Porträtt av Lambert Mathieu

Lista över de 3 mest kända målningarna av Lambert Mathieu

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 3 verk av Lambert Mathieu i vår katalog

Sammanfattning

Det mest kända verket av Lambert Mathieu är Self portrait by Lambert Mathieu (1804-1861) (1843). De nästa platserna är Portrait of Marie-Anne Mertens (1850) och Portrait of Edward Van Even (1855). Katalogen dokumenterar 3 verk av Lambert Mathieu; de 3 poster nedan är de mest kända, listade i rangordning med datum, museisamling och beskrivning.

1804 – 1861, Bure

Lambert Mathieu: de 10 främsta målningarna

Lambert Mathieu: främsta målningar per år

De daterade verken av Lambert Mathieu på denna sida sträcker sig över 13 år, från 1843 till 1855; varje år är listat med sina främsta målningar.

Verk per år

Välj ett år för att visa dess främsta målningar.

Lambert Mathieus målningar: referensfrågor

Vilken målning av Lambert Mathieu är mest känd?Visa svaret

Self portrait by Lambert Mathieu (1804-1861) (1843). De följande resultaten är Portrait of Marie-Anne Mertens (1850) och Portrait of Edward Van Even (1855).

Hur gammal var Lambert Mathieu när Self portrait by Lambert Mathieu (1804-1861) målades?Visa svaret

39 år: Lambert Mathieu föddes 1804 och Self portrait by Lambert Mathieu (1804-1861) är daterad 1843.

Hur många verk av Lambert Mathieu finns dokumenterade?Visa svaret

Katalogen innehåller 3 verk av Lambert Mathieu, daterade mellan 1843 och 1855.

Vilka är de tidigaste och senaste verken av Lambert Mathieu på den här listan?Visa svaret

Det tidigaste daterade verket som listas här är Self portrait by Lambert Mathieu (1804-1861) (1843); det senaste är Portrait of Edward Van Even (1855).

Lambert Mathieu: biografiska anteckningar

The Life of a Belgian Painter

Lambert Joseph Mathieu lived through the transformative decades of the nineteenth century, leaving behind a body of work that reflects the quiet dignity of his era. Born in 1804, he navigated a world where the brush and canvas were tools for capturing both the individual soul and the grander allegories of history. His presence in the Belgian art scene was marked by a dedication to oil on canvas, a medium through which he could manipulate light and texture to bring his subjects to life.

The artist's hand is often seen in his more personal reflections, such as his self-portrait held within the collections of Museum M in Leuven, Belgium. In such works, one finds a man observing himself with the same care he applied to his patrons. His career was not merely about the creation of images but about the recording of faces and stories that might otherwise have faded into the shadows of history.

Themes and Artistic Pursuits

Mathieu's repertoire moved between the intimate and the grand. He possessed a particular skill for portraiture, capturing the likenesses of notable figures such as Charles de Luesemans and Marie-Anne Mertens. These portraits were more than simple likenesses; they were studies in character and social standing. His ability to render the weight of fabric and the subtle nuances of a gaze allowed him to connect with his subjects on a human level.

Beyond the individual, he sought to explore deeper narratives through religious and allegorical compositions. He worked on pieces like De bekering van Sint-Hubertus Saint-Hubert and Raphael and his muse La Fornarina, where he engaged with the weight of tradition and the legends of the past. His work Allegory of Raffaell, Sanzio and the creation of the soft style demonstrates an interest in the very foundations of artistic technique and the lineage of great masters.

A Legacy in Oil and Canvas

The traces of Mathieu's life can still be found in auction records and museum archives, where his paintings occasionally resurface to remind us of his skill. While many of his works remain tucked away in storage or private collections, the pieces that do reach the public eye reveal a painter who understood the balance between form and feeling. His auction history shows that his works have been valued by collectors, with certain pieces reaching prices near 4,593 USD.

Though he passed away in 1861, the physical remnants of his labor—the layers of oil paint and the stretched canvas—continue to endure. His life's work remains a part of the Belgian artistic record, preserved through the careful stewardship of institutions like Museum M. Through these surviving canvases, the quiet ambition of Lambert Mathieu continues to speak to those who look closely at the details of his brushwork.