Updated Ekim 2026 · ranked by our popularity score (searches, visits and orders for each work) · 56 works by Stefano di Giovanni in our catalogue
Özet
According to this ranking, Madonna of Humility (1432) is the most famous painting by Stefano di Giovanni; the Staatliche Museen zu Berlin, Berlin, holds it. It is followed by Virgin with Child and Four Saints (detail) (1435) and Saint Francis and the Poor Knight, and Francis's Vision (1437). This list draws on the 56 works by Stefano di Giovanni in the catalogue and records the 56 most famous, with date, holding museum and description for each entry.
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The panel titled Saint Francis and the Poor Knight, and Francis's Vision emerges from the hand of the artist Sassetta. Created about 1437, this work exists as the first of eight distinct paintings that once formed the back of a large, richly coloured and elaborate altarpiece. It belongs to the larger San Sepolcro Altarpiece, a significant assembly of devotional imagery.
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The Agony in the Garden is a poignant and spiritually charged tempera painting from the Early Renaissance period. The composition depicts the biblical scene of Christ's agony in the Garden of Gethsemane, set against a dark, star-studded nocturnal sky and a landscape of rolling hills and a winding path. In the foreground, several apostles are shown in various states of deep sleep, their bodies slumped and heads bowed in a…
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
This tempera on poplar panel, dating to c. 1435, presents a solitary figure of Saint Margaret against a shimmering gold ground. The composition is vertical and centered, emphasizing a sense of stillness and spiritual focus. She is draped in a heavy, dark mantle over a deep crimson tunic, her head tilted with a gentle, serene expression. At her feet, a dark, dragon-like creature is visible, a symbolic representation of her…
In this vertical composition, Sassetta presents Saint Apollonia as a single, centered figure. The saint is positioned against a flat, decorative gold background that emphasizes her presence through a sense of divine stillness. Her expression remains calm and contemplative, a quietude that contrasts with the heavy symbolism of her attributes. She holds the pincers used in her martyrdom, a specific detail that identifies her within the religious tradition. This object,…
St. Nicholas of Bari1430
12
Madonna of the Snow Altarpiece1432
13
St Anthony the Hermit Tortured by the Devils1423
14
The Ecstasy of St Francis (detail)1437 · Villa i Tatti
15
The Procession to Calvary1441 · Detroit Institute of Arts
16
The Betrayal of Christ1437 · Detroit Institute of Arts
17
Madonna of Humility1437 · National Gallery of Art
18
St. Anthony of Padua1450
19
Madonna and Child with Angels1437
20
St Matthew1437 · Collezione Vittorio Cini
21
Assumption of Mary with Angel Choirs1450 · Gemäldegalerie
22
The Wolf of Gubbio1450 · National Gallery
23
Virgin of Humility1440 · Collezione Vittorio Cini
24
St Thomas Inspired by the Dove of the Holy Ghost1423 · Szépművészeti Múzeum
25
Damnation of the Soul of the Miser of Citerna1437 · Louvre Müzesi
26
The Ecstasy of St Francis1437 · Villa i Tatti
27
St Thomas Inspired by the Dove of the Holy Ghost1423 · Szépművészeti Múzeum
28
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
29
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
30
Miracle of the Eucharist1423 · Bowes Museum
31
Death of the Heretic on the Bonfire1423 · National Gallery of Victoria
32
St Jerome (detail)1423 · Pinacoteca Nazionale
33
Founding of Santa Maria Maggiore1430
34
The mystical marriage of Saint Francis of Assisi1444
35
The Annunciation "1435 · Metropolitan Sanat Müzesi
36
Virgin with Child and Four Saints (detail)1435 · Museo Diocesano
37
The Stigmatisation of St Francis1437 · National Gallery
38
The Blessed Ranieri Frees the Poor from a Prison in Florence1437 · Louvre Müzesi
39
Virgin with Child and Four Saints (detail)1435 · Museo Diocesano
40
Virgin and Child with Saints1437 · Louvre Müzesi
41
The Blessed Ranieri Frees the Poor from a Jail in Florence1444 · Louvre Müzesi
42
St Thomas Before the Cross1423 · Vatikan Pinakoteği
43
The Blessed Raniero of Borgo San Sepolcro Appearing to a Cardinal in a Dream1444 · Staatliche Museen zu Berlin
44
St. Francis Kneeling before Christ on the CrossCleveland Sanat Müzesi
45
The Last Supper1423 · Pinacoteca Nazionale
46
St Anthony the Hermit Tortured by the Devils1423 · Pinacoteca Nazionale
47
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
48
Madonna and Child with AngelsMetropolitan Sanat Müzesi
49
The Annunciation
50
The Meeting of St. Anthony and St. PaulNational Gallery of Art
51
The Journey of the Magi1435 · Metropolitan Sanat Müzesi
52
St Francis ve Üç Ruhlar Evliliği1437 · Condé Müzesi
53
Saint Francis renounces his Earthly Father1437 · National Gallery
54
St. Anthony Beaten by Devils1423 · Pinacoteca Nazionale
55
Madonna of Humility with Four Saints1435 · Museo Diocesano
56
The Virgin and Child with Saints1430 · Galleria degli Uffizi
The four subjects most frequently represented among these works, each with its best-known example.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Stefano di Giovanni | Paintings from this list |
|---|---|---|---|
 National Gallery |
Londra | 6 | Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, Saint Francis before the Sultan |
 Szépművészeti Múzeum |
Budapeşte | 5 | St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost (detail) |
 Museo Diocesano |
Cortona | 4 | Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail) |
 National Gallery of Art |
Washington | 4 | Saint Margaret, Saint Apollonia, Madonna of Humility |
 Louvre Müzesi |
Paris | 4 | Damnation of the Soul of the Miser of Citerna, The Blessed Ranieri Frees the Poor from a Prison in Florence, Virgin and Child with Saints |
 Pinacoteca Nazionale |
Siena | 4 | St Jerome (detail), The Last Supper, St Anthony the Hermit Tortured by the Devils |
 Detroit Institute of Arts |
Detroit | 3 | The Agony in the Garden, The Procession to Calvary, The Betrayal of Christ |
 Metropolitan Sanat Müzesi |
New York | 3 | The Annunciation ", Madonna and Child with Angels, The Journey of the Magi |
Select a decade to display its principal painting.
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
Madonna of Humility (1432), Staatliche Museen zu Berlin, Berlin. The following entries are Virgin with Child and Four Saints (detail) (1435) and Saint Francis and the Poor Knight, and Francis's Vision (1437).
40 years: Stefano di Giovanni was born in 1392 and Madonna of Humility is dated 1432.
Madonna of Humility, Virgin with Child and Four Saints (detail), Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, The Agony in the Garden, Saint Francis before the Sultan, Saint John the Evangelist, The burning of a heretic, Saint Margaret and Saint Apollonia. The list above records the date and holding museum of each.
The catalogue records 56 works by Stefano di Giovanni, dated between 1412 and 1450.
Principally in National Gallery (Londra), Szépművészeti Múzeum (Budapeşte) and Museo Diocesano (Cortona). The museum table above gives the full distribution.
In 1430s: 27 of the 56 works listed on this page are dated to that period, including Madonna of Humility.
The earliest dated work listed here is Saint John the Evangelist (1412); the latest is Saint Francis before the Sultan (1450).
People (7), Saints (6) and Religious scene (6), out of the 56 works listed on this page.
Tempera On Panel, in 16 of the 56 works listed on this page.
Early renaissance, as documented by the works on this page.
Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis and Saint Francis before the Sultan are among the 6 works on this page in the collection of the National Gallery, Londra.
Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.
İtalyan Quattrocento döneminin o ışıl ışıl çağında, çok az isim ortaçağdan moderne geçişin o hassas eşiğini Stefano di Giovanni kadar dokunaklı bir şekilde canlandırabilir; tarih onu daha içten bir şekilde Sassetta olarak tanır. Sienese Okulu'nun kilit figürlerinden biri olan sanatçının ustalığı, Geç Gotik dönemin dekoratif zarafeti ile Rönesans'ın filizlenen realizmi arasında derin bir köprü kurar. Hayatının kesin kökenleri zamanın sisleri arasında gizli kalmış olsa da—bilim insanları onun Siena'da mı yoksa belki de Cortona'da mı doğduğunu tartışmaya devam etse de—Toskana manzarasındaki varlığı yadsınamaz. Eserleri, Siena'nın ritmik ve lirik ruhunu taşırken, aynı zamanda çağının değişen rüzgarlarına derinden bağlı bir sanatçıyı fısıldayan yeni, gözlemci bir canlılıkla nefes alır.
Sassetta’nın yaratıcı yolculuğu, sofistike bir sentezin hikayesiydi. Karmaşık detaylar ve ruhsal derinlikle karakterize edilen geleneksel Sienese üslubuna sadık kalırken, aynı zamanda Floransa'dan yükselen devrim niteliğindeki yenilikleri özümseme konusunda nadir görülen bir yeteneğe sahipti. Masaccio, Masolino ve Gentile da Fabriano} gibi ustaların etkisi, sanatçının mekansal ilişkilere hakimiyetinde ve ışık kullanımındaki evriminde hissedilebilir. Bu yeni teknikleri yalnızca kopyalamakla kalmamış; aksine, figürlerine doğal bir parıltı katmak için onları bütünleştirmiş, ışığın formları ikna edici bir şekilde şekillendirmesine ve kompozisyonlarında tutarlı, nefes alan bir mekan duygusu yaratmasına olanak tanımış.
Sassetta'nın külliyatı, her fırça darbesinin daha yüce bir ruhsal amaca hizmet ettiği anlatı resmindeki ustalığının bir kanıtıdır. Eserleri, izleyiciyi kutsal tarihler boyunca yönlendirmek için sofistike bir renk paleti ve ritmik kompozisyonlar kullanarak genellikle ilahi olana açılan pencereler işlevi görür. Son Akşam Yemeği gibi şaheserlerinde, derin dini anlatıyı elle tutulur, ağırbaşlı bir gerçekliğe oturtmak için toprak tonlarını ve dikkatli perspektifi kullanarak karmaşık duygusal durumları yakalama konusunda olağanüstü bir beceri sergiler. Gotik geleneğin süslemeci güzelliğini, yükselen bir insan dramı duygusuyla dengeleme yeteneği, panellerini eşsiz derecede büyüleyici kılar.
Daha küçük panellerinin samimi ölçeğinin ötesinde Sassetta, döneminin dini manzarasını tanımlayan önemli altarlar ve poliptikler aracılığıyla büyük bir ün kazanmıştır. En dikkat çekici sanatsal başarılarından bazıları şunlardır:
Sassetta'nın tarihsel önemi, bir koruyucu ve bir yenilikçi olarak üstlendiği rolde yatar. Sienese Okulu'nun eşsiz kimliğinin Floransa hakimiyeti karşısında yok olmamasını, aksın aksine realizm ve derinliğin yeni dilini içerecek şekilde evrilmesini sağlamıştır. Resimleri sadece geçmiş bir dönemin kalıntıları değildir; eski dünya ile yeni dünya arasında yaşayan diyaloglardır. Işığı hassas kullanımı, sembolik ikonografideki ustalığı ve konularına duyduğu derin empati sayesinde Sassetta, İtalyan sanat tarihine silinmez bir iz bırakmış ve Sienese Rönesansı'nın en önemli temsilcilerinden biri olarak yerini sağlamlaştırmıştır.
