Portrait of Софонизба Ангвисола

Софонизба Ангвисола: The 45 Most Famous Paintings, Documented

Updated октобар 2026 · ranked by our popularity score (searches, visits and orders for each work) · 46 works by Софонизба Ангвисола in our catalogue

Сумарно

According to this ranking, Portrait of the Artist's Sisters Playing Chess (1555) is the most famous painting by Софонизба Ангвисола; the Muzeum Narodowe w Pozaniu, Poznań, holds it. It is followed by Three children with dog (1590) and Self-portrait aged 78 (1610). This list draws on the 46 works by Софонизба Ангвисола in the catalogue and records the 45 most famous, with date, holding museum and description for each entry.

1532 – 1625, Кремона Renaissance Most works: Музеј Прадо

Софонизба Ангвисола: top 10 entries of the list

2
Three children with dog (1590) by Софонизба Ангвисола

Three children with dog

1590 · Oil On Canvas · Corsham Court, Corsham

Three children with dog is a portrait group by Sofonisba Anguissola. Dating to about 1590, the work functions as a family portrait. The composition centers on three children accompanied by a small dog, a common theme for Renaissance commissions intended to commemorate lineage.

3
Self-portrait aged 78 (1610) by Софонизба Ангвисола

Self-portrait aged 78

1610 · Acrylic On Canvas · Gottfried Keller Foundation, Winterthur

Sofonisba Anguissola’s *Self-portrait Aged 78*, completed in 1610, stands as a testament to the extraordinary achievements of a woman artist during the Renaissance—a period fiercely resistant to female participation in intellectual pursuits and artistic creation. More than just a likeness of the artist herself, this painting embodies the spirit of humanist ideals prevalent at the time, presenting Anguissola not merely as an individual but as a symbol of feminine resilience…

5
A Man with his Daughter (1580) by Софонизба Ангвисола

A Man with his Daughter

1580 · Oil · Narodni muzej u Varšavi, Varšava

In this intimate portrait, titled A Man with his Daughter, Sofonisba Anguissola captures a quiet moment of familial connection. The composition focuses on a man and his young daughter, presenting a study of a father and child in a close, vertical arrangement. There is a sense of stillness in the way the figures are positioned against a dark, indistinct background, which directs all attention to the subjects themselves.

7
Virgin and Child (1570) by Софонизба Ангвисола

Virgin and Child

1570 · Oil · Statens Museum For Kunst, Kopenhagen

In this monochrome portrait, Sofonisba Anguissola presents the "Virgin and Child" with a profound sense of intimacy. The composition is a close-up, centering the viewer's attention entirely on the two figures. Through an eye-level perspective, we are brought directly into the private, quiet space shared by the subjects. The religious subject matter is handled with a gentle touch, portraying the Virgin Mary as she looks down lovingly at the sleeping…

Софонизба Ангвисола: list continued, 11 to 45

11Portrait of a Couple (1570) by Софонизба АнгвисолаPortrait of a Couple1570 · Galleria Doria Pamphilj 12Infantin Isabella Clara Eugenia (1573) by Софонизба АнгвисолаInfantin Isabella Clara Eugenia1573 13Young Man (1600) by Софонизба АнгвисолаYoung Man1600 · Detroit Institute of Arts 14Portrait of a Young Lady (1580) by Софонизба АнгвисолаPortrait of a Young Lady1580 · Museo Lázaro Galdiano 15Portrait of Giuliano II Cesarini aged 14 (1586) by Софонизба АнгвисолаPortrait of Giuliano II Cesarini aged 141586 16Madonna Suckling the Infant Christ (1598) by Софонизба АнгвисолаMadonna Suckling the Infant Christ1598 · Szépművészeti Múzeum 17Portrait of Francesco Maria II della Rovere, Duke of Urbino (1549–1631) (1600) by Софонизба АнгвисолаPortrait of Francesco Maria II della Rovere, Duke of Urbino (1549–1631)1600 18Elisabeth of Valois (1565) by Софонизба АнгвисолаElisabeth of Valois1565 · Музеј Прадо 19Portrait of a Boy at the Spanish Court (1570) by Софонизба АнгвисолаPortrait of a Boy at the Spanish Court1570 · Музеј уметности Сан Дијего 20Self-Portrait (1550) by Софонизба АнгвисолаSelf-Portrait1550 · Museo Poldi Pezzoli 21Self-Portrait Playing the Spinet (1556) by Софонизба АнгвисолаSelf-Portrait Playing the Spinet1556 · Museo di Capodimonte 22The Artist (1564) by Софонизба АнгвисолаThe Artist1564 23Asdrubale Bitten by a Crawfish (1554) by Софонизба АнгвисолаAsdrubale Bitten by a Crawfish1554 · Museo di Capodimonte 24Bernardino Campi Painting Sofonisba Anguissola (1559) by Софонизба АнгвисолаBernardino Campi Painting Sofonisba Anguissola1559 · Pinacoteca Nazionale 25Self-Portrait (1554) by Софонизба АнгвисолаSelf-Portrait1554 · Kunsthistorisches Museum 26Old Woman Studying the Alphabet with a Laughing Girl (1550) by Софонизба АнгвисолаOld Woman Studying the Alphabet with a Laughing Girl1550 · Galerija Ufizi 27Family Portrait, Minerva, Amilcare and Asdrubale Anguissola (1557) by Софонизба АнгвисолаFamily Portrait, Minerva, Amilcare and Asdrubale Anguissola1557 · Nivaagaards Malerisamling 28Portrait of a Canon of the Lateran by Софонизба АнгвисолаPortrait of a Canon of the LateranFondazione Brescia Musei 29Profile Portrait of a Young Woman by Софонизба АнгвисолаProfile Portrait of a Young WomanErmitaž 30Self-Portrait (1556) by Софонизба АнгвисолаSelf-Portrait1556 · Muzej finih umetnosti u Bostonu 31Self-Portrait at the Easel (1556) by Софонизба АнгвисолаSelf-Portrait at the Easel1556 · Muzeum-Zamek 32Portrait of Giovanni Battista Caselli (1557) by Софонизба АнгвисолаPortrait of Giovanni Battista Caselli1557 · Музеј Прадо 33A portrait of a young Alessandro Farnese, the future Duke of Parma (1562) by Софонизба АнгвисолаA portrait of a young Alessandro Farnese, the future Duke of Parma1562 · National Gallery of Ireland 34Portrait of the Infanta Isabella Clara Eugenia (1599) by Софонизба АнгвисолаPortrait of the Infanta Isabella Clara Eugenia1599 35Portrait of Bianca Ponzoni Anguissola, the artist's mother (1557) by Софонизба АнгвисолаPortrait of Bianca Ponzoni Anguissola, the artist's mother1557 · Gemäldegalerie 36Portrait of Massimiliano Stampa (1557) by Софонизба АнгвисолаPortrait of Massimiliano Stampa1557 · Walters Art Museum 37Portrait of a Nun (1551) by Софонизба АнгвисолаPortrait of a Nun1551 · City Art Gallery 38Portrait of Philipp II of Spain (1570) by Софонизба АнгвисолаPortrait of Philipp II of Spain1570 · Музеј Прадо 39Portrait of Minerva Anguissola by Софонизба АнгвисолаPortrait of Minerva AnguissolaPinacoteca di Brera 40Infantas Isabella Clara Eugenia and Catalina Micaela (1570) by Софонизба АнгвисолаInfantas Isabella Clara Eugenia and Catalina Micaela1570 · Royal Collection 41Portrait of Juana of Austria with a Young Girl (1561) by Софонизба АнгвисолаPortrait of Juana of Austria with a Young Girl1561 · Isabella Stewart Gardner Museum 42Portrait of Anna of Austria (1549-1580) (1573) by Софонизба АнгвисолаPortrait of Anna of Austria (1549-1580)1573 · Музеј Прадо 43Self-portrait (1552) by Софонизба АнгвисолаSelf-portrait1552 44Self-portrait (1558) by Софонизба АнгвисолаSelf-portrait1558 · Fondation Custodia 45Self-Portrait (1560) by Софонизба АнгвисолаSelf-Portrait1560 · Muzej Kondé

Софонизба Ангвисола: works by period

Principal subjects in the work of Софонизба Ангвисола

The four subjects most frequently represented among these works, each with its best-known example.

Софонизба Ангвисола: holding museums

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Софонизба Ангвисола Paintings from this list
Музеј Прадо, МадридМузеј Прадо Мадрид 4 Elisabeth of Valois, Portrait of Giovanni Battista Caselli, Portrait of Philipp II of Spain
Kunsthistorisches Museum, BečKunsthistorisches Museum Beč 2 Portrait of Queen Elisabeth of Spain, Self-Portrait
Museo di Capodimonte, NapuljMuseo di Capodimonte Napulj 2 Self-Portrait Playing the Spinet, Asdrubale Bitten by a Crawfish
Muzeum Narodowe w Pozaniu, PoznańMuzeum Narodowe w Pozaniu Poznań 1 Portrait of the Artist's Sisters Playing Chess
Corsham Court, CorshamCorsham Court Corsham 1 Three children with dog
Gottfried Keller Foundation, WinterthurGottfried Keller Foundation Winterthur 1 Self-portrait aged 78
Narodni muzej u Varšavi, VaršavaNarodni muzej u Varšavi Varšava 1 A Man with his Daughter
Basque Museum, BayonneBasque Museum Bayonne 1 Portrait of Diane d'Andouins and her daughter

Софонизба Ангвисола by decade: the most famous painting of each

Works per decade

Select a decade to display its principal painting.

Софонизба Ангвисола: questions and documented answers

Which Софонизба Ангвисола painting heads the list of most famous works?Display the answer

Portrait of the Artist's Sisters Playing Chess (1555), Muzeum Narodowe w Pozaniu, Poznań. The following entries are Three children with dog (1590) and Self-portrait aged 78 (1610).

What age had Софонизба Ангвисола reached when Portrait of the Artist's Sisters Playing Chess was painted?Display the answer

23 years: Софонизба Ангвисола was born in 1532 and Portrait of the Artist's Sisters Playing Chess is dated 1555.

Which works make up the top 10 of Софонизба Ангвисола?Display the answer

Portrait of the Artist's Sisters Playing Chess, Three children with dog, Self-portrait aged 78, Portrait of Queen Elisabeth of Spain, A Man with his Daughter, Portrait of Diane d'Andouins and her daughter, Virgin and Child, Portrait of a Monk, Portrait of Joanna of Austria and Self-portrait. The list above records the date and holding museum of each.

How many works by Софонизба Ангвисола are recorded?Display the answer

The catalogue records 46 works by Софонизба Ангвисола, dated between 1550 and 1610.

In which collections are Софонизба Ангвисола's most famous works held?Display the answer

Principally in Музеј Прадо (Мадрид), Kunsthistorisches Museum (Beč) and Museo di Capodimonte (Napulj). The museum table above gives the full distribution.

When were the most famous works of Софонизба Ангвисола painted?Display the answer

In 1550s: 18 of the 45 works listed on this page are dated to that period, including Portrait of the Artist's Sisters Playing Chess.

Which dated works by Софонизба Ангвисола are the earliest and the latest here?Display the answer

The earliest dated work listed here is Self-Portrait (1550); the latest is Self-portrait aged 78 (1610).

What subjects appear most in the work of Софонизба Ангвисола?Display the answer

Portraiture (7), Portrait (5) and Self-portrait (5), out of the 45 works listed on this page.

What materials did Софонизба Ангвисола use most frequently?Display the answer

Oil On Canvas, in 15 of the 45 works listed on this page.

Which art movement does Софонизба Ангвисола represent?Display the answer

Renaissance and Mannerism, as documented by the works on this page.

Which works of Софонизба Ангвисола are held by the Музеј Прадо?Display the answer

Elisabeth of Valois, Portrait of Giovanni Battista Caselli and Portrait of Philipp II of Spain are among the 4 works on this page in the collection of the Музеј Прадо, Мадрид.

Where can reproductions of Софонизба Ангвисола's paintings be obtained?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Софонизба Ангвисола: life and work

Osvetljeni renesans: Život i umetnost Sofonizbe Anguizole

Sofonizba Anguizola je proizašla iz živopisnog umetničkog pejzaža Italije 16. veka kao istinska pionirka, prkosiv društvenim normama i utvrdivši svoje mesto kao jedna od najslavnijih ženskih slikarica Renesansa. Rođena oko 1532. godine u Kremoni, kao ćerka Amilcarea Anguizole i Bijanke Ponconi, uživala je u neobično progresivnom odgajanju za ženu svog vremena. Njen otac, prepoznajući izuzetan umetnički talenat u svojim ćerkama – Sofonizbi, Eleni, Luciji i Evropi – prkosio je konvencijama pružajući im humanističko obrazovanje koje je obuhvatalo latin, muziku i, što je najvažnije, crtanje. Ova posvećenost njihovom intelektualnom i kreativnom razvoju bila je revolucionarna, postavljajući temelje za izvanrednu karijeru Sofonizbe. Iako je porodica Anguizola bila plemićka, nije bila bogata; Amilcare je verovao u negovanje darova svojih ćeri kao sredstva društvenog napretka i ličnog ispunjenja, što je bila radikalna ideja koja će generacijama kasnije oblikovati prilike za umetnice. Godine 1546, Sofonizba i Elena započele su formalnu obuku kod Bernardinoa Kampija, cenjenog lokalnog slikara, nakon čega su usledile studije kod Bernardinoa Gatija (Il Sastjarolo) oko 1550. godine – podučavanja koja su sama po sebi bila revolucionarna, otvarajući vrata koja su ranije bila zatvorena ženama koje teže umetničkom majstorstvu.

Intimnost i inovacija: Razvoj umetničkog glasa

Rani rad Anguizole karakteriše izuzetna intimnost i psihološka dubina, što je posebno uočljivo u njenim portretima porodice. Ovo nisu bili samo vežbe u prenošenju sličnosti; bila su to prodorna istraživanja ličnosti i porodičnih odnosa. Dela poput „Portreta umetničinih sestara koje igraju šah“ (oko msima 1555) predstavljaju majstorsku demonstraciju te sposobnosti, beležeći iskren trenutak interakcije sa nijansiranim izrazima lica i gestovima. Kompozicija deluje izuzetno prirodno, izbegavajući krutu formalnost koja se često sreće u portretima tog doba. Njen stil je prvobitno crpeo elemente iz lombardskog manierizma, ali se tokom boravka u Španiji razvio u rafiniraniji pristup prilagođen zahtevima dvorskog portretizma. Posedovala je izuzetan talenat za prikazivanje realističnih crta lica uz suptilno bojenje i prenošenje emocija kroz delikatne poteze četkicom. Autoportreti postali su tema koja se ponavlja tokom njene karijere, služeći ne samo kao dokaz veštine, već i kao snažna potvrda njenog identiteta kao umetnice u svetu dominiranom muškarcima. „Autoportret za slikarskim štafelom“ (1556) je posebno kultno delo, predstavljajući Sofonizbu kako samouvereno uživa u svom zanatu, izazivajući posmatrače da priznaju njenu umetničku autoritativnost.

Dvorski angažman: Život i rad u Španiji

Godine 1559 stigao je presudan trenutak kada je Anguizolu u Španiju pozvala kraljica Elizaveta od Valois, supruga kralja Filipa II. Ovaj poziv nije bio samo ponuda za posao; bio je to priznanje njenog izuzetnog talenta i svedočanstvo o sopstvenim umetničkom sklonostima same kraljice. Sofonizba je služila kao dama na dvoru i učiteljica slikanja, postajući zvanična dvorska slikarka – pozicija koja je u to vreme bila gotovo nezamisliva za ženu. Kreirala je portrete kraljevske porodice i španske plemićke loze, prilagođavajući svoj stil formalnim zahtevima dvorskog portretizma, dok je istovremeno zadržavala svoju senzibilitetnost prema karakteru likova. Njeno prisustvo na dvoru bilo je značajno; nije bila samo tolerisana kao ženska umetnica, već je aktivno cenjena zbog svojih veština i društva. Nakon prerane smrti kraljice Elizavete 1eks68. godine, Filip II je omogućio Sofonizbino venčanje sa Fabrizijom Monkadom, sicilijanskim plemićem, što joj je omogućilo da nastavi da slika uz očuvanje plemićkog statusa. Ovaj aranžman je pokazao kraljevo poštovanje prema njenoj umetnosti i njegovu želju da osigura njenu dalju dobrobit. Kasnije se ponovo udala nakon Monkadine smrti, nastavljajući da slika tokom celog života.

Nasleđe pionira: Uticaj i istorijski značaj

Dostignuća Sofonizbe Anguizole prevazilazila su okvire španskog dvora. Njen rad je izazvao konvencionalne umetničke norme i otvorio put budućim generacijama umetnica. Dokazala je da žene ne mogu samo da se istaknu u umetnosti, već mogu postići i međunarodno priznanje i zaštitnike. Njen uticaj se vidi u delima kasnijih slikarica koje su sledile njen primer, rušeći barijere i prkosiv društvenim očekivanjima. Ključni uticaji na Anguizolu uključivali su lombardsku školu slikarstva, posebno rad Bernardinoa Kampija i Bernardinoa Gatija, ali je ona na kraju stvorila sopstveni jedinstveni stil koji karakterišu realizam, intimnost i psihološki uvid. Njeni autoportreti ostaju moćni simboli ženskog umetničkog delovanja, inspirišući umetnike i naučnike i danas.

Trajno priznanje

Danas je Sofonizba Anguizola zasluženo priznata kao jedna od najvažnijih figura Renesansa. Njena dela se čuvaju u prestižnim kolekcijama širom sveta, uključujući Museo del Prado u Madridu, Galeriju Uffizi u Firenci i Muzej Izabele Stjuart Gardner u Bostonu. Njena priča nastavlja da odjekuje kod publike, podsećajući nas na moć umetnosti da prevaziđe društvene granice i na neprolazno nasleđe žene koja se usudila da prkos očekivanjem i prati svoju strast. Sposobnost da uhvati ne samo fizičku sličnost, već i unutrašnji život svojih subjekata, osigurava da njeno delo ostane očaravajuće i relevantno vekovima nakon njegovog stvaranja.
  • Njena dela se mogu videti u: Bostonu (Muzej Izabele Stjuart Gardner), Milvaukiju (Muzej umetnosti u Milvaukiju), Bergamu, Brešiji, Budimpešti, Madridu (Museo del Prado), Napulju i Sijeni.
  • Đorđo Vazari je hvalio njenu sposobnost crtanja, bojenja, slikanja iz prirode, izvrsno kopiranje i stvaranje prelepih slika.

All 46 works by Софонизба Ангвисола →