Sammanfattning
Det mest kända verket av Carl Ebert är Forest Landscape with Bathing Children (1867), som finns i samlingen på Bavarian State Painting Collections, München. De nästa platserna är Evening Landscape (1875) och Landscape society in a park. Katalogen dokumenterar 5 verk av Carl Ebert; de 5 poster nedan är de mest kända, listade i rangordning med datum, museisamling och beskrivning.
Carl Ebert: de 10 främsta målningarna
Carl Ebert: innehar museer
De 2 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Carl Ebert | Målningar från denna lista |
|---|---|---|---|
| München | 2 | Forest Landscape with Bathing Children, Evening Landscape | |
| München | 1 | Isar Landscape |
Carl Ebert: främsta målningar per år
De daterade posterna för Carl Ebert sträcker sig över 9 år, från 1867 till 1875, vilket är ungefär ett decennium, dokumenterat nedan år för år.
Carl Eberts målningar: referensfrågor
Vilken målning av Carl Ebert är mest känd?Visa svaret
Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, München. De följande verken är Evening Landscape (1875) och Landscape society in a park.
Hur gammal var Carl Ebert när Forest Landscape with Bathing Children målades?Visa svaret
46 år: Carl Ebert föddes 1821 och Forest Landscape with Bathing Children är daterad 1867.
Hur många verk av Carl Ebert finns dokumenterade?Visa svaret
Katalogen innehåller 5 verk av Carl Ebert, daterade mellan 1867 och 1875.
Vilka museer hyser Carl Eberts mest kända målningar?Visa svaret
Främst i Bavarian State Painting Collections (München) och Lenbachhaus (München). Tabellen ovan visar den fullständiga fördelningen.
Vilka är de tidigaste och senaste verken av Carl Ebert på den här listan?Visa svaret
Det tidigaste daterade verket som listas här är Forest Landscape with Bathing Children (1867); det senaste är Evening Landscape (1875).
Vilka verk av Carl Ebert finns i samlingen hos Bavarian State Painting Collections?Visa svaret
Forest Landscape with Bathing Children och Evening Landscape är bland de 2 verk på denna sida i Bavarian State Painting Collections, Münchens samling.
Carl Ebert: biografiska anteckningar
Early Life and Artistic Training
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Travels and Artistic Influences
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.



