne kolekcije 14Parrot Man (1901) by Maksim SlevogtParrot Man1901 · Niedersächsisches Landesmuseum 15Hour of Celebration (1900) by Maksim SlevogtHour of Celebration1900 · Bavarske državne slikopisne kolekcije 16Faun and a girl (1900) by Maksim SlevogtFaun and a girl1900 · Narodni muzej u Varšavi 17Grape harvest. (1900) by Maksim SlevogtGrape harvest.1900 · Narodni muzej u Varšavi 18Portrait of the Poet Michael Georg Conrad (1909) by Maksim SlevogtPortrait of the Poet Michael Georg Conrad1909 · Bavarske državne slikopisne kolekcije 19Prince Regent Luitpold, Profile Portrait (1909) by Maksim SlevogtPrince Regent Luitpold, Profile Portrait1909 · Bavarske državne slikopisne kolekcije 20Bathing Boys (1911) by Maksim SlevogtBathing Boys1911 21Supper on the Terrace of the Badenburg in the Nymphenburg Palace Park (1908) by Maksim SlevogtSupper on the Terrace of the Badenburg in the Nymphenburg Palace Park1908 22A Self-Portrait in the Garden at Godramstein (1910) by Maksim SlevogtA Self-Portrait in the Garden at Godramstein1910 · Worcester Art Museum 23Don Juan's encounter with the stony guest (1906) by Maksim SlevogtDon Juan's encounter with the stony guest1906 · Alte Nationalgalerie 24Self-Portrait with Black Hat (1913) by Maksim SlevogtSelf-Portrait with Black Hat1913 · Lenbachhaus 25Nina and Wolfgang Slevogt (1917) by Maksim SlevogtNina and Wolfgang Slevogt1917 · Lenbachhaus 26Miss Eva Steinbarth (1915) by Maksim SlevogtMiss Eva Steinbarth1915 27Sudanese women (1914) by Maksim SlevogtSudanese women1914 · Staatliche Kunstsammlungen Dresden 28Don Quichote und Sancho Pansa (1917) by Maksim SlevogtDon Quichote und Sancho Pansa1917 29Pirates (1914) by Maksim SlevogtPirates1914 · Staatliche Kunstsammlungen Dresden 30Sardanapalus (1922) by Maksim SlevogtSardanapalus1922 31Portrait of a dancer Antonia Mercé called "La Argentina". (1926) by Maksim SlevogtPortrait of a dancer Antonia Mercé called "La Argentina".1926 · National Museum in Szczecin 32Self-Portrait (1929) by Maksim SlevogtSelf-Portrait1929 · Bavarske državne slikopisne kolekcije 33The Libyan Desert (1914) by Maksim SlevogtThe Libyan Desert1914 34Early Autumn in the Palatinate - Vineyards near Neukastel (1927) by Maksim SlevogtEarly Autumn in the Palatinate - Vineyards near Neukastel1927 35Sailing into Syracuse Harbor (1914) by Maksim SlevogtSailing into Syracuse Harbor1914 · Bayerische Staatsgemaldesammlungen 36Palatinate Landscape - View of the Madenburg (1924) by Maksim SlevogtPalatinate Landscape - View of the Madenburg1924 · Kunstmuseum Bonn 37Flower Still Life (Bouquet in Glass) (1896) by Maksim SlevogtFlower Still Life (Bouquet in Glass)1896 · Bavarske državne slikopisne kolekcije 38Red Arbor with Dog (1897) by Maksim SlevogtRed Arbor with Dog1897 39Red Arbor with Thundercounds (1893) by Maksim SlevogtRed Arbor with Thundercounds1893 40Man on a Forest Path (1904) by Maksim SlevogtMan on a Forest Path1904 · Westfälisches Landesmuseum 41Female Nude from the Back (1905) by Maksim SlevogtFemale Nude from the Back1905 · Museum Kunstpalast 42Port (Bridge) (1905) by Maksim SlevogtPort (Bridge)1905 · Narodna galerija Prag 43The Dancer Marietta di Rigardo (1904) by Maksim SlevogtThe Dancer Marietta di Rigardo1904 44Under an Arbour (1901) by Maksim SlevogtUnder an Arbour1901 45Study of Some Uniform Pieces (1909) by Maksim SlevogtStudy of Some Uniform Pieces1909 · Bavarske državne slikopisne kolekcije 46Prince Regent Luitpold in the Prayer Chair under Canopy in Candlelight (1909) by Maksim SlevogtPrince Regent Luitpold in the Prayer Chair under Canopy in Candlelight1909 · Bavarske državne slikopisne kolekcije 47Prince Regent Luitpold Kneeling at the Altar with Retinue (1909) by Maksim SlevogtPrince Regent Luitpold Kneeling at the Altar with Retinue1909 · Bavarske državne slikopisne kolekcije 48Church Scene with the Preacher on the Pulpit (1908) by Maksim SlevogtChurch Scene with the Preacher on the Pulpit1908 · Bavarske državne slikopisne kolekcije 49Slaughtered Pig (1906) by Maksim SlevogtSlaughtered Pig1906 · Staatliche Kunsthalle Karlsruhe 50Fruit Still Life (1911) by Maksim SlevogtFruit Still Life1911 · Staatliche Kunsthalle Karlsruhe 51Landscape with a view of Landau (1909) by Maksim SlevogtLandscape with a view of Landau1909 · Narodni muzej u Varšavi 52Self - portrait by Maksim SlevogtSelf - portraitPomeranian State Museum 53still life roses in vase by Maksim Slevogtstill life roses in vase 54forest - road by Maksim Slevogtforest - road 55Portrait of Carl Steinbart (1910) by Maksim SlevogtPortrait of Carl Steinbart1910 56Herbstwald (1906) by Maksim SlevogtHerbstwald1906 57Children by the Pond - The Garden in Godramstein (1909) by Maksim SlevogtChildren by the Pond - The Garden in Godramstein1909 58Dame im weissen Reitkleid zu Pferde (1910) by Maksim SlevogtDame im weissen Reitkleid zu Pferde1910 59Entrance into the Harbor of Syracuse (1914) by Maksim SlevogtEntrance into the Harbor of Syracuse1914 · Bavarske državne slikopisne kolekcije 60Sandstorm in the Libyan Desert (1914) by Maksim SlevogtSandstorm in the Libyan Desert1914 · Staatliche Kunstsammlungen Dresden 61Flower Garden I in Neu Cladow (1912) by Maksim SlevogtFlower Garden I in Neu Cladow1912 · Westfälisches Landesmuseum 62Unter den Linden (1913) by Maksim SlevogtUnter den Linden1913 63Tiger in the Jungle (1917) by Maksim SlevogtTiger in the Jungle1917 64The Nile at Aswan (1914) by Maksim SlevogtThe Nile at Aswan1914 · Staatliche Kunstsammlungen Dresden 65View from Godramstein toward Frankweiler (1913) by Maksim SlevogtView from Godramstein toward Frankweiler1913 66Grape Arbor at Neukastel (1917) by Maksim SlevogtGrape Arbor at Neukastel1917 67Sunny Garden Corner (1921) by Maksim SlevogtSunny Garden Corner1921 · Bavarske državne slikopisne kolekcije 68Blossoming Lilac (1921) by Maksim SlevogtBlossoming Lilac1921 · Städel Museum 69Harness Racetrack in Ruhleben (1920) by Maksim SlevogtHarness Racetrack in Ruhleben1920 · Lenbachhaus 70Woodland Hawthorn with Small Cart (1918) by Maksim SlevogtWoodland Hawthorn with Small Cart1918 · Museum der bildenden Künste 71Terrace in Neukastel (1925) by Maksim SlevogtTerrace in Neukastel1925 · Bavarske državne slikopisne kolekcije 72Still Life with Fruit (1925) by Maksim SlevogtStill Life with Fruit1925 · Bavarske državne slikopisne kolekcije 73View from Naukastel, Late Autumn with Snow (1923) by Maksim SlevogtView from Naukastel, Late Autumn with Snow1923 74Neukastel, View toward Leinsweiler (1925) by Maksim SlevogtNeukastel, View toward Leinsweiler1925 75Neukastel - View of the Madenburg (1924) by Maksim SlevogtNeukastel - View of the Madenburg1924 · Museum Kunstpalast 76The Family Doctor János Plesch (1928) by Maksim SlevogtThe Family Doctor János Plesch1928 77Still life with Melon (1931) by Maksim SlevogtStill life with Melon1931 · Westfälisches Landesmuseum 78Summer House Garden (1912) by Maksim SlevogtSummer House Garden1912 79Cherry Harvest, View from Heukastel toward the South (1926) by Maksim SlevogtCherry Harvest, View from Heukastel toward the South1926 · Валраф-Рихарц Музеј 80Garden in Neu-Cladow (1912) by Maksim SlevogtGarden in Neu-Cladow1912 81Palatinate Landscape (1923) by Maksim SlevogtPalatinate Landscape1923 82The Garden at Neukastel with the LIbrary (1930) by Maksim SlevogtThe Garden at Neukastel with the LIbrary1930 83Country House in Godramstein - Entrance to the Villa (1909) by Maksim SlevogtCountry House in Godramstein - Entrance to the Villa1909 84The Country House in Godramstein (West Side) (1911) by Maksim SlevogtThe Country House in Godramstein (West Side)1911 85Palatinate Landscape (1921) by Maksim SlevogtPalatinate Landscape1921 · Staatliche Kunsthalle 86Garden Steps in Neukastel (1916) by Maksim SlevogtGarden Steps in Neukastel1916 87Moonlit NIght at Neukastel - View of the Madenburg by Moonlight (1917) by Maksim SlevogtMoonlit NIght at Neukastel - View of the Madenburg by Moonlight1917 88Landscape at Godramstein - Clouds Passing (1910) by Maksim SlevogtLandscape at Godramstein - Clouds Passing1910 · Museum der bildenden Künste 89Park Landscape in the Palatinate (1909) by Maksim SlevogtPark Landscape in the Palatinate1909 90Portrait of Ansorge by Maksim SlevogtPortrait of Ansorge 91Forest Path by Maksim SlevogtForest Path 92two women by Maksim Slevogttwo women 93Title Page by Maksim SlevogtTitle Page 94The Prodigal Son by Maksim SlevogtThe Prodigal Son 95The dancer Marietta di Rigardo by Maksim SlevogtThe dancer Marietta di RigardoStaatliche Kunstsammlungen Dresden 96Slevogt family in the garden of Godramstein by Maksim SlevogtSlevogt family in the garden of Godramstein 97Grape Harvest at Neukastel (1916) by Maksim SlevogtGrape Harvest at Neukastel1916 · Museum Folkwang 98Harness Racing (1907) by Maksim SlevogtHarness Racing1907 99Spring in the Palatinate (1910) by Maksim SlevogtSpring in the Palatinate1910 100Negro Boy Mursi (1914) by Maksim SlevogtNegro Boy Mursi1914 · Staatliche Kunstsammlungen Dresden

Maksim Slevogt: works by period

Principal subjects in the work of Maksim Slevogt

The four subjects most frequently represented among these works, each with its best-known example.

Maksim Slevogt: holding museums

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Maksim Slevogt Paintings from this list
Bavarske državne slikopisne kolekcije, MinhenBavarske državne slikopisne kolekcije Minhen 18 Prince Regent Luitpold in the Ermine Cloak, Theater Curtain, Angela von Tschudi
Staatliche Kunstsammlungen Dresden, DresdenStaatliche Kunstsammlungen Dresden Dresden 6 Sudanese women, Pirates, Sandstorm in the Libyan Desert
Lenbachhaus, MinhenLenbachhaus Minhen 5 Danae, Luise Papenhagen, Self-Portrait with Black Hat
Alte Nationalgalerie, BerlinAlte Nationalgalerie Berlin 4 The Singer Francisco d'Andrade as Don Giovanni in Mozart's Opera, Frau Voll mit Tochter, Requiem for the St. Georgsknights
Narodni muzej u Varšavi, VaršavaNarodni muzej u Varšavi Varšava 3 Faun and a girl, Grape harvest., Landscape with a view of Landau
Westfälisches Landesmuseum, MünsterWestfälisches Landesmuseum Münster 3 Man on a Forest Path, Flower Garden I in Neu Cladow, Still life with Melon
Städel Museum, FrankfurtStädel Museum Frankfurt 2 Lady Adventure, Blossoming Lilac
Museum Kunstpalast, DuseeldorfMuseum Kunstpalast Duseeldorf 2 Female Nude from the Back, Neukastel - View of the Madenburg

Decade index: the principal Maksim Slevogt painting of each

Works per decade

Select a decade to display its principal painting.

Questions frequently consulted on Maksim Slevogt's paintings

What is the best-known work of Maksim Slevogt?Display the answer

The Quarry at Albersweiler (1912). The following entries are The Singer Francisco d'Andrade as Don Giovanni in Mozart's Opera (1912) and Frau Voll mit Tochter (1895).

How old was Maksim Slevogt in the year of The Quarry at Albersweiler?Display the answer

44 years: Maksim Slevogt was born in 1868 and The Quarry at Albersweiler is dated 1912.

What are the ten best-known works by Maksim Slevogt?Display the answer

The Quarry at Albersweiler, The Singer Francisco d'Andrade as Don Giovanni in Mozart's Opera, Frau Voll mit Tochter, Prince Regent Luitpold in the Ermine Cloak, Requiem for the St. Georgsknights, Theater Curtain, Lady Adventure, Angela von Tschudi, Sailboats on the Alster River in the Evening and Scheherazade (Telling the Stories from 1001 Nights to the Caliph). The list above records the date and holding museum of each.

How many works by Maksim Slevogt does the catalogue record?Display the answer

The catalogue records 102 works by Maksim Slevogt, dated between 1893 and 1931.

Where are the principal works of Maksim Slevogt held?Display the answer

Principally in Bavarske državne slikopisne kolekcije (Minhen), Staatliche Kunstsammlungen Dresden (Dresden) and Lenbachhaus (Minhen). The museum table above gives the full distribution.

During which period did Maksim Slevogt produce the best-known works?Display the answer

In 1910s: 33 of the 100 works listed on this page are dated to that period, including The Quarry at Albersweiler.

What are the earliest and latest best-known works by Maksim Slevogt?Display the answer

The earliest dated work listed here is Red Arbor with Thundercounds (1893); the latest is Theater Curtain (1931).

What subjects did Maksim Slevogt treat most often?Display the answer

Landscape (11), People (6) and Gardens and parks (5), out of the 100 works listed on this page.

What medium did Maksim Slevogt employ most often?Display the answer

Oil On Canvas, in 15 of the 100 works listed on this page.

To which art movement is Maksim Slevogt attributed?Display the answer

Impressionism, as documented by the works on this page.

Which paintings by Maksim Slevogt does the Bavarske državne slikopisne kolekcije hold?Display the answer

Prince Regent Luitpold in the Ermine Cloak, Theater Curtain and Angela von Tschudi are among the 18 works on this page in the collection of the Bavarske državne slikopisne kolekcije, Minhen.

Can reproductions of Maksim Slevogt's works be ordered?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Biography of Maksim Slevogt

Svetlost nasleđivanja Maksa Slevogta

Maksim Slevogt stoji kao kamen temeljac nemačkog impresionističkog slikarstva, prepoznatljiv po svojim majstorskim prikazima pejzaža i sposobnosti da sa izuzetnom osetljivošću uhvati prolaznu lepotu prirode. Rođen u Landšutu u Bavarskoj 1868. godine, započeo je umetničko putovanje koje će ga odvesti od tamnih, akademskih tonalnih skica do živopisnih platna prepunih svetlosti i boje—što je stilski pomak koji je postao simbol šireg pokreta koji je preoblikovao evropsku umetnost na prelazu vekova. Svoje formativne godine proveo je usavršavajući veštine na Minhenskoj akademiji, gde je u početku istraživao tamnije palete i tehnike pod uticajem tadašnjeg akademskog stila.

Međutim, presudna poseta Parizu 1889. godine zapalila je duboku transformaciju unutar njegove umetničke duše. Izložen revolucionarnim idejama koje su zastupali majstori poput Eduarda Maneta, Slevogtova vizija bila je potisnuta ka hrabrijem pristupu koji je davao prioritet direktnom posmatranju prirodnog sveta. Ovaj susret sa francuskom avangardom odisnuo je život u njegove poteze četkicom, podstičući ga da prihvati plein air slikanje i da traži efemerni ples svetlosti nad pejzažom. Njegovo delo je počelo da pulsira atmosferskim vitalitetom, udaljavajući se od krutih studijskih kompozicija ka spontanijem i čulnijem povezivanju sa stvarnošću.

Majstorstvo svetlosti i pejzaža

Iako je Slevogtov plodni rad obuhvatao različite žanrove, uključujući ilustraciju, portret i žanrovske scene, pejzaži su neprestano dominirali njegovim veličanstvenim delom. Postigao je poseban ugled zahvaljujući svojim upečatljivim prikazima alpskih regija Bavarske, posebno Neukastela, koji je postao njegov dom celog života i služio kao nepresušan izvor inspiracije. Njegova platna slave se zbog sposobnosti da uhvate suptilne nijanse svetlosti i senke, pokazujući pedantnu pažnju posvećenu teksturi i boji koja ga izdvaja od mnogih njegovih savremenika.

Umetnikova tehnička evolucija obeležena je nekoliko ključnih karakteristika:

  • Dinamični potezi četkicom: Prelaz sa kontrolisanih, akademskih poteza ka fluidnijem i energičnijem nanošenju boje.
  • Hromatski sjaj: Sve veće oslanjanje na živopisnu paletu kako bi se dočarala toplina sunčeve svetlosti i svežina sumraka.
  • Atmosferska dubina: Upotreba mekih ivica i difuzije svetlosti kako bi se rekonstruisao osećaj vlage, magle i vazduha unutar scene.

Pored spokojne lepote njegovih pejzaža, Slevogt je posedovao izuzetan kapacitet za dočaravanje težine ljudske istorije. Njegova kasnija dela odražavaju dublji, mračniji odnos prema svetu, uključujući upečatljive prikaze Egipta i jezive užase Prvog svetskog rata. Ova sposobnost da pređe sa idiličnog na duboko proganja emocionalni raspon koji definiše njegovu veličinu.

Kulturni uticaj i istorijski značaj

Izvan njegovih individualnih umetničkih dostignuća, Slevogtov angažman u kulturnim institucijama dodatno je učvrstio njegov položaj unutar intelektualnog pejzaža Weimar Nemačke. Kao istaknuti član Berlin Secession i Pruske akademije umetnosti, bio je u srcu najznačajnijih estetskih debata tog doba. Prihvatio je duh avangarde uz istovremeno održavanje nepokolebljive posvećenosti tradicionalnim umetničkim principima, što mu je omogućilo da premosti jaz između klasičnog obrazovanja i moderne inovacije.

Njegova svestranost protezala se čak i na scenske umetnosti; primetno, dizajnirao je scenografiju za Mocartov Don Đovani, pokazujući sposobnost da svoju slikarsku viziju prevede u pozorišni prostor. Kroz svoj rad u časopisima poput Simplicissimus i kroz svoj trajni uticaj na nemački impresionizam, Maksim Slevogt ostavio je neizbrisiv trag u istoriji umetnosti. On ostaje slavna figura čije delo nastavlja da odjekuje u svakome koga pokrene igra svetlosti, boje i večnog duha prirode.

All 102 works by Maksim Slevogt →