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Guide till studentkonst

Summer

Namn Klass Datum

James E Allen, Summer (1939). Reproducerad i referenssyfte; alla rättigheter förbehållna upphovsrättsinnehavaren.

Fakta om verket

Konstnär
James E Allen wikioo.org/sv/artists/james-e-allen/
Konstnärens levnadstid
1894 – 1964
Målat
1939
Ursprunglig storlek
31 x 36 cm

I sammanhanget

Summer — James E Allen

Storlek

Originalet mäter 31 × 36 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd.

När målades detta?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 45. The artist lived to 70. 33 of the 37 dated works by this artist in our catalogue came earlier.

Skuggat: James E Allen livstid (1894–1964) ▲ detta verk, 1939

Liknande verk

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som är annorlunda.

Fler verk som passar tillsammans med detta: wikioo.org/sv/art/similar/james-e-allen-summer-AQTJDC-en/

Färger

Mätt från bilden

    Huvudfärg

    Gray #94806e

    Sparad palett

    • #94806E
    • #D4BCA4
    • #221917
    • #54463C
    Färgpalett
    Earthy Den dominerande färggruppen i bilden.
    Huvudfärg
    Gray
    Intensitet
    Monochromatic Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Statement I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Strong Color Unity Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Deep_shadow Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Muted Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by James E Allen over the last twelve months — 2 countries in all.

    The ten leading countries

    1. 1 Kina 80,0%
    2. 2 Amerikas förenta stater 20,0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 12 most looked-at works by James E Allen

    1. 1 The Plowman, 1936 25,0%
    2. 2 Prayer for Rain, 1938 12,5%
    3. 3 Elk 12,5%
    4. 4 The Builders, 1932 6,2%
    5. 5 The Menace, 1937 6,2%
    6. 6 The Excavators, 1936 6,2%
    7. 7 The Coal Heavers, 1935 6,2%
    8. 8 Socketing, 1937 6,2%
    9. 9 Spider Boy, 1937 6,2%
    10. 10 Fulton's Folly 6,2%
    11. 11 Up above the World, 1936 6,2%
    12. Summer, 1939 this painting 0,0%

    Together these works take 99,6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 48 works by this artist, of which 11 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Konstnär och museum

    Konstnär

    James E Allen

    James E. Allen: The Steelworker’s Vision

    James Edmund Allen, a name perhaps less familiar than many of his contemporaries in the American art scene of the early 20th century, nevertheless possessed a singular and profoundly moving vision. Born in rural Montana in 1894, Allen's life was shaped by hardship and resilience – experiences that would deeply inform his artistic output. His early years, marked by the sudden loss of his father and subsequent family struggles, instilled within him a profound appreciation for the dignity of labor and the quiet heroism of everyday people. This formative period laid the groundwork for his enduring fascination with the working class, particularly steelworkers and pipe workers, whom he depicted with remarkable empathy and detail. Allen’s artistic journey began modestly, studying at the Art Institute of Chicago and later honing his skills within the influential Interlaken Colony near Asbury Park, New Jersey – a community renowned for its dedication to realism and social commentary. It was here that he developed his signature style: meticulously rendered scenes of industrial life, capturing not just the physicality of these laborers but also their inherent strength, determination, and quiet dignity.

    A Career Bridging Illustration and Printmaking

    Allen’s career spanned over three decades, encompassing a diverse range of activities that ultimately cemented his place as a significant figure in American art. Initially establishing himself as a freelance illustrator for popular magazines like American Boy, Blue Book, and Harper's Bazaar, he quickly gained recognition for his ability to imbue ordinary subjects with extraordinary character. His illustrations weren’t merely decorative; they were imbued with a subtle social awareness, reflecting the realities of American life during a period of rapid industrialization. However, Allen’s artistic ambitions extended beyond illustration. He embraced printmaking – lithography and etching – as a means of exploring his themes more deeply and offering greater control over his compositions. This shift allowed him to create works that were both technically sophisticated and emotionally resonant. His prints, often characterized by their stark contrasts and carefully considered arrangements of line and tone, became increasingly powerful in conveying the struggles and triumphs of the working class.

    The Power of “The Plowman” and Other Iconic Works

    Among Allen’s most celebrated works is "The Plowman" (1937), a lithograph that has become synonymous with his artistic vision. This powerful image, depicting a solitary farmer tilling the land, transcends mere representation to embody themes of perseverance, resilience, and connection to the earth. The composition—a study in light and shadow, emphasizing the figure’s muscular build and weathered face—evokes a sense of quiet dignity and unwavering determination. Similarly, "The Trench" (1937), another lithograph, captures the grim realities of industrial labor during World War II, portraying steelworkers with an unflinching honesty that underscored their vital role in supporting the war effort. These works, along with others such as “Distress,” demonstrate Allen’s ability to transform everyday subjects into potent symbols of American identity and values. His meticulous attention to detail—the texture of clothing, the lines of muscle, the weariness in the eyes—created a sense of immediacy and authenticity that resonated deeply with viewers.

    Influences and Artistic Development

    Allen’s artistic development was shaped by a confluence of influences, ranging from his early exposure to the rugged landscapes of Montana to his engagement with European art movements. The Interlaken Colony provided him with access to a network of talented artists who encouraged experimentation and innovation. He studied under figures like Joseph Pennell and William Auerbach-Levy, absorbing their techniques and approaches while maintaining his own distinctive style. Notably, Allen’s work was influenced by the principles of social realism, which sought to depict the lives of ordinary people with honesty and empathy. However, he also drew inspiration from Cubism and other avant-garde movements, incorporating elements of abstraction and geometric form into his compositions. His exploration of printmaking techniques—particularly lithography—allowed him to achieve a level of tonal control and visual complexity that was rarely seen in American art at the time.

    Legacy and Historical Significance

    James E. Allen’s legacy lies not in grand museums or widespread fame, but rather in his quietly powerful depictions of the working class—a group often overlooked by mainstream artists. His work serves as a poignant reminder of the dignity of labor and the importance of social justice. Allen's meticulous attention to detail and his ability to capture the essence of his subjects have ensured that his art continues to resonate with viewers today. He stands as a testament to the power of observation, empathy, and artistic integrity—qualities that remain vitally important in an increasingly complex world. His work is now housed in collections across the United States, offering a valuable window into the social and cultural landscape of early 20th-century America.

    Här kan du läsa mer

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Summer

    wikioo.org/sv/art/download/james-e-allen-summer-AQTJDC-en/

    Källhänvisning för detta konstverk

    MLA
    Allen, James E. Summer. 1939, https://wikioo.org/sv/art/james-e-allen-summer-AQTJDC-en/
    APA
    Allen, James E (1939). Summer [Painting]. https://wikioo.org/sv/art/james-e-allen-summer-AQTJDC-en/
    Chicago
    James E Allen. Summer. 1939. https://wikioo.org/sv/art/james-e-allen-summer-AQTJDC-en/
    Harvard
    Allen, James E (1939) Summer. Available at: https://wikioo.org/sv/art/james-e-allen-summer-AQTJDC-en/

    Granska detaljerna

    Summer — James E Allen

    Granska detaljerna

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Se tillbaka på The Breakers (1937) tidigare i denna guide. Nämn två saker som det har gemensamt med detta verk, och en sak som är annorlunda.
    4. James E Allen var ungefär 45 när detta skapades. Vad i verket påminner om arbetet hos en konstnär i den åldern?
    5. Vad kan konstnären ha velat att du ska känna?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.

    Frågor och svar

    Hur harmoniska är färgerna i "Summer" av James E Allen?

    Färgerna i "Summer" av James E Allen uppvisar en Strong Color Unity harmoni. Harmoni beskriver hur färgerna förhåller sig till varandra.

    Hur gammal var James E Allen när hen skapade "Summer"?

    När "Summer" skapades år 1939, var James E Allen – född 1894 – 45 år gammal.

    Under vilket år skapades "Summer" av James E Allen?

    "Summer" dateras till 1939. Datumet placerar verket inom James E Allens karriär och dess epok.

    Hur mättad är färgpaletten i "Summer"?

    Färgerna i "Summer" av James E Allen har en Muted mättnad. Mättnad beskriver hur livfulla eller dämpade färgerna är.

    Vad förklarar upphovsrättssituationen för "Summer" av James E Allen?

    "Summer" av James E Allen är fortfarande skyddat av upphovsrätt. Upphovsrätten löper från konstnärens dödsår, vilket var 1964.

    Vad är luminansen i "Summer" av James E Allen?

    "Summer" av James E Allen har en luminans på Soft Shadow. Luminans beskriver hur mycket ljus färgerna tycks reflektera.

    Vilken konstnär tillskrivs "Summer"?

    "Summer" tillskrivs James E Allen.