Adèle Romany portresi

Adèle Romany Tarafından Yapılmış En Ünlü 37 Tablonun Listesi

Kasım 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 39 eser Adèle Romany kataloğumuzda

Özet

Adèle Romany tarafından yapılan en bilinen eser, Washington, D.C., National Museum of Women in the Arts koleksiyonunda yer alan Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) adlı tablodur. Sıradaki girişler Madame Coury, Duhamel Widow (1811) ve Portrait of a Young Woman (1804)'dir. Katalog, Adèle Romany tarafından üretilen 39 eseri belgelemektedir; aşağıda sıralanan 37 kayıt, tarih, müze ve açıklama bilgileriyle birlikte en bilinen eserler olup sıralı olarak listelenmiştir.

1769 – 1846, Paris Neoclassicism En çok eser: Library-museum of the Comédie-Française
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) tarafından Adèle Romany1. Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 Madame Coury, Duhamel Widow (1811) tarafından Adèle Romany2. Madame Coury, Duhamel Widow 1811 Portrait of a Young Woman (1804) tarafından Adèle Romany3. Portrait of a Young Woman 1804

Adèle Romany: en önemli 10 tablo

1
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) tarafından Adèle Romany

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

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2
Madame Coury, Duhamel Widow (1811) tarafından Adèle Romany

Madame Coury, Duhamel Widow

1811 · Oil On Canvas · Nationalmuseum, Stockholm

In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

Tüm kayıtlar
3
Portrait of a Young Woman (1804) tarafından Adèle Romany

Portrait of a Young Woman

1804 · Oil On Canvas · Musée Marmottan Monet, Paris

The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

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4
Portrait of Julie Candeille (1791) tarafından Adèle Romany

Portrait of Julie Candeille

1791 · Oil On Canvas

In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

İçeriği oku
5
Portrait of a Young Harpist (1795) tarafından Adèle Romany

Portrait of a Young Harpist

1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lille

The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

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6
Portrait of a woman (1795) tarafından Adèle Romany

Portrait of a woman

1795 · Oil On Canvas · Musée Jacquemart-André, Paris

The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

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7
Portrait of Amélie-Justine Pontois (1795) tarafından Adèle Romany

Portrait of Amélie-Justine Pontois

1795 · Oil

In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

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8
Charles-Antoine d'Artenay (1792) tarafından Adèle Romany

Charles-Antoine d'Artenay

1792 · Oil On Canvas · Versay Sarayı, Versay

The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

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9
Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) tarafından Adèle Romany

Portrait of Amélie-Justine and Charles-Édouard Pontois

1800 · Oil

The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

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10
A young person hesitating to play the piano in front of her family (1804) tarafından Adèle Romany

A young person hesitating to play the piano in front of her family

1804 · Oil On Canvas · Frances Lehman Loeb Art Center

The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

İçeriği oku

Adèle Romany: 11. - 37. kayıtlar

11Presumed self-portrait (1799) tarafından Adèle RomanyPresumed self-portrait1799 · Musée des Beaux-Arts de Rouen 12Young lovers playing the lyre (1802) tarafından Adèle RomanyYoung lovers playing the lyre1802 13Portrait of Jeanne-Marie Mercier, the artist's mother (1799) tarafından Adèle RomanyPortrait of Jeanne-Marie Mercier, the artist's mother1799 · Musee Baron Martin 14Portrait of Justine-Louise Mercier, aunt of the artist (1798) tarafından Adèle RomanyPortrait of Justine-Louise Mercier, aunt of the artist1798 15Louis Jean-Baptiste Étienne Vigée (1800) tarafından Adèle RomanyLouis Jean-Baptiste Étienne Vigée1800 16Portrait de Mme Thénard (1800) tarafından Adèle RomanyPortrait de Mme Thénard1800 · Carnavalet Müzesi 17Full-length Portrait of a Young Lady Seated in a Landscape (1805) tarafından Adèle RomanyFull-length Portrait of a Young Lady Seated in a Landscape1805 · Musée Grobet-Labadié 18Portrait of a Lady at a Pianoforte (1808) tarafından Adèle RomanyPortrait of a Lady at a Pianoforte1808 · Museum of Fine Arts 19portrait of Pierre-Marie-Nicolas Michelot (1807) tarafından Adèle Romanyportrait of Pierre-Marie-Nicolas Michelot1807 20Joseph-Dominique Fabry Garat Playing a Lyre Guitar (1808) tarafından Adèle RomanyJoseph-Dominique Fabry Garat Playing a Lyre Guitar1808 · Museum of Fine Arts 21Portrait of Emilie Leverd (1808) tarafından Adèle RomanyPortrait of Emilie Leverd1808 · Library-museum of the Comédie-Française 22Mlle Raucourt as Agrippine (1812) tarafından Adèle RomanyMlle Raucourt as Agrippine1812 · Library-museum of the Comédie-Française 23Portrait of Joseph Souberbielle (1814) tarafından Adèle RomanyPortrait of Joseph Souberbielle1814 24Portrait of mademoiselle A.P. (1806) tarafından Adèle RomanyPortrait of mademoiselle A.P.1806 · Musée de la Chartreuse de Douai 25Portrait of Antoine Valedau (1809) tarafından Adèle RomanyPortrait of Antoine Valedau1809 · Musée Fabre 26Portrait of Alphonse de Chavanges (1812) tarafından Adèle RomanyPortrait of Alphonse de Chavanges1812 27Portrait of Michael Kelly (1810) tarafından Adèle RomanyPortrait of Michael Kelly1810 28Portrait of Fleury (1818) tarafından Adèle RomanyPortrait of Fleury1818 · Library-museum of the Comédie-Française 29The Marquis de Romance Mesmon's snack (1815) tarafından Adèle RomanyThe Marquis de Romance Mesmon's snack1815 · Versay Sarayı 30Portrait of Aglaé-Constance Boudard in red velvet dress (1815) tarafından Adèle RomanyPortrait of Aglaé-Constance Boudard in red velvet dress1815 31Portrait of Amélie-Justine Laidin de la Bouterie (1818) tarafından Adèle RomanyPortrait of Amélie-Justine Laidin de la Bouterie1818 32Portrait de Zoé Prévost, de l'Opéra-Comique (1830) tarafından Adèle RomanyPortrait de Zoé Prévost, de l'Opéra-Comique1830 · Musée Magnin 33Mlle Prévost de l’Opéra Comique (1830) tarafından Adèle RomanyMlle Prévost de l’Opéra Comique1830 34The Flight from the Village Fire (1833) tarafından Adèle RomanyThe Flight from the Village Fire1833 35Portrait of Voltaire (1836) tarafından Adèle RomanyPortrait of Voltaire1836 · Library-museum of the Comédie-Française 36Baptiste cadet (1832) tarafından Adèle RomanyBaptiste cadet1832 · Library-museum of the Comédie-Française 37Portrait of Auguste Vestris (1793) tarafından Adèle RomanyPortrait of Auguste Vestris1793 · Rhode Island School of Design Museum of Art

Adèle Romany: döneme göre eserler

Early Period

1791 – 1798 · 7 eser bu listede
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791 Portrait of a Young Harpist (1795), Adèle Romany #5 Portrait of a Young Harpist 1795 · Palais des Beaux-Arts de Lille Portrait of a woman (1795), Adèle Romany #6 Portrait of a woman 1795 · Musée Jacquemart-André Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795

Mature Period

1799 – 1833 · 28 eser bu listede
Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Presumed self-portrait (1799), Adèle Romany #11 Presumed self-portrait 1799 · Musée des Beaux-Arts de Rouen

Adèle Romany eserlerindeki temel konular

Bu eserler arasında en sık temsil edilen ve her biri en bilinen örneğine sahip olan dört konu.

Woman 24 eser

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791

Man 14 eser

Charles-Antoine d'Artenay (1792), Adèle Romany #8 Charles-Antoine d'Artenay 1792 · Versay Sarayı Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 Young lovers playing the lyre (1802), Adèle Romany #12 Young lovers playing the lyre 1802 Louis Jean-Baptiste Étienne Vigée (1800), Adèle Romany #15 Louis Jean-Baptiste Étienne Vigée 1800

White dress 6 eser

Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Portrait of mademoiselle A.P. (1806), Adèle Romany #24 Portrait of mademoiselle A.P. 1806 · Musée de la Chartreuse de Douai Portrait of Amélie-Justine Laidin de la Bouterie (1818), Adèle Romany #31 Portrait of Amélie-Justine Laidin de la Bouterie 1818

White cravat 6 eser

Joseph-Dominique Fabry Garat Playing a Lyre Guitar (1808), Adèle Romany #20 Joseph-Dominique Fabry Garat Playing a Lyre Guitar 1808 · Museum of Fine Arts Portrait of Antoine Valedau (1809), Adèle Romany #25 Portrait of Antoine Valedau 1809 · Musée Fabre The Marquis de Romance Mesmon's snack (1815), Adèle Romany #29 The Marquis de Romance Mesmon's snack 1815 · Versay Sarayı Portrait of Voltaire (1836), Adèle Romany #35 Portrait of Voltaire 1836 · Library-museum of the Comédie-Française

Adèle Romany: müzelerde sergileniyor

Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.

Müze Şehir Adèle Romany Eserleri Bu listedeki tablolar
Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
Versay Sarayı, VersayVersay Sarayı Versay 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
Musée Marmottan Monet, ParisMusée Marmottan Monet Paris 1 Portrait of a Young Woman
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
Musée Jacquemart-André, ParisMusée Jacquemart-André Paris 1 Portrait of a woman

Adèle Romany: her on yılın temel tablosu

On yıllara göre eserler

Ana tablosunu görüntülemek için bir on yıl seçin.

Adèle Romany'in tabloları: referans soruları

Adèle Romany tarafından yapılan en bilinen tablo hangisidir?Yanıtı göster

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Sonraki kayıtlar Madame Coury, Duhamel Widow (1811) ve Portrait of a Young Woman (1804)'dir.

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou eseri boyandığında Adèle Romany kaç yaşındaydı?Yanıtı göster

26 yıl: Adèle Romany, 1769 yılında doğmuştur ve Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, 1795 tarihine aittir.

Adèle Romany tarafından yapılmış en bilinen on tablo hangileridir?Yanıtı göster

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois ve A young person hesitating to play the piano in front of her family. Yukarıdaki liste, her birinin tarihini ve bulunduğu müzeyi içermektedir.

Adèle Romany tarafından yapılmış kaç eser belgelenmiştir?Yanıtı göster

Katalog, Adèle Romany tarafından 1791 ile 1836 tarihleri arasında üretilen 39 eseri içermektedir.

Adèle Romany sanatçısının en ünlü tabloları hangi müzelerde sergilenmektedir?Yanıtı göster

Esas olarak Library-museum of the Comédie-Française (Paris), Versay Sarayı (Versay) ve Museum of Fine Arts (Boston) bünyesinde yer alır. Yukarıdaki müze tablosu tam dağılımı göstermektedir.

Adèle Romany'in en tanınmış eserleri hangi dönemde resmedilmiştir?Yanıtı göster

1800s döneminde: Bu sayfada listelenen 37 eserden 13 tanesi, Portrait of a Young Woman dahil olmak üzere bu döneme aittir.

Bu listedeki Adèle Romany imzalı en eski ve en yeni tarihli eserler hangileridir?Yanıtı göster

Burada listelenen en eski tarihli eser Portrait of Julie Candeille (1791), en yeni tarihli eser ise Portrait of Voltaire (1836)'dir.

Adèle Romany eserlerinde en çok hangi temalar tekrarlanır?Yanıtı göster

Bu sayfada listelenen 37 eser arasından Woman (24), Man (14) ve White dress (6)

Adèle Romany eserlerinde hangi teknik ağırlıktadır?Yanıtı göster

Bu sayfada listelenen 37 eserden 29 tanesi Oil On Canvas türündedir.

Adèle Romany hangi sanat akımıyla ilişkilendirilmektedir?Yanıtı göster

Neoclassicism, bu sayfadaki eserlerle belgelendiği üzere.

Adèle Romany tarafından yapılmış hangi eserler Library-museum of the Comédie-Française koleksiyonunda yer almaktadır?Yanıtı göster

Portrait of Emilie Leverd, Mlle Raucourt as Agrippine ve Portrait of Fleury, Library-museum of the Comédie-Française, Paris koleksiyonundaki bu sayfada yer alan 5 eser arasında bulunmaktadır.

Adèle Romany: biyografik notlar

Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

Early Life and Artistic Training

  • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
  • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
  • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

Artistic Style and Notable Works

  • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
  • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
  • Notable Works:
    • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
    • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
    • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
  • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

Recognition and Historical Significance

  • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
  • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
  • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
  • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

Legacy and Rediscovery

Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.

Adèle Romany tarafından yapılan tüm 39 eser →