Porträtt av Sofie Holten

Lista över de 1 mest kända målningarna av Sofie Holten

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 1 verk av Sofie Holten i vår katalog

Sammanfattning

Det mest kända verket av Sofie Holten är August Strindberg, 1849-1912 (1885), som finns i samlingen på Statens porträttsamling, Strängnäs. Katalogen dokumenterar 1 verk av Sofie Holten; de 1 poster nedan är de mest kända, listade i rangordning med datum, museisamling och beskrivning.

1858 – 1930, Skuldelev Flest verk: Statens porträttsamling

Sofie Holten: de 10 främsta målningarna

Sofie Holten: innehar museer

Museet som innehar flest av målningarna på denna sida.

Museum Stad Verk av Sofie Holten Målningar från denna lista
Statens porträttsamling, SträngnäsStatens porträttsamling Strängnäs 1 August Strindberg, 1849-1912

Sofie Holten: främsta målningar per år

Samtliga daterade verk av Sofie Holten som listas på denna sida är från 1885; de presenteras nedan i rangordning.

Verk per år

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Sofie Holtens målningar: referensfrågor

Vilken målning av Sofie Holten är mest känd?Visa svaret

August Strindberg, 1849-1912 (1885)

Hur gammal var Sofie Holten när August Strindberg, 1849-1912 målades?Visa svaret

27 år: Sofie Holten föddes 1858 och August Strindberg, 1849-1912 är daterad 1885.

Hur många verk av Sofie Holten finns dokumenterade?Visa svaret

Katalogen innehåller 1 verk av Sofie Holten.

Vilka museer hyser Sofie Holtens mest kända målningar?Visa svaret

Främst i Statens porträttsamling (Strängnäs). Tabellen ovan visar den fullständiga fördelningen.

Sofie Holten: biografiska anteckningar

A Life Painted in Light and Purpose

Born on 12 August 1858 in Skuldelev, Denmark, Sofie Holten grew up as the daughter of a parish priest, Hans Nicolai Holten. Her early years were shaped by the quiet rhythms of Danish life, yet her ambitions reached far beyond the borders of her birthplace. After receiving private instruction from Christen Dalsgaard and Carl Thomsen, she sought the wider horizons of Paris. In the French capital, she studied under Félix-Joseph Barrias and Alfred Stevens, absorbing the modern methods of painting that would later define her brushwork.

Her travels were as varied as her subjects. During the 1890s, she moved through the Netherlands, Germany, Italy, England, and Greece. These excursions provided a steady stream of new sights, from the ancient motifs of the Parthenon to the quiet corners of European landscapes. She was a woman who moved through the world with a clear sense of her own direction, often choosing the independence of her craft over the traditional path of marriage.

The Brush and the Cause

Holten’s work was never confined to a single genre. She found equal expression in portraits, flower paintings, and scenes of everyday life. Some of her most noted portraits captured figures such as August Strindberg and L. A. Ring. Her ability to translate the character of her sitters onto canvas earned her recognition at the Charlottenborg Spring Exhibition and the Salon in Paris. She also brought her eye for detail to historical subjects, creating works inspired by the Parthenon Frieze.

Beyond the studio, her life was defined by a deep commitment to social change. She was a voice for women, writing reviews of female artists in Kvinden og Samfundet and advocating for practical changes in women's lives, such as more functional clothing. In 1895, she acted as a driving force behind the Copenhagen Women's Exhibition. Her dedication to her community and her faith remained constant throughout her later years.

Later Years and Lasting Marks

In her later life, Holten found a spiritual home in Roman Catholicism after spending time in Assisi, Italy. She settled in Roskilde with her friend Erikke Rosenørn-Lehn, where she contributed to the local landscape through her art. Her work decorating the St Laurenti Church in Roskilde remains a significant part of her legacy, earning her the Pro Ecclesia et Pontifice award.

When she passed away on 5 June 1930, she left behind a body of work that reflected both her technical skill and her personal convictions. Her life was marked by several notable achievements:

  • Exhibiting at the 1893 World's Columbian Exposition in Chicago.
  • Advocating for women's rights through writing and organized exhibitions.
  • Decorating religious spaces with her oil paintings.
  • Maintaining a professional presence at the Charlottenborg exhibitions until 1904.