Updated Ekim 2026 · ranked by our popularity score (searches, visits and orders for each work) · 97 works by Masaccio in our catalogue
Özet
Teslis (1428) is recorded as the most famous painting of Masaccio. Vergi Parası (1425) and The Expulsion from the Garden of Eden (1426) occupy the second and third entries. Of the 97 works by Masaccio recorded in the catalogue, the 97 best known are listed below, each entry with its date, the holding museum and a note on the work.
Teslis, Masaccio'nun birçok sanatsal yeniliği bünyesinde barındıran çığır açıcı bir çalışmasıdır. Derinlik ve mekan algısı yaratan lineer perspektif kullanımını benimseyen ilk anıtsal Rönesans tablolarından biri olması, eseri döneminin çok ötesine taşır. Sanatçının chiaroscuro ve sfumato tekniklerini ustalıkla kullanması, figürlere hacim ve doku kazandırarak onları gerçekliğin sınırlarını zorlayan bir doğallığa ulaştırır.
Sahne, Floransa'daki Santa Maria del Carmine bazilikasının Brancacci Şapeli'nde hayat bulur. Burada, Masaccio tarafından yapılan ve Vergi Parası başlığını taşıyan fresco, şapelin duvarları üzerinde bir kutsal anlatıyı canlandırır. Felice Brancacci tarafından sipariş edilen bu eser, Aziz Petrus'un yaşamına adanmış daha geniş bir döngünün önemli bir parçasını oluşturur. Figürler derin bir anlam taşıyan bir anın içinden geçerken, şapeldeki hava bu kutsal tarihin ağırlığını içinde barındırıyor gibidir.
The heavy silence of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence, Italy, holds the weight of a profound tragedy. Here, the walls breathe with the story of The Expulsion from the Garden of Eden, a fresco painted by Masaccio around 1425. The air seems to thicken around the figures as they face their sudden, irreversible departure from paradise. This scene marks the beginning of…
Bu büyüleyici detay, Masaccio’nun Floransa'daki Brancacci Şapeli'nin en kilit eserlerinden biri olan çığır açıcı freski “Vergi Parası”ndan (The Tribute Money) gelmektedir. 1426 civarında tamamlanan bu eser, Batı sanatında Gotik dönemin stilize geleneklerinden uzaklaşarak natüralizm ve hümanist ifadeye dayalı yeni bir çağa geçişi temsil eden bir dönüm noktasıdır.
To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426, this work captures Masaccio at the zenith of his revolutionary power. It is not merely a depiction of the Crucifixion; it is a profound meditation on sacrifice, community, and the weight of divine narrative rendered with startling immediacy. The composition draws the…
In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…
The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene, identified by the traditional iconography of her long hair and a head covering. She possesses a contemplative expression, directing her gaze slightly downwards toward an object held in her right hand, which may be interpreted as a symbol of faith or devotion.
In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed in 1426, these panels are far more than mere fragments of a lost polyptych; they are windows into a transformative moment when the rigid conventions of the Gothic period began to dissolve, giving way to the profound humanism of the Early Italian…
To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of the Renaissance. Painted between 1425 and 1427 within the hallowed walls of Santa Maria Novella in Florence, this fresco does not merely depict a religious scene; it carves a hole in the very wall of the chapel, inviting the viewer to step…
Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring the arrival of the High Renaissance. Painted between 1425 and 1427, this intimate section captures the essence of Masaccio’s revolutionary approach to depicting reality, a departure from the stylized elegance of the preceding Gothic era and a profound influence on generations of…
View of the Cappella Brancacci (before restoration)1426 · Santa Maria del Carmine
12
Trinity (scheme of the perspective)1425 · Santa Maria Novella
13
Raising of the Son of Theophilus and St Peter Enthroned (detail)1426
14
St Peter Healing the Sick with his Shadow (detail)1426
15
Frescoes in the Cappella Brancacci (right view)1426 · Santa Maria del Carmine
16
Madonna Casini1426
17
Adam and Eve banished from Paradise1427
18
The Distribution of Alms and the Death of Ananias (detail)1426
19
Frescoes in the Cappella Brancacci (left view)1426 · Santa Maria del Carmine
20
Baptism of the Neophytes1427
21
Christ in the Garden of Gethsemane (detail)1424 · Lindenau-Museum
22
Crucifixion1426 · Museo di Capodimonte
23
Tribute Money (detail)1426
24
The Agony in the Garden1426
25
St Peter Healing the Sick with his Shadow (detail)1426
26
St. Juvenal Triptych1422
27
Maria and Child1426
28
Tribute Money (detail)1426
29
The Expulsion from the Garden of Eden (detail)1426
30
Birth tray1428
31
The Baptism of the Neophytes1426
32
Raising of the Son of Theophilus and St Peter Enthroned1426
33
The Distribution of Alms and the Death of Ananias (detail)1426
34
Adoration of the Knigs1428
35
Tribute Money (detail)1426
36
Tribute Money1426
37
The Expulsion from the Garden of Eden1426
38
Tribute Money (detail)1426
39
Raising of the Son of Theophilus and St Peter Enthroned (detail) (9)1426
40
San Giovenale Triptych. Right panel.1422
41
Crucifixion1426
42
Raising of the Son of Theophilus and St Peter Enthroned (detail)1426
43
Raising of the Son of Theophilus and St Peter Enthroned (detail)1426
44
The Raising of the Son of Theophilus and St Peter Enthroned (detail)1426
45
Raising of the Son of Theophilus and St Peter Enthroned (detail)1426
46
Christ in the Garden of Gethsemane (detail)1424 · Lindenau-Museum
47
San Giovenale Triptych. Central panel1423
48
Distribution of Alms and Death of Ananias1425
49
Profile Portrait of a Young Man
50
Profile Portrait of a Young Man1425 · National Gallery of Art
51
Rendering of the Tribute Money
52
Distribution of the Goods of the Community and the Death of Ananias (detail)
53
St. Giovenale Triptych
54
The Expulsion from Paradise
55
The Adoration of the Magi
56
St. Peter Baptizing the Neophytes
57
Birth Salver
58
Medallion
59
Madonna and Child
60
Madonna Enthroned
61
St Jerome and St John the Baptist
62
Christ in the Garden of Gethsemane1424 · Lindenau-Museum
63
San Giovenale Triptych. Left panel1422
64
Portrait of a Young Woman1425
65
Distribution of the Goods of the Community and the Death of Ananias
66
The Holy Trinity with the Virgin, St. John and Two Donors
67
The Cricifixion of St. Peter. The Beheading of St. John the Baptist
68
La Consagración
69
Crucifixion
70
St Jerome and St John the Baptist 1
71
The Madonna and Child with Saint Anne
72
Two panels from the Pisa Altarpiece
73
Portrait of a young manIsabella Stewart Gardner Müzesi
74
View of the Cappella Brancacci (after restoration)
75
Putto and a Small Dog (back side of the Berlin Tondo)
76
The Madonna and Child with st.Anna.1424
77
Plate of Nativity (Berlin Tondo)1427 · Staatliche Museen zu Berlin
78
Madonna with Child and Angels1426 · National Gallery
79
The Distribution of Alms and the Death of Ananias1426 · Santa Maria del Carmine
80
St Peter Healing the Sick with his Shadow1426 · Santa Maria del Carmine
81
San Giovenale Triptych1422
82
Raising of the Son of Teophilus and St.Peter Enthroned1427 · Santa Maria del Carmine
83
St Paul1426 · Museo Nazionale di San Matteo
84
Carnesecchi Triptych1423
85
Adoration of the Magi1426 · Staatliche Museen zu Berlin
86
Martyrdom of San Giovanni Battista1426 · Gemäldegalerie
87
Predella panel from the Pisa Altar1426 · Staatliche Museen zu Berlin
88
A Bearded Carmelite Saint1426 · Gemäldegalerie
89
Madonna Casini1426
90
Madonna of Humility1420 · National Gallery of Art
91
Repentance of Saint Peter1425 · Santa Maria del Carmine
92
San AgustínGemäldegalerie
93
St. Andrew1426 · J. Paul Getty Müzesi
94
CarmelitaGemäldegalerie
95
St. JeromeGemäldegalerie
96
St.Girolamo end Giovanni Battista1428 · National Gallery
97
Crucifixion of St Peter1426 · Staatliche Museen zu Berlin
The four subjects most frequently represented among these works, each with its best-known example.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Masaccio | Paintings from this list |
|---|---|---|---|
 Santa Maria del Carmine |
Floransa | 7 | View of the Cappella Brancacci (before restoration), Frescoes in the Cappella Brancacci (right view), Frescoes in the Cappella Brancacci (left view) |
 Staatliche Museen zu Berlin |
Berlin | 6 | Predella panel from the Pisa Altar, Two panels from the Pisa Altarpiece, Plate of Nativity (Berlin Tondo) |
 Gemäldegalerie |
Berlin | 5 | Martyrdom of San Giovanni Battista, A Bearded Carmelite Saint, San Agustín |
 Santa Maria Novella |
Floransa | 4 | Trinity (detail), Trinity, Trinity (detail) |
 Lindenau-Museum |
Altengau | 3 | Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane |
 National Gallery of Art |
Washington | 2 | Profile Portrait of a Young Man, Madonna of Humility |
 National Gallery |
Londra | 2 | Madonna with Child and Angels, St.Girolamo end Giovanni Battista |
 Museo di Capodimonte |
Napoli | 1 | Crucifixion |
From 1420 to 1428, 9 years, the dated works of Masaccio are indexed below year by year with their principal paintings.
Select a year to display its principal paintings.
In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…
Other works from 1424
Sahne, Floransa'daki Santa Maria del Carmine bazilikasının Brancacci Şapeli'nde hayat bulur. Burada, Masaccio tarafından yapılan ve Vergi Parası başlığını taşıyan fresco, şapelin duvarları üzerinde bir kutsal anlatıyı canlandırır. Felice Brancacci tarafından sipariş edilen bu eser, Aziz Petrus'un yaşamına adanmış daha geniş bir döngünün önemli bir parçasını oluşturur. Figürler derin bir anlam taşıyan bir anın içinden geçerken, şapeldeki hava bu kutsal tarihin ağırlığını içinde barındırıyor gibidir.
Other works from 1425
The heavy silence of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence, Italy, holds the weight of a profound tragedy. Here, the walls breathe with the story of The Expulsion from the Garden of Eden, a fresco painted by Masaccio around 1425. The air seems to thicken around the figures as they face their sudden, irreversible departure from paradise. This scene marks the beginning of…
Other works from 1426
Teslis, Masaccio'nun birçok sanatsal yeniliği bünyesinde barındıran çığır açıcı bir çalışmasıdır. Derinlik ve mekan algısı yaratan lineer perspektif kullanımını benimseyen ilk anıtsal Rönesans tablolarından biri olması, eseri döneminin çok ötesine taşır. Sanatçının chiaroscuro ve sfumato tekniklerini ustalıkla kullanması, figürlere hacim ve doku kazandırarak onları gerçekliğin sınırlarını zorlayan bir doğallığa ulaştırır.
Other works from 1428
Teslis (1428). The following entries are Vergi Parası (1425) and The Expulsion from the Garden of Eden (1426).
27 years: Masaccio was born in 1401 and Teslis is dated 1428.
Teslis, Vergi Parası, The Expulsion from the Garden of Eden, Trapatiçi Detayı (Detay), Predella panel from the Pisa Altar, The Madonna of Humility, Trinity (detail), Two panels from the Pisa Altarpiece, Trinity and Trinity (detail). The list above records the date and holding museum of each.
The catalogue records 97 works by Masaccio, dated between 1420 and 1428.
Principally in Santa Maria del Carmine (Floransa), Staatliche Museen zu Berlin (Berlin) and Gemäldegalerie (Berlin). The museum table above gives the full distribution.
In 1426: 41 of the 97 works listed on this page are dated to that period, including The Expulsion from the Garden of Eden.
The earliest dated work listed here is Madonna of Humility (1420); the latest is Teslis (1428).
Saints (30), Religious (25) and Renaissance (14), out of the 97 works listed on this page.
Acrylic On Canvas, in 9 of the 97 works listed on this page.
Erken rönesans, as documented by the works on this page.
View of the Cappella Brancacci (before restoration), Frescoes in the Cappella Brancacci (right view) and Frescoes in the Cappella Brancacci (left view) are among the 7 works on this page in the collection of the Santa Maria del Carmine, Floransa.
Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.
Tommaso di Ser Giovanni di Simone, namıdiğer Masaccio (yani "Sakar Tom"), Erken İtalyan Rönesansı'nın en kilit figürlerinden biriydi. 21 Aralık 1401'de İtalya'nın San Giovanni Valdarno kentinde dünyaya gelen ve 1428 yılında trajik bir şekilde genç yaşta hayata veda eden bu dahi sanatçı, kısa süren kariyerine çığır açan gerçekçilik, perspektif ve chiaroscuro (ışık ve gölgenin güçlü kontrastı) tekniklerini sığdırarak resim sanatında devrim yarattı. Kısa ömrüne rağmen Masaccio'nun sonraki nesil sanatçılar üzerindeki etkisi derin bir iz bıraktı; doğalcılık konusunda yeni bir standart belirleyerek Batı sanatının akışını sonsuza dek değiştirdi.
Masaccio'nun trajik derecede kısa süren kariyerine rağmen, Batı sanatının seyri üzerindeki etkisi ölçülemez boyuttadır. Perspektif, chiaroscuro ve doğalcılık alanındaki yenilikleri, sanatçıların dünyayı betimleme biçimlerini kökten değiştirdi. Orta Çağ'ın sanatsal gelenekleri ile Rönesans'ın yükselen idealleri arasında etkili bir köprü kurmayı başardı.
Masaccio'nun mirası, tarihin en önemli ve etkileyici sanatçılarından biri olarak varlığını sürdürmektedir. Orta Çağ'dan Rönesans sanatına geçişte kilit bir figür olarak durmakta; dünyayı resim yoluyla algılama ve temsil etme biçimimizi sonsuza dek değiştirmektedir. Onun kısa ama parlak kariyeri, yeniliğin gücüne ve sanatsal dehanın kalıcı etkisine verilmiş en görkemli kanıtlardan biridir.
