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Hemsida

Giovanni Battista Tiepolo

Giovanni Battista Tiepolo

Rinaldo's Departure from Armida (1755)

The Death of Sophonisba (1755)

The Theological Virtues (1755)

Angelica and Medorus accompanied by two peasants (1757)

Detail of Dido, from Aeneid Presents Cupid, Disguised as Ascanius, to Dido (1757)

Angelica, accompanied by a shepherd who cares Medorus with herbs (1757)

Rinaldo Abandoning Armida (1757)

Allegory of Merit Accompanied by Nobility and Virtue (1757)

Angelica and Medoro with the Shepherds (1757)

Apollo and Diana (1757)

Mercury Appearing to Aeneas (1757)

The Sacrifice of Iphigenia (1757)

Venus Appearing to Aeneas on the Shores of Carthage (1757)

Saint Fidelis of Sigmaringen and Saint Joseph of Leonessa, c. 1747-1758 (1758)

Saint Thecla Liberating the City of Este from the Plague (1759)

St. Anne's Vision (1759)

The Vision of St Anne (detail) (1759)

Allegorical Figure Representing Temperance (1760)

Allegorical Figure Representing Metaphysics (1760)

Allegorical Figure Representing Fortitude (1760)

Neptune and the Winds (1760)

Allegorical Figure Representing Arithmetic (1760)

Allegorical Figure Representing Prudence (1760)

Young Lady in a Tricorn Hat (1760)

Madonna and Child with Saint, c. 1750-1760 (1760)

Venetian Promenade (1760)

A Young Woman With a Macaw (1760)

Venus and Vulcan (1760)

Girl with a Mandolin (1760)

Madonna of the Goldfinch (1760)

WikiOO.org - Encyclopedia of Fine Arts