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Upphovsrätt Detta verk är fritt från upphovsrätt. Benjamin Blake avled 1830; upphovsrätten gäller 70 år efter konstnärens död, vilket innebär att den upphörde 1900.
I sammanhanget
A Hanging Hare — Benjamin Blake
Övre raden: åren. Undre raden: konstnärens ålder vid början och slutet av varje tidsperiod — 0 vid födseln, 73 vid dödsfallet.
Skuggat: Benjamin Blake livstid (1757–1830) varje daterad målning, decennium för decennium
Inget exakt årtal finns registrerat för detta verk — baserat på artistens livstid och verkets stil, vilket decennium skulle du gissa på?
Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som skiljer dem åt.
Fler verk som passar tillsammans med detta: wikioo.org/sv/art/similar/benjamin-blake-a-hanging-hare-9CVUC2-en/
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De tio ledande länderna
Hitta de tre mörkaste länderna på kartan. Finns museet som förvarar den här målningen i något av dem? Skriv ner en anledning till varför människor långt borta skulle kunna titta på den.
Tillsammans utgör dessa verk 100,0% av all den uppmärksamhet som denna konstnärs målningar har fått under de senaste tolv månaderna. Katalogen innehåller 28 verk av denna konstnär, varav 7 har betraktats minst en gång. Denna målning har ännu inte visats under den här perioden — den avslutar listan utan en ranking. Samma siffror, månad för månad
Staplarna mäter uppmärksamhet, inte kvalitet. Välj verket högst upp och detta: nämn en sak som kan göra en målning berömd utöver hur väl den är målad.
Konstnär och museum
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Benjamin Blake was a British violinist, viola player and composer whose artistic legacy resides primarily in his evocative landscape paintings—particularly those imbued with the spirit of the Scottish Highlands. Born in Hackney, London, on February 22nd, 1757, Blake’s life unfolded against the backdrop of Georgian England, a period marked by burgeoning Romantic sensibilities and an increasing fascination with untamed wilderness. Despite limited formal artistic training initially, Blake possessed an innate talent for observation and representation, skills honed through his musical pursuits—he was taught violin by Antonín Kammel and later by Wilhelm Cramer—which instilled in him a meticulous attention to detail and a profound understanding of tonal harmony that would subsequently translate into his visual art.
Early Life & Musical Training: Blake’s formative years were spent immersed in the musical world, shaping his sensibilities and developing a disciplined approach to artistic creation. His association with orchestras like the Italian Opera orchestra at King's Theatre provided invaluable experience in performance and fostered an appreciation for expressive instrumentation.
Career as Viola Player: Blake gained prominence as a viola player, securing positions at prestigious venues such as the Professional Concert from 1785 to 1793. This role demanded precision and artistry—a characteristic that would define his artistic style.
Blake's distinctive aesthetic can be characterized by a masterful blend of tonal harmony and meticulous observation. He drew inspiration from the Romantic movement, embracing its emphasis on emotion and imagination—particularly as expressed through depictions of dramatic landscapes. However, Blake’s artistic vision extended beyond mere imitation; he sought to capture not just what he saw but also what he felt—a palpable sense of solitude, grandeur, and spiritual contemplation. His compositions reflected this ethos, mirroring the emotional depth found in his paintings. Notably, Blake's work aligns with the emerging Pre-Raphaelite movement, sharing its commitment to idealized beauty and a rejection of academic conventions. The influence of Caspar David Friedrich—whose monumental landscapes conveyed profound psychological resonance—is evident in Blake’s compositions, particularly his depictions of misty mountains and brooding skies.
Blake produced approximately 157 paintings during his lifetime, predominantly focused on Scottish Highland scenes. These canvases are renowned for their atmospheric perspective, subtle tonal gradations, and masterful rendering of texture—capturing the rugged beauty of heather-covered hillsides and turbulent lochs with breathtaking accuracy. Among his most celebrated works include “The Shepherd’s Crook,” “Ben Nevis” and “Glen Coe,” each embodying Blake's signature style and conveying a powerful sense of Romantic grandeur. These paintings are held in collections across Britain and internationally, cementing Blake’s place as one of the foremost landscape painters of his era.
Benjamin Blake died in London on August 18th, 1830, leaving behind a body of work that continues to inspire admiration for its artistic integrity and emotional depth. His paintings stand as testament to the Romantic spirit—a yearning for communion with nature and an exploration of profound psychological themes. Blake’s contribution to British art history is undeniable; he championed a uniquely expressive style that anticipated many of the innovations characteristic of subsequent generations of painters, securing his place among the giants of Victorian landscape painting. His enduring influence can be seen in the works of artists who followed him, demonstrating the lasting impact of his artistic vision.
wikioo.org/sv/art/download/benjamin-blake-a-hanging-hare-9CVUC2-en/
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A Hanging Hare — Benjamin Blake
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"A Hanging Hare" tillhör den Traditional Wildlife Art rörelsen och dess skapare verkade under Early Modern-eran.
Upphovsrättsläget för "A Hanging Hare" - allmän egendom – upphovsrätten har löpt ut - baseras på konstnärens dödsår 1830.
Färgkompositionen i "A Hanging Hare" av Benjamin Blake förenar en Serene kontrast med en Strong Color Unity harmoni.