Оновлено Жовтень 2026 · за рейтингом нашої популярності (кількість пошукових запитів, переглядів та замовлень для кожної роботи) · 22 робіт Девід Бейлі у нашому каталозі
Огляд
Згідно з цим рейтингом, Johanna Visscher (1628) є найвідомішою картиною Девід Бейлі; вона зберігається в Slovak National Gallery, Bratislava. Далі йдуть Portrait of Ripperd Van Groenendijk (1650) та Portrait of Claudina Van Groenendijk (1633). Цей список базується на 22 роботах Девід Бейлі у каталозі та містить 22 найвідоміших із них із зазначенням дати, музею, де вони зберігаються, та описом для кожної позиції.
David Bailly painted Johanna Visscher about 1628. The portrait presents a woman of high social standing, captured in a formal bust-length composition. She faces the viewer with a calm, direct gaze that establishes an immediate connection. Her status is signaled through the elaborate details of her attire, including a large, crisp white ruff collar and a jeweled bodice.
In this bust-length portrait, David Bailly presents the subject, Ripperd Van Groenendijk, with a quiet and dignified presence. The man is positioned slightly off-center, turned toward the viewer's right, yet his gaze meets the observer directly. This direct eye contact creates an immediate sense of connection between the sitter and the viewer. The composition is set against a dark, indistinct, and flat background, which ensures that the focus remains entirely…
Created in 1633, this work is a product of the Dutch Golden Age. The style reflects the period's preoccupation with technical precision and the realistic depiction of social status through costume. The portrait adheres to the conventions of 17th-century Dutch Baroque portraiture, where the focus remains entirely on the individual and the material markers of their identity. The meticulous attention to the textures of lace, linen, and silk demonstrates the…
Young man with a fur hat is a bust-length portrait by the Dutch Golden Age painter David Bailly. Known in Dutch as Jonge man met bontmuts, the work functions as a tronie, focusing on the character and expression of the subject rather than a specific individual's likeness. The sitter is presented in a close-up view, centered against a dark, indistinct background.
This oil on canvas work, titled Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, was executed by the Dutch artist David Bailly. Dated about 1601, the painting presents a formal study of a man of high academic status. The subject is captured in a moment of quiet dignity, his presence defined by the scholarly weight of his position.
A young man emerges from a deep, indeterminate darkness, his presence defined by a sudden, sharp light that sweeps across his features. This is Gerrit Schaep, captured in a moment of quiet dignity. He sits in a three-quarter view, his body angled slightly away while his gaze meets the viewer with a steady, calm composure. The light, descending from the upper left, carves the contours of his face, casting soft…
The Portrait of Willem Ruychaver is an oil painting executed by David Bailly in 1632. This work belongs to the Dutch Golden Age, a period marked by significant developments in portraiture and still-life painting within the Netherlands.
A single figure emerges from a void of deep browns and blacks. This young man, captured in a three-quarter view, gazes out with a quiet, heavy stillness. His face is a landscape of soft light and subtle shadow, carved by a light source from the upper left. The skin possesses a smooth, painterly quality, transitioning gently into the dark collar at his neck. He wears a large, textured cap that…
In this 1640 oil portrait, we encounter Dirck van Egmond van de Nijenburg, a man whose steady gaze meets ours with a quiet, unyielding dignity. David Bailly has composed this bust-length study with a profound sense of gravity, placing the subject slightly off-center to create a natural, breathing presence. The lighting is deliberate, employing a chiaroscuro effect that pulls the man’s features out of a deep, dark background. One side…
The oil on canvas work titled Vanitas is a large and splendid example of the vanitas still life genre. Created by the Dutch painter David Bailly, the composition captures a dense arrangement of objects that speak to the fleeting nature of existence. The artist, born in 1584, rendered this scene with a focus on the material world's inevitable decay.
Portrait of an unknown woman wearing pearls1650
12
Self-Portrait1625 · Рейксмюзеум
13
Portrait of a Man1641 · Метрополітен-музей
14
Self-Portrait1625 · Рейксмюзеум
15
Portrait of a Man, Possibly a Botanist1641 · Метрополітен-музей
16
Portrait of Claudius Salmasius (Saumaise), philologist
17
Portrait of David Bailly in Cornelis de Bie's Gulden Cabinet.
18
Portrait of the Painter François Gysels
19
Portrait of Anthony de Wale1636 · Рейксмюзеум
20
Portrait of Prince Janusz RadziwiłłNational Museum in Wrocław
21
Self-Portrait with Vanitas Symbols1651 · Stedelijk Museum De Lakenhal
22
Portrait of Aertje WitsenРейксмюзеум
Чотири найпоширеніші сюжети серед цих творів, кожен з найкращим відомим прикладом.
8 музеїв, у яких зберігається найбільша кількість картин із цього списку.
| Музеї | Місто | Твори Девід Бейлі | Картини з цього списку |
|---|---|---|---|
 Рейксмюзеум |
Амстердам | 5 | Young man with a fur hat, Self-Portrait, Self-Portrait |
 Slovak National Gallery |
Bratislava | 2 | Johanna Visscher, The Portrait of Gerrit Schaep |
 Fine Arts Museums of San Francisco |
Сан-Франциско | 2 | Portrait of Ripperd Van Groenendijk, Portrait of Claudina Van Groenendijk |
 Метрополітен-музей |
Нью-Йорк | 2 | Portrait of a Man, Portrait of a Man, Possibly a Botanist |
 Museum van Loon |
Amsterdam | 1 | Portrait of Willem Ruychaver |
 Stedelijk Museum |
Alkmaar | 1 | Portrait of Dirck van Egmond van de Nijenburg (1614-1663) |
 Herbert F. Johnson Museum of Art |
Ітака | 1 | Vanitas |
 National Museum in Wrocław |
Wrocław | 1 | Portrait of Prince Janusz Radziwiłł |
Оберіть десятиліття, щоб переглянути головний витвір живопису цього періоду.
This oil on canvas work, titled Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, was executed by the Dutch artist David Bailly. Dated about 1601, the painting presents a formal study of a man of high academic status. The subject is captured in a moment of quiet dignity, his presence defined by the scholarly weight of his position.
David Bailly painted Johanna Visscher about 1628. The portrait presents a woman of high social standing, captured in a formal bust-length composition. She faces the viewer with a calm, direct gaze that establishes an immediate connection. Her status is signaled through the elaborate details of her attire, including a large, crisp white ruff collar and a jeweled bodice.
Created in 1633, this work is a product of the Dutch Golden Age. The style reflects the period's preoccupation with technical precision and the realistic depiction of social status through costume. The portrait adheres to the conventions of 17th-century Dutch Baroque portraiture, where the focus remains entirely on the individual and the material markers of their identity. The meticulous attention to the textures of lace, linen, and silk demonstrates the…
In this 1640 oil portrait, we encounter Dirck van Egmond van de Nijenburg, a man whose steady gaze meets ours with a quiet, unyielding dignity. David Bailly has composed this bust-length study with a profound sense of gravity, placing the subject slightly off-center to create a natural, breathing presence. The lighting is deliberate, employing a chiaroscuro effect that pulls the man’s features out of a deep, dark background. One side…
In this bust-length portrait, David Bailly presents the subject, Ripperd Van Groenendijk, with a quiet and dignified presence. The man is positioned slightly off-center, turned toward the viewer's right, yet his gaze meets the observer directly. This direct eye contact creates an immediate sense of connection between the sitter and the viewer. The composition is set against a dark, indistinct, and flat background, which ensures that the focus remains entirely…
Johanna Visscher (1628), Slovak National Gallery, Bratislava. Наступні записи — Portrait of Ripperd Van Groenendijk (1650) та Portrait of Claudina Van Groenendijk (1633).
44 років: Девід Бейлі народився у 1584, а дата створення Johanna Visscher — 1628.
Johanna Visscher, Portrait of Ripperd Van Groenendijk, Portrait of Claudina Van Groenendijk, Young man with a fur hat, Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, The Portrait of Gerrit Schaep, Portrait of Willem Ruychaver, Young Man in a Black Cap, Portrait of Dirck van Egmond van de Nijenburg (1614-1663) та Vanitas. У наведеному вище списку зазначено дату та музей, у якому зберігається кожен із них.
У каталозі наведено 22 робіт Девід Бейлі, датованих періодом з 1601 по 1651.
Переважно в Рейксмюзеум (Амстердам), Slovak National Gallery (Bratislava) та Fine Arts Museums of San Francisco (Сан-Франциско). У таблиці вище наведено повний розподіл.
У 1630s: 5 із 22 робіт, представлених на цій сторінці, датуються цим періодом, зокрема Portrait of Claudina Van Groenendijk.
Найраніша за датою робота у цьому списку — Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden (1601), найновіша — Self-Portrait with Vanitas Symbols (1651).
Man (8), White collar (3) та Ruff (3) із 22 робіт, представлених на цій сторінці.
Oil On Canvas, у 5 із 22 робіт, представлених на цій сторінці.
Baroque та Dutch baroque, що підтверджується роботами на цій сторінці.
Young man with a fur hat, Self-Portrait та Self-Portrait — серед 5 творів на цій сторінці в колекції Рейксмюзеум, Амстердам.
