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Damascus 3

Ім'я Клас Дата

Едвард Лер, Damascus 3. Общественное достояние

Основна інформація

Автор
Едвард Лер wikioo.org/uk/artists/%D0%B5%D0%B4%D0%B2%D0%B0%D1%80%D0%B4-%D0%BB%D0%B5%D1%80_uk/
Дати створення автором
1812 – 1888

У контексті

Damascus 3 — Едвард Лер

Коли це могло бути написане?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880

Row above: the year. Row below: the artist's age in that year.

Затінення: життя Едвард Лер (1812–1888)

First works: up to 1858 Main working years: 1858–1872 Late works: from 1872

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

Для цього запису не вказано точний рік — враховуючи період життя митця та стиль твору, до якого десятиліття ви б його віднесли?

Схожі твори мистецтва

Оберіть одну з робіт вище: назвіть дві спільні риси з цією роботою та одну відмінність.

Більше творів, що доповнюють цей: wikioo.org/uk/art/similar/edward-lear-damascus-3-8LHSHA-en/

Кольорова палітра

Виміряно за зображенням

    Основний колір

    Gray #7b8683

    Збережена палітра

    • #7B8683
    • #B99767
    • #EED9B2
    • #CAB693
    Палітра
    Neutrals Переважаюча колірна гама зображення.
    Назва основного кольору
    Gray
    Інтенсивність
    Vivid Наскільки насиченими та різноманітними є кольори: від одного приглушеного відтінку до багатьох яскравих.
    Контрастність
    Gentle Ступінь відмінності кольорів за світлотою та насиченістю в межах картини.
    Гармонія
    Strong Color Unity Наскільки вдало поєднуються кольори — від контрастних до повністю гармонійних.
    Яскравість
    Brilliant Загальна світлотінь картини: від глибокої тіні до яскравого світла.
    Насиченість
    Balanced Soft Наскільки чистими та насиченими є кольори — від майже сірих до максимально яскравих.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Едвард Лер over the last twelve months — 12 countries in all.

    The ten leading countries

    1. 1 Китай 67,8%
    2. 2 Сполучені Штати Америки 13,0%
    3. 3 Гонконг 4,8%
    4. 4 Сінгапур 4,8%
    5. 5 Румунія 3,4%
    6. 6 Австралія 1,4%
    7. 7 Сполучене Королівство 1,4%
    8. 8 Бразилія 0,7%
    9. 9 Швейцарія 0,7%
    10. 10 Іспанія 0,7%
    11. · 2 other countries 1,3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Едвард Лер

    1. 1 The Temple of Apollo at Bassae, 1855 2,0%
    2. 2 Road near Galle, Ceylon, 1879 2,0%
    3. 3 Гори Термопилей, 1852 2,0%
    4. 4 Study Of Palm Trees 2,0%
    5. 5 The Pyramids of Ghizeh, 1873 2,0%
    6. 6 The nile at kaasr-es-saiyyad 2,0%
    7. 7 Esneh On The Nile, Near Luxor, Egypt 2 2,0%
    8. 8 Certosa Di Pesio Con Le Missioni Della Consolata 2,0%
    9. 9 View Over The Lake, Kandy, Ceylon 2,0%
    10. 10 Damascus 3 this painting 2,0%
    11. 11 View of Florence from Villa San Firenze, 1862 1,3%
    12. 12 Launce and His Dog 1,3%
    13. 13 Ceylon Scenery 1,3%
    14. 14 Walls Of Constantinople 1,3%
    15. 15 Figure On A Balcony Overlooking The Citadel, Corfu 1,3%
    16. 16 Porta Maggiore, Rome 1,3%
    17. 17 Smakieras, Corfu 1,3%
    18. 18 Erbalunga, Corsica 1,3%
    19. 19 Piazza Di Spagna, Rome 1,3%
    20. 20 Maharraga, Upper Egypt 1,3%

    Together these works take 33,0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 395 works by this artist, of which 112 were looked at at least once. This painting ranks 10 of them, with 2,0% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Митець та музей

    Автор

    Едвард Лер

    Місце народження Лондон, Великобританія

    A Life Painted in Nonsense and Light

    Edward Lear, a name inextricably linked with whimsical verse and delightfully peculiar illustrations, was far more than simply the creator of limericks and fantastical creatures. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children – a chaotic yet vibrant backdrop to his formative years – Lear’s early life was shaped by both financial instability and an undeniable artistic talent. His father, Jeremiah Lear, faced considerable hardship following the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This early necessity, however, ignited within him a lifelong passion that would propel him across continents, capturing the world in a kaleidoscope of vibrant hues and playful lines. The shadow of familial difficulty, coupled with recurring health challenges – including episodes of epilepsy and periods of melancholia he himself termed “the Morbids” – instilled within Lear a gentle sense of solitude and an inclination towards imaginative escape; qualities that profoundly resonated throughout his art and writing.

    From Ornithological Precision to Landscape’s Embrace

    Lear's artistic journey commenced with a remarkable degree of precision. Initially employed by the Zoological Society, he honed his skills meticulously illustrating birds and animals, demonstrating an extraordinary eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures residing within his private menagerie at Knowsley Hall. These years spent in close proximity to lions, tigers, and parrots not only refined his draftsmanship but also fostered a deep and abiding connection with the natural world – a bond that would become a cornerstone of his later landscape paintings. However, the demanding nature of ornithological illustration, coupled with increasingly debilitating eyesight and respiratory issues, eventually led him away from this exacting field. He turned instead to landscape painting, embarking on extensive and transformative travels throughout Europe and beyond. Italy became a particularly cherished haven, offering not only respite for his ailing health but also an abundance of inspiring vistas – the dramatic cliffs of Amalfi, the rolling hills of Tuscany, and the serene beauty of Lake Como all found their way onto his canvases. His landscapes are characterized by a unique blend of topographical accuracy and atmospheric sensitivity; he masterfully captured the subtle nuances of light and shadow, creating works that exuded both realism and an ethereal quality.

    The Poet of Nonsense: A World Unbound

    While celebrated primarily as a painter, it is perhaps for his literary contributions that Edward Lear remains most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. A Book of Nonsense, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. The Owl and the Pussy-Cat, arguably his most enduring poem, remains a beloved classic, its lyrical rhythm and evocative imagery continuing to enchant generations. Lear’s limericks often explored themes of loneliness, longing, and the inherent absurdity of existence – subjects cloaked within a veneer of whimsicality. He skillfully blended humor with poignant introspection, creating works that resonated deeply with readers on multiple levels.

    Influences and Artistic Development

    Early Influences: Lear’s initial artistic training was rooted in scientific illustration, demanding meticulous observation and an unwavering commitment to accuracy. This foundation shaped his precise draftsmanship and his ability to render intricate details, even as he later embraced more expressive styles.

    Travel & Landscape Painting: His extensive travels throughout Europe – Italy, Greece, Egypt, and beyond – profoundly influenced his landscape work. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective and delicate brushwork.

    Literary Inspiration: While he popularized the limerick, Lear was also inspired by earlier traditions of nonsense verse. His unique contribution lay in his ability to imbue this form with emotional depth and lyrical beauty.

    Personal Experiences: Lear’s lifelong struggles with health issues and periods of melancholy deeply informed his artistic vision. The sense of isolation and longing that permeates much of his work reflects his own personal experiences – a vulnerability he skillfully channeled into his art.

    A Legacy of Innovation and Enduring Charm

    Edward Lear's influence extends far beyond the realm of children’s literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. He challenged conventional boundaries, blurring the lines between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections such as The Ashmolean Museum in Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit.

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    Доступно онлайн

    QR-код, що веде на сторінку завантаження Damascus 3

    wikioo.org/uk/art/download/edward-lear-damascus-3-8LHSHA-en/

    Цитування цього твору мистецтва

    MLA
    Лер, Едвард. Damascus 3. n.d., https://wikioo.org/uk/art/edward-lear-damascus-3-8LHSHA-en/
    APA
    Лер, Едвард (n.d.). Damascus 3 [Painting]. https://wikioo.org/uk/art/edward-lear-damascus-3-8LHSHA-en/
    Chicago
    Едвард Лер. Damascus 3. n.d. https://wikioo.org/uk/art/edward-lear-damascus-3-8LHSHA-en/
    Harvard
    Лер, Едвард (n.d.) Damascus 3. Available at: https://wikioo.org/uk/art/edward-lear-damascus-3-8LHSHA-en/

    Придивіться уважніше

    Damascus 3 — Едвард Лер

    Придивіться уважніше

    Відповідайте власними словами. Тут немає неправильних відповідей — лише такі, які ви можете пояснити.

    1. Що першим привертає вашу увагу і чому?
    2. Які кольори чи форми створюють настрій — і що це за настрій?
    3. Скільки облич ви можете знайти? ____ (у нашому каталозі їх 5 — чи згодні ви з цим?)
    4. У нашому каталозі ця робота класифікована за тегами: sea. Ви згодні? Що б ви додали або прибрали?
    5. Поверніться до розгляду Mount Athos and the Monastery of Stavronikétes (1857), що було раніше в цьому посібнику. Назвіть дві спільні риси цього твору з цією роботою та одну відмінність.

    Ваша відповідь

    Напишіть короткий абзац про цей витвір мистецтва, спираючись на факти з попередніх розділів цього посібника та ваші відповіді вище.

    Запитання та відповіді

    Хто продає написані вручну копії «Damascus 3» Едвард Лер?

    «Damascus 3» доступна як репродукція олією ручного розпису на лляному полотні. Замовлення можна оформити на ця сторінка, вибравши відповідний розмір.

    Якому художнику приписують роботу "Damascus 3"?

    «Damascus 3» приписують Едвард Лер.

    Як поєднуються контраст і гармонія у творі "Damascus 3"?

    Колірна композиція «Damascus 3» Едвард Лер поєднує в собі Gentle контраст із Strong Color Unity гармонією.

    Як я можу придбати принт «Damascus 3» Едвард Лер?

    Щоб замовити принт «Damascus 3» Едвард Лер, просто перейдіть на сторінку ця сторінка: художній принт на бавовняному полотні або архівному канвас-папері.

    Про що твір "Damascus 3"?

    «Damascus 3» Едвард Лер зображує: sea.

    Як у творі «Damascus 3» збалансовано світло та тінь?

    Яскравість твору «Damascus 3» Едвард Лер зафіксована на рівні brilliant, а показник яскравості (luminance) становить Bright Balance.

    Який домінуючий колір у «Damascus 3» Едвард Лер?

    Gray (#7b8683) — це провідний колір твору «Damascus 3» Едвард Лер.